Bizarrekult are a Norwegian post-black metal band and this is their second album.
Formed around a central artist who is Bizarrekult’s driving creative force, he’s joined by a range of other musicians, (including a member of the mighty Adliga), who round out the band nicely. The end result of their efforts is Den Tapte Krigen, a 42-minute slice of expressive modern black metal. Continue reading “Bizarrekult – Den Tapte Krigen (Review)”
Birds in Row are a French post-hardcore band and this is their third album.
Gris Klein is the 43-minute follow-up to 2018’s We Already Lost the World, and it has been more than worth the wait. Continue reading “Birds in Row – Gris Klein (Review)”
This is the second album from US extreme metal band Kardashev.
Kardashev have an unusual sound that consists of a mixture of shoegaze and deathcore, to which elements of black, progressive, atmospheric, and post-metal have been added. This is then all rolled into an atypical contemporary package that lasts 60 minutes. Post-deathcore, maybe? Either that, or deathgaze, as the band style themselves.
This is the third album from US post-metal band Astronoid.
Combining post-rock, shoegaze, ambient, and progressive metal into a compelling and contemporary post-metal framework. Radiant Bloom is a 46-minute journey through mysterious cosmic realms, where unusual and awe-inspiring sights and plentiful. Continue reading “Astronoid – Radiant Bloom (Review)”
Dreariness are an Italian post-black metal band and this is their third album.
I enjoyed 2016’s Fragments, so was keen to check this new album out. I’m pleased I did, as it presents the band in the best light, with a good, natural progression in sound. Continue reading “Dreariness – Before We Vanish (Review)”
This is the fourth album from Norwegian blackgaze/post-metal one-woman act Sylvaine.
Nova is a highly atmospheric journey. If you’re a fan of the shoegaze/blackgaze genres, then this is for you. The promo blurb states that this is for fans of bands such as Alcest, Deafheaven, Harakiri for the Sky, and Emma Ruth Rundle, and it’s hard to argue with that. Continue reading “Sylvaine – Nova (Review)”
This is the second album from US one-man post-metal band Breaths.
Here we have 35 minutes of music that’s described as a mix of post-metal, black metal, doom metal, shoegaze, post-rock, progressive metal, and post-hardcore, and recommended for bands such as Alcest, Deftones, Deafheaven, and Sleep Token. Believe it or not, this wide mix of genres actually makes sense within the context of the bands mentioned, so a picture can start to form of what the Breaths sound is like before you encounter the artist’s emotive metal. Continue reading “Breaths – Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt (Review)”
This is the second album from Illudium, a post-metal/shoegaze band from the US.
The style on Ash of the Womb is a hybrid one that takes liberally from post-metal, post-rock, shoegaze, grunge, and doom. The end result is a captivating collection of tracks with its own voice. Illudium write music that has recognisable components that you can attribute influences to, but the band exist very much on their own terms. Continue reading “Illudium – Ash of the Womb (Review)”
Chrome Waves are a shoegaze/post-black metal band from the US and this is their third album.
The Rain Will Cleanse gives us a 41-minute journey into shoegaze-style post-black metal. The band’s style is essentially that of a heavier, post-blackened, shoegaze act. If you’re a fan of bands like Alcest, as well as acts like Varaha and Agalloch, and a touch of Anathema, then this is one you’re sure to want to check out. Continue reading “Chrome Waves – The Rain Will Cleanse (Review)”
This is the debut album from US progressive rock band Moon Machine.
I was initially attracted to this album by the evocative album art, and the suggestion that it should appeal to fans of Porcupine Tree, Devin Townsend, Opeth, Alcest, Anathema, and Tool. Sold. Of course, there’s always the danger of being disappointed, but thankfully Moon Machine lived up to its promise. Continue reading “Moon Machine – Moon Machine (Review)”
Wonderbox Metal 