This is the third album from UK post-rock band Million Moons.
You Be Good, I Love You contains 56 minutes of atmospheric instrumental post-rock. Million Moons invite the listener to feel something on this record, and it’s an invitation you shouldn’t say no to. Continue reading “Million Moons – You Be Good, I Love You (Review)”
This is the seventh album from US progressive rock band Elder.
Following on from 2022’s Innate Passage now comes the 54-minute Through Zero. Elder have put together a sprawling new record that twists and turns with a life of its own. This is a record that’s worth abandoning extremity for, bathing instead in its heart of gloriously warm heavy rock. Continue reading “Elder – Through Zero (Review)”
Lost in Kyiv are a French post-rock band and this is their fifth album.
Lost in Kyiv play immersive post-rock, and deliver 41 minutes of quality music on We’re All Going to be Fine. This record is a premier release for post-rock fans, boasting the sort of material that makes repeated spins an absolute pleasure. Continue reading “Lost in Kyiv – We’re All Going to Be Fine (Review)”
This is the third album from UK solo artist AA Williams.
Playing an engaging form of dark alternative rock tastefully laced with post-rock flavours, (and a touch of post-metal influences here and there), Solstice contains 58 minutes of charismatic material. A.A. Williams has crafted a record that’s immersive and engaging. Continue reading “A.A. Williams – Solstice (Review)”
Gozu are a stoner/grunge band from the US and this is their sixth album.
Three years after Remedy, Gozu VI has arrived to rock your socks off. Across 47 minutes Gozu’s new record has arrived to show you a good time, while also making you feel something too. Continue reading “Gozu – Gozu VI (Review)”
This is the fifth album from UK progressive rock band Black Orchid Empire.
Black Orchid Empire revealed themselves to be one of the best contemporary heavy/progressive rock bands around on 2023’s Tempus Veritas, and also showed their chops in the live environment at last year’s Mangata Festival. All of which is to say that the new 48-minute LORE promises great things. Does it deliver? Continue reading “Black Orchid Empire – LORE (Review)”
Abrams are a rock band from the US and this is their sixth album.
Loon offers up a tight 37 minutes of infectious rock music, although this is not completely the same Abrams that we’ve encountered previously. Loon showcases a different facet of the Abrams sound, and it does this exceedingly well. Continue reading “Abrams – Loon (Review)”
This is the thirteenth album from progressive/post-rock band Crippled Black Phoenix.
Crippled Black Phoenix’s latest record is the 66-minute Sceaduhelm. Ranging from accessible chorus-driven delights to delicate atmospheric grace, and much around these, Sceaduhelm is as absorbing as it is high quality. Continue reading “Crippled Black Phoenix – Sceaduhelm (Review)”
Wildernesses are a post-rock/shoegaze band from the UK and this is their debut album.
Growth is a 44-minute record that brings together post-rock and shoegaze into a something unexpectedly special. The music of Wildernesses is detailed and textured, offering a vision of post-rock to the listener that’s Continue reading “Wildernesses – Growth (Review)”
Oreyeon are an Italian stoner rock band and this is their fourth album.
I enjoyed 2022’s Equations for the Useless, so wanted to check in with Oreyeon once more to see what this stoner rock crew were up to. The Grotesque Within is what. It’s a record bursting with stoner rock flavour, spiced up with grunge, doom, and progressive rock seasoning. Continue reading “Oreyeon – The Grotesque Within (Review)”
Wonderbox Metal 