Chrome Waves are a shoegaze/post-black metal band from the US and this is their third album.
The Rain Will Cleanse gives us a 41-minute journey into shoegaze-style post-black metal. The band’s style is essentially that of a heavier, post-blackened, shoegaze act. If you’re a fan of bands like Alcest, as well as acts like Varaha and Agalloch, and a touch of Anathema, then this is one you’re sure to want to check out. Continue reading “Chrome Waves – The Rain Will Cleanse (Review)”
This is the debut album from US progressive rock band Moon Machine.
I was initially attracted to this album by the evocative album art, and the suggestion that it should appeal to fans of Porcupine Tree, Devin Townsend, Opeth, Alcest, Anathema, and Tool. Sold. Of course, there’s always the danger of being disappointed, but thankfully Moon Machine lived up to its promise. Continue reading “Moon Machine – Moon Machine (Review)”
This is the seventh album from Impure Wilhelmina, a Swiss post-metal band.
The music takes progressive post-metal/rock, post-hardcore, and indie/alt-rock, throws in a healthy amount of goth influences, and even has a blackened veneer in places. Continue reading “Impure Wilhelmina – Antidote (Review)”
This is the fifth album from Austrian post-black metallers Harakiri for the Sky.
I always enjoy a new Harakiri for the Sky record. Both 2016’s III: Trauma and 2018’s Arson were first-rate albums from a first-rate band, and Mӕre is no different. Continue reading “Harakiri for the Sky – Mӕre (Review)”
Svalbard are a crust/hardcore band from the UK and this is their third album.
The follow up to 2018’s It’s Hard to Have Hope, I was not expecting just how good When I Die, Will I Get Better? is.
This is an album where Continue reading “Svalbard – When I Die, Will I Get Better? (Review)”
Silver Knife are an international post-black metal band and this is their debut album.
Featuring members of bands such as Cult of Erinyes and Laster, Silver Knife have produced 42 minutes of harsh, mood-driven black metal. Continue reading “Silver Knife – Unyielding/Unseeing (Review)”
Ashbringer are an atmospheric black metal band from the US and this is their third album.
Ashbringer’s black metal combines aggressive blackness with melodic sensibilities and folk-influenced post-rock reflection. Elements of bands such as Fen, Agalloch, Falls of Rauros, Amiensus, and Alcest can be heard, but moulded and channelled through Ashbringer’s own collective experiences and personality. Continue reading “Ashbringer – Absolution (Review)”
Glassing are a blackened hardcore band from the US and this is their second album.
I do so like these hybrid styles that are almost impossible to lump into a single genre, or to easily categorise. This particular release mixes hardcore, black metal, and post-metal into something quite personable, and it’s a very effective and enjoyable listen because of this. Continue reading “Glassing – Spotted Horse (Review)”
This is the second album from A Secret Revealed, a post-metal band from Germany.
The band’s debut album – 2015’s The Bleakness – was an album that I thoroughly enjoyed and stuck out with its vision of heavy, emotive modern post-metal. Continue reading “A Secret Revealed – Sacrifices (Review)”
Morrow are a US black metal band and this is their debut album.
Not to be confused with the Morrow from the UK that have appeared on this site previously, this US band play atmospheric black metal with ambient and post-rock influences. Continue reading “Morrow – The Weight of These Feathers (Review)”
