Dark and heavy, Electric Messiah will crush you as soon as you get near it. With thick, weighty grooves and plenty of punishing speed, this is an album of sludgy energy and elemental power.
Here we have 21 minutes of enjoyable stoner fuzz. It’s charismatic and direct, while still boasting a decent amount of depth and atmosphere. Continue reading
I was drawn to this album by the enigmatic album cover, and then reeled in by the description of the music – “an ambitious, qualitative blend of thick doom, dreamy instrumentals and layered vocals.” Continue reading
After enjoying Forming the Void’s split with Pyreship, I was eager to hear more from the band. Thankfully, that desire has been catered to in the form of Rift; 46 minutes of new material for me to wrap my ears around. Continue reading
This is my first encounter with this band. Apparently they have a black/thrash metal background, but this newest album is essentially 25 minutes of something quite different. Think along the lines of an Continue reading
Ancestors’ music has a base of traditional doom metal, which they then build on with progressive, psychedelic, stoner, and post-rock elements. Continue reading
Just look at that album cover. What the fuck’s going on there? Crazy.
Anyway, the music of Black Helium can be roughly summed up as Continue reading
Dopethrone have built up a very respectable discography over the years, and Transcanadian Anger is the latest in the long line of filth-covered fuzzed-up hateful distortion that the band peddle. Continue reading
It was 2014 when we saw the release of the first-rate Back from the Abyss. It seems like it’s been a long time since then, (and it has, I suppose), but now I’m very pleased to say that Orange Goblin are back with one of their strongest and most diverse albums to date. Continue reading