I always enjoy a new Harakiri for the Sky record. Both 2016’s III: Trauma and 2018’s Arson were first-rate albums from a first-rate band, and Mӕre is no different. Continue reading “Harakiri for the Sky – Mӕre (Review)”
The follow up to 2018’s It’s Hard to Have Hope, I was not expecting just how good When I Die, Will I Get Better? is.
This is an album where Continue reading “Svalbard – When I Die, Will I Get Better? (Review)”
Featuring members of bands such as Cult of Erinyes and Laster, Silver Knife have produced 42 minutes of harsh, mood-driven black metal. Continue reading “Silver Knife – Unyielding/Unseeing (Review)”
Ashbringer’s black metal combines aggressive blackness with melodic sensibilities and folk-influenced post-rock reflection. Elements of bands such as Fen, Agalloch, Falls of Rauros, Amiensus, and Alcest can be heard, but moulded and channelled through Ashbringer’s own collective experiences and personality. Continue reading “Ashbringer – Absolution (Review)”
I do so like these hybrid styles that are almost impossible to lump into a single genre, or to easily categorise. This particular release mixes hardcore, black metal, and post-metal into something quite personable, and it’s a very effective and enjoyable listen because of this. Continue reading “Glassing – Spotted Horse (Review)”
The band’s debut album – 2015’s The Bleakness – was an album that I thoroughly enjoyed and stuck out with its vision of heavy, emotive modern post-metal. Continue reading “A Secret Revealed – Sacrifices (Review)”
Not to be confused with the Morrow from the UK that have appeared on this site previously, this US band play atmospheric black metal with ambient and post-rock influences. Continue reading “Morrow – The Weight of These Feathers (Review)”
This is atmospheric black metal, with expansive songs and cosmic themes.
Void is a multifaceted release that takes its various influences and Continue reading “Widziadło – Void (Review)”
This is dark and emotive black metal that mixes an atmospheric approach with one born out of a love of furious aggression and blazing extremity. Imagine a mix of Wolves in the Throne Room, Downfall of Gaia, Alcest, and Marduk; taking the best elements of each to form an atmospheric and molten delivery. Continue reading “Der Weg Einer Freiheit – Finisterre (Review)”
Playing keyboard enriched atmospheric black metal with a deep mystical side, Eoront’s latest album contains over an hour of sprawling, epic music. Continue reading “Eoront – Another Realm (Review)”