This is Technical/Progressive Death Metal that’s not shy of flexing its musical muscles and showing off what it can do.
Frequent leads and solos are built around a sturdy rhythm section and scathing vocals. The songs tread that fine line between ostentation and brutality without sacrificing too much of one for the other.
Decent grooves and riffs work with the overt technicality. Winding melodics make brief appearances and the songs seem to pulsate and mutate with careful yet unexpected life.
The tracks are intricate beasts that sometimes keep a central theme to them so that a song is still identifiable amidst the complex barbarity; other times though they allow themselves to journey where they see fit, snaking and sliding their way through involved guitar sections and convoluted drumming. Either way, it’s an enjoyable listen.
This album has an interesting feel to it. The music is less-song oriented than Progressive Death Metal can sometimes be and instead veers towards outright Technical Death Metal territory where the songs are a lot more frequently sacrificed for the sake of complexity. Having said that though, this is notable in that it’s not overly-frenzied or chaotic as a lot of Technical Death Metal can be. This is a more restrained and thoughtful complexity; the brain behind Deviance knows exactly where he wants to take the music and the journey is what matters, rather than the structure itself.
Cello, violin and keyboards all make appearances, widening the musical vistas available to the listener. It all adds value and makes a good impression.
The vocals sound like scraping sheets of steel grinding against each other. That’s the deep growls. The higher screams just sound like reality is tearing.
This is a quality album of Technical Death Metal that’s notable for its lack of chaotic frenzy and for its more restrained approach to complexity and nuance. Throw in a bit of atmospheric enhancement and the end result is a most enjoyable 50 minutes.