From the moment the EP starts you’re left with no doubt about the old-school pedigree of Wardomized. They seem to have instantly managed to nail down a sound that’s been torn from the 80s, both from a recording point of view and also a stylistic one. Continue reading
Looking for some old-school Swedish grind, Nasum/Rotten Sound-style, with a pinch of Napalm Death? Grid have got you covered. Continue reading
A member of Chalice of Suffering has unleashed this small, short gem of a grind release. It’s brutally concise and an utterly vicious little beast.
The fact that the band name, (and logo), is a combination of Insect Warfare and Napalm Death should tell you a lot about this.
So, this is grindcore that owes a debt to Continue reading
First up we have Existench, with just under 7 minutes of intensity.
This is old-school grind that takes no prisoners and just wants to rampage. With punk intent and hardcore ferocity, Existench rage through these short songs with the assured confidence of a predator that knows its kill is near. Continue reading
This is a split release between Bent Sea and To Dust, both of which play grindcore and both of which feature a plethora of members/ex-members of bands such as Aborted, Megadeth, Soilwork, Napalm Death, (Bent Sea), and Abigail Williams, Vintage Warlords, Humanity Is Cancer, Grave Plague, Fountain of Piss, Severed Remains, The Black Dahlia Murder and Phobia, (To Dust).
Phew. As you can see, there’s a lot of experience here.
The first half of the split is provided by Bent Sea, who give us almost 10 minutes of state-of-the-art ferocity. Continue reading
Featuring 10 originals and 2 covers of Dead Infection and Terrorizer songs, Cicatrix wear their influences on their collective sleeves and deliver 29 minutes of utter carnage.
This is a mix of brutal death metal and ugly grindcore. The band know how to play fast, but Continue reading
Well, isn’t this a delectably savage little slice of nastiness?
Straight Hate have a nicely gritty sound that sees them rip faces off with ease over these 26 minutes. The music is fast, brutal and designed to go right for the kill. Continue reading
Although not by much, really. Here we have a whole 14 minutes of tightly-compressed angry music. After the promise of the two EPs, this release lives up to my expectations.
The music is modern Grindcore full of extremity and rage, burning everyone around it with its intensity and brutality.
Their sound has progressed and developed from their earlier Grindings into an even more focused expression of hatred and violence. The vocals have improved and seem buried in the music in such a way it seems impossible to separate them.
Each song may be short, but they still manage to pack in a lot of content, with quite a few different sub-styles of Grind rearing their malformed heads throughout. It all adds a good degree of interest and variety in what is essentially a chaotic blast-fest of brutality and destruction. From old to new styles, from crust to modern, from Napalm Death to Misery Index; there’s a lot of meat on this violent treat.
If you’re into Grindcore, (and who isn’t, really?), then this is highly enjoyable and easily likeable.
Here we have 16 tracks in a brief and violent 21 minutes. Napalm Death and Terrorizer are your instant points of reference for Rising Terror and it lives up to these lofty expectations by demolishing everything in front of it in a tidal wave of raw savagery.
The songs are fast and furious, with everything dedicated to the Grindcore assault, although it frequently stops short of becoming a complete blastfest.
These short and nasty tracks are all brutality and teeth, snarling and gnashing their way through the seconds like a hungry predator. The main exception to this high-speed delivery is the final track Threads, which is more of an atmospheric track; slower and Sludgy, (and at just under 5 minutes long it’s pretty much 25% of the album).
There’s a lot of d-beats involved on Rising Terror, as well as it having a Hardcore energy. Good groves and riffs are used and Captain Cleanoff have a clear understanding of dynamics within the Grindcore template.
The vocals alternate high-pitched acid-drenched vocals with deeper growls. The latter sound rough and angry while the former sound insanely psychotic.
This is an enjoyable 20 minutes from a band with a solid sound and style who know how to get down to business and get the job done.