This is the fourth album from US progressive metallers Rivers of Nihil.
The Work is a 64-minute journey into the increasingly ambitious world of Rivers of Nihil. 2018’s very well-regarded Where Only Owls Know My Name introduced more progressive elements then the previous album did, and the end result of this same evolution is showcased on The Work. Continue reading “Rivers of Nihil – The Work (Review)”
This is the third album from Burial in the Sky, a death metal band from the US.
The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”
This is the third album from US death metal band Alustrium.
Here we have 65 minutes of progressive technical death metal. Reading that statement you may be expecting a certain version of that style, but it’s likely that Alustrium will surprise; A Monument to Silence is much more melodic and emotionally resonant than many technical bands achieve or even aspire to. Continue reading “Alustrium – A Monument to Silence (Review)”
This is the second album from solo blackened metalcore act The Ember, the Ash.
Fixation is an interesting blend of symphonic black metal and breakdown-heavy metalcore. Only a few bands are playing around with blackened elements in metalcore, to varying degrees of success, so it’s always good to hear another such act throw their interpretation of this unusual subgenre into the ring. Continue reading “The Ember, the Ash – Fixation (Review)”
The Lylat Continuum are a progressive death metal band from the US and this is their debut album.
Ephemeral is a 56-minute trip into progressive death metal waters, although the death metal influences are not always prominently displayed; the band’s modern progressive metal influences are Continue reading “The Lylat Continuum – Ephemeral (Review)”
This is the debut album from The Progressive Souls Collective, an international progressive rock/metal supergroup of sorts.
Here we have 63 minutes of music that features current and ex-members of a range of bands, all brought together by a central figure. I picked this album to listen to initially due to the striking album art, but never thought it Continue reading “The Progressive Souls Collective – Sonic Birth (Review)”
This is the debut album from Tiberius, a progressive metal band from the UK.
If you fancy a spot of technical wizardry with your big choruses, and are partial to a bit of Protest the Hero or the more accessible side of Between the Buried and Me, then you might want to check out these Scottish metallers. Continue reading “Tiberius – A Peaceful Annihilation (Review)”
Altesia are a French progressive metal band and this is their debut album.
Despite seeing the light of day at the end of 2019, I felt compelled to shine a light on Paragon Circus once I had made its acquaintance, as it really is a damn fine record. Across 57 minutes of material, Altesia take us on a journey that’s as compelling as it is enjoyable. Continue reading “Altesia – Paragon Circus (Review)”
Vomit Fist are a grindcore band from the US and this is their latest release.
Here we have 20 minutes of complex, vicious grindcore. This is not your standard grindcore, however, and Vomit Fist have produced something far more atypical and individual than most. Continue reading “Vomit Fist – Omnicide (Review)”
Godeater are a death metal band from the UK and this is their debut album.
This is a raging, angry slab of ferocious modern death metal. It blends modern technicality with significant atmosphere and a melodic sensibility that results in brutally effective songs that stick in the mind like barbed thorns. Continue reading “Godeater – All Flesh Is Grass (Review)”
