This is the third album from Dutch dark rock band Dool.
The Shape of Fluidity contains 50 minutes of dark rock music with both a metallic and a Gothic edge, as well as containing elements of doom, post-rock and post-punk. Dool’s music flows together seamlessly, making for an individualistic blend that is extremely enjoyable and moreish. Continue reading “Dool – The Shape of Fluidity (Review)”
This is the second album from Christopher Sawyer, a dark rock solo artist from Poland.
Together Nowhere, Alone Elsewhere contains 44 minutes of music of a style that I don’t typically listen to a great deal, but that’s devastatingly effective nonetheless. Continue reading “Christopher Sawyer – Together Nowhere, Alone Elsewhere (Review)”
This is the debut album from Finnish dark doom rockers Mercury Circle.
Featuring current and ex-members of Swallow the Sun and Children of Bodom, Killing Moons contains 63 minutes of infectiously dark music. The overall style is one of doom-infused, moody, synth-enriched dark rock. Continue reading “Mercury Circle – Killing Moons (Review)”
This is the seventh album from Impure Wilhelmina, a Swiss post-metal band.
The music takes progressive post-metal/rock, post-hardcore, and indie/alt-rock, throws in a healthy amount of goth influences, and even has a blackened veneer in places. Continue reading “Impure Wilhelmina – Antidote (Review)”
This is the debut album from Khôrada, a progressive/doom/post-metal band from the US.
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading “Khôrada – Salt (Review)”
Wonderbox Metal 