Psychedelic Metal – Wonderbox Metal

Label Roundup: Majestic Mountain Records – Bogwife, Redscale, Jointhugger, & Grand Cadaver (Reviews)

Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.

This time we’ll take a look at some releases from Majestic Mountain Records, which is a record label that I’ve only really just discovered via the wonderful Kal-El. I know nothing about the label, but I like what I’m hearing, so let’s delve into some of what they have to offer below… Continue reading “Label Roundup: Majestic Mountain Records – Bogwife, Redscale, Jointhugger, & Grand Cadaver (Reviews)”

Bossk – Migration (Review)

Bossk are a UK post-metal band and this is their second album.

Migration contains 42 minutes of charismatic post-metal. Fusing together elements of atmospheric sludge and post-metal build/release, with experimental and psychedelic explorations, Migration is an impressive and accomplished work. Continue reading “Bossk – Migration (Review)”

Vokonis – Odyssey (Review)

This is the fourth album from Vokonis, a progressive doom metal band from Sweden.

Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”

Soothsayer – Echoes of the Earth (Review)

This is the debut album from Irish doom/sludge band Soothsayer.

Ever since thoroughly enjoying 2016’s At This Great Depth, I’ve been looking forward to something more substantial from Soothsayer. And now it’s here in the form of Echoes of the Earth – 52 minutes of atmospheric doom sludge metal. Continue reading “Soothsayer – Echoes of the Earth (Review)”

Kultika – Capricorn Wolves (Review)

This is the second album from Romanian progressive/post-metallers Kultika.

I’ve been eagerly awaiting this ever since 2017’s Pursuance. I’ve had to wait longer than I expected for Capricorn Wolves, but it’s been worth the wait. Continue reading “Kultika – Capricorn Wolves (Review)”

Today Is the Day – No Good to Anyone (Review)

This is the eleventh album from US unconventional experimental metal band Today Is the Day.

I really, really enjoyed 2014’s Animal Mother, which was one of my favourite releases from this artist. As such, No Good to Anyone was much-anticipated, and had a lot to live up to. Thankfully, it’s one of Today Is the Day’s bests. Continue reading “Today Is the Day – No Good to Anyone (Review)”

Nero di Marte – Immoto (Review)

This is the third album from Nero di Marte, a progressive metal band from Italy.

Six years after the rewarding Derivae, Nero di Marte have finally returned with 67 minutes of new material in the shape of Immoto. Continue reading “Nero di Marte – Immoto (Review)”

Sorxe – The Ark Burner (Review)

Sorxe are a post-metal/sludge band from the US and this is their third album.

Following up 2014’s Surrounded by Shadows and 2017’s Matter & Void, we now have the much-anticipated The Ark Burner. Continue reading “Sorxe – The Ark Burner (Review)”

Druids – Monument (Review)

This is the latest EP from US stoner metal band Druids.

After enjoying 2016’s Cycles of Mobeum and 2017’s Spirit Compass, I’m glad to be able to catch up with Druids once more. Continue reading “Druids – Monument (Review)”

Dvne – Asheran (Review)

Dvne are a progressive metal/doom/sludge band from the UK and this is their debut album.

Here we have a little over 60 minutes of music from a talented UK band that have only just properly come to my attention, despite a friend of mine telling me to check them out when this album was originally released in 2017. It’s definitely my loss, as Asheran is ambitious and huge in all of the best ways. Continue reading “Dvne – Asheran (Review)”