Cerebral Rot are a death metal band from the US and this is their debut album.
Odious Descent into Decay contains 45 minutes of disgusting old-school death metal. Reeking of some long-forgotten swampy Hellhole that last saw the touch of light in the early 90s, this album sounds like it has been festering and rotting in the darkness for decades. Continue reading “Cerebral Rot – Odious Descent into Decay (Review)”
Victims of Contagion are a death metal band from the US and this is their debut album.
Victims of Contagion play death metal that mixes brutality with technicality, resulting in songs that aren’t overly technical just for the sake of it. Instead, the technicality is used to forge tracks that place the song at the heart of what the band do. Continue reading “Victims of Contagion – Lamentations of the Flesh Bound (Review)”
This is the third album from Swedish death metallers Humanity’s Last Breath.
Well, Abyssal is not what I expected. Although I’d heard of Humanity’s Last Breath prior to listening to this album, for some reason I had it in my head that they were a metalcore band. No idea why. I’m also very, very wrong. What we have here is some individually-played death metal; it seems that Humanity’s Last Breath have carved out their own niche in the crowded death metal landscape, and then filled it with mechanised horror. Continue reading “Humanity’s Last Breath – Abyssal (Review)”
Russian Circles are an instrumental post-rock/metal band from the US. This is their seventh album.
2016’s Guidance was another sterling addition to Russian Circles’ quality discography, and Blood Year continues this trend with 40 minutes of new material. Continue reading “Russian Circles – Blood Year (Review)”
This is the seventh album from Carnifex, a US death metal band.
2016’s Slow Death was a real treat for fans of modern death metal, blending catchy songwriting with blackened melody and orchestration to produce a really enjoyable collection of songs. Although it contained elements of deathcore, as does this new one, Carnifex aren’t really a deathcore band these days – they’re far too melodic and have too much else going on, much to their credit. Continue reading “Carnifex – World War X (Review)”
All We’ve Known are a South African metalcore band and this is their debut album.
All We’ve Known’s chosen style of music is modern metalcore, mixed in with some electronic elements. The typical structure is that of heavy verses with harsh, shouted vocals, combined with a more melodic, emotive chorus with clean singing. Yes, it’s a Continue reading “All We’ve Known – Dissidence (Review)”
Brain Bleed are a deathgrind band from the US and this is their debut album.
Savage, that’s the word. Or, at least one of them. Brain Bleed are savage. They’re also brutal, belligerent, harsh, and many other similar words. Essentially, they’re a nasty bunch, and Automated Eradication is 20 minutes of all kinds of ugliness. Continue reading “Brain Bleed – Automated Eradication (Review)”
This is a split between two death metal bands from Chile.
Each band contribute three songs, and the entire split lasts 23 minutes. Even more importantly than this, however, is the split artwork – how metal is that? Fortunately the music is as impactful as the artwork. Continue reading “Porta Daemonium/Denying Nazarene – Emancifestation from Sinister Side – Split (Review)”
Geistaz’ika are a black metal band from Denmark and this is their debut album.
Originally released at the end of 2018, Trolddomssejd i Skovens Dybe Kedel is now getting a new lease of life via Signal Rex. I can see why, as Geistaz’ika’s music is both enjoyable and satisfying. Continue reading “Geistaz’ika – Trolddomssejd i Skovens Dybe Kedel (Review)”
Contaminated and Kutabare are both Australian death metal bands and they have teamed up for this split.
This is a split between two bands that sew elements of grindcore into death metal’s rotting corpse. Continue reading “Contaminated/Kutabare – Death Sick/Funeral Erection – Split (Review)”
Wonderbox Metal 