Louise Lemón is a Swedish death gospel artist and this is her latest EP.
Although it’s not normally a style I listen to often, I have very much enjoyed Louise Lemón’s past work. As such, listening to Devil was a given. Continue reading
Category Archives: Rock
JG Thirlwell & Simon Steensland – Oscillospira (Review)
This is a collaborative work between US-based composer/producer/artist JG Thirlwell and Swedish multi-instrumentalist and composer Simon Steensland.
This album contains 73 minutes of layered and involved material. This is the sort of release that you could easily get away with describing as Continue reading
Paul Catten – The Beauty of Decay (Review)
Paul Catten is a prolific UK extreme metal artist and this is his latest album.
We’ve met Paul Catten before, (here, here and here), and you never know what you’re going to get from the man. His latest release is far more accessible and pop-influenced than I was expecting, and it Continue reading
The Night Flight Orchestra – Aeromantic (Review)
This is the fifth album from The Night Flight Orchestra, a Swedish hard rock band.
I loved Amber Galactic and Sometimes the World Ain’t Enough, and now I love Aeromantic. It’s quite simple really; The Night Flight Orchestra have never released a bad album, and just seem to be getting better and better over time, growing into themselves with increasing confidence. Continue reading
Abstruse – Submerge:Ritual (Review)
This is the fourth album from Abstruse, an experimental rock project from Greece.
Well, there’s a lot going on here. This is music that refuses to be just one thing, and exists as a constantly-shifting mass of musical styles and content. Amazingly, Submerge:Ritual works with this well, and doesn’t come across as disjointed or a failed science experiment. Continue reading
Avatarium – The Fire I Long For (Review)
This is the fourth album from doom rockers Avatarium, who are from Sweden.
2017’s Hurricanes and Halos was a quality album that stood out from other ostensibly similar bands playing this sort of style. On The Fire I Long For, however, there’s the impression that the band have really come into their own. Continue reading
Rosk – Remnants (Review)
This is the second album from Polish post-black metallers Rosk.
One of the absolute highlights of 2017 was Rosk’s superb debut album Miasma. It’s now 2019, and I was thrilled to receive Rosk’s latest album Remnants. However, this soon turned to trepidation, as I discovered that Remnants is not another post-black metal masterpiece. Rather, it’s an acoustic post-folk one, and my initial Continue reading
Mars Red Sky – The Task Eternal (Review)
Mars Red Sky are a stoner rock band from France and this is their fourth album.
This is heavy psychedelic rock, played with passion and skill. Across 50 minutes Mars Red Sky take the listener on a journey in time, with warm emotion and luscious melody. Continue reading
Russian Circles – Blood Year (Review)
Russian Circles are an instrumental post-rock/metal band from the US. This is their seventh album.
2016’s Guidance was another sterling addition to Russian Circles’ quality discography, and Blood Year continues this trend with 40 minutes of new material. Continue reading
Wear Your Wounds – Rust on the Gates of Heaven (Review)
Wear Your Wounds are a post-rock band from the US and this is their third album.
Featuring current/ex-members of Converge, The Red Chord, Cave In, Hatebreed, and Trap Them, don’t let these band names fool you – this might not be what you are expecting. Rust on the Gates of Heaven is not a hardcore supergroup. Rather, it’s a 53-minute journey into reflective post-rock waters, and has more in common with bands like Crippled Black Phoenix, Mogwai, Angels of Light, Russian Circles, and, yes, hints of Cave In, than any of the other bands listed. Continue reading
