Happy New Year #metal fans everywhere!
May your 2017 be better than your 2016 🙂
I thoroughly enjoyed their second album Kingdom of Worms; it was a really solid album of death metal by a band that remembered the importance of actual songs.
Kingdom of Worms also effectively Continue reading “Deserted Fear – Dead Shores Rising (Review)”
2014’s Hail Death was a firm favourite of mine. They’ve now produced the follow up to this, and it’s great to have them back.
Black Anvil play black metal that combines elements of thrash metal with a more epic, expansive side. Continue reading “Black Anvil – As Was (Review)”
This is quite hard to classify, but essentially Den Förstörda Människans Rike is a festering, ugly mix of Swedish death metal, hardcore/crust and Swedish grind.
This is deathgrind of the highest, yet filthiest variety. Think of a mutant mix of Dismember, Nails, Anaal Nathrakh, Nasum and Martyrdöd. Continue reading “Henry Kane – Den Förstörda Människans Rike (Review)”
Featuring members of Winds of Genocide, Ceremonies of Morbidity is chock full of long songs and morbid atmospheres, as the title would suggest. Continue reading “Uncoffined – Ceremonies of Morbidity (Review)”
Do you like black metal that’s raw, sharp and full of aggression? If so, then you should check out Diktatur’s latest release.
This is a band that have a traditional, vicious sound with enough elements of Continue reading “Diktatur – L’Agonie d’un Monde (Review)”
Here we have almost 40 minutes of authentic second wave black metal for your delectation.
Scathing blackened melodies slice like razor blades through the frosted Continue reading “Athos – Noht Lerapot (Review)”
This is atmospheric doom metal with some death metal elements added in for extra bite, primarily in the vocal department.
Rooted in the old school doom/death style of the 90s, Vanha combine heaviness, melody and sorrowful keyboards to produce an album that manages to crush both physically and emotionally. Continue reading “Vanha – Within the Mist of Sorrow (Review)”
Råttkung’s debut EP Dark Is the Beginning was 17 minutes of raw, underground black metal that reached back to the early days of the second wave for inspiration.
In some ways this influence is continued on this latest short release, but we also see another side to Råttkung too. Here we get a mere three songs in 10 minutes, but what this EP lacks in length it makes up for in blackened malice and ambition. Continue reading “Råttkung – Unborn Undead (Review)”