This is the tenth album from German progressive metal band The Ocean.
After the colossally good Phanerozoic I: Palaeozoic and Phanerozoic II: Mesozoic | Cenozoic from 2018 and 2020 respectively, can The Ocean continue their run of stellar records with new outing Holocene? Continue reading “The Ocean – Holocene (Review)”
This is the debut album from Canadian experimental metal band Vvon Dogma I.
The Kvlt of Glitch contains 45 minutes of modern music that combines aspects of progressive, technical, avant-garde, industrial, and nu-metal. Elements of djent, electronica, ambient, and orchestral sounds enrich the music too, making for a very textured, unusual, and multifaceted release. Continue reading “Vvon Dogma I – The Kvlt of Glitch (Review)”
Herod are a progressive/post-metal band from Switzerland and this is their third album.
The Iconoclast is the follow up to 2019’s Sombre Dessein and contains 51 minutes of new material. Continue reading “Herod – The Iconoclast (Review)”
This is the third album from US progressive metal band Vintersea.
Woven into Ashes contains 51 minutes of progressive extreme metal that should find favour with fans of bands such as An Abstract Illusion, Aversed, Dawn of Ouroboros, Kassogtha, Ne Obliviscaris, Oceans of Slumber, and Wintersun. Continue reading “Vintersea – Woven into Ashes (Review)”
This is the second album from Dawn of Ouroboros, a progressive black/death metal band from the US.
Following on from 2020’s well-received The Art of Morphology, Velvet Incandescence brings us 46 minutes of new material from Dawn of Ouroboros, who feature members of Botanist and Cailleach Calling. Continue reading “Dawn of Ouroboros – Velvet Incandescence (Review)”
This is the debut album from Polish post-black metal band Cursebinder.
Featuring the vocalist of Dormant Ordeal, (and also ex-Moanaa), Cursebinder play black metal that contains elements of doom, blackgaze, post-rock, and progressive metal. Continue reading “Cursebinder – Drifting (Review)”
Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.
I’m Paul Visser – the guitarist and main vocalist of Black Orchid Empire. Continue reading “Standard Interrogation Techniques: Five Questions for Black Orchid Empire (Interview)”
This is the fourth album from UK progressive metal band Black Orchid Empire.
Tempus Veritas showcases that talents of Black Orchid Empire across an easily enjoyable 38 minutes. The style is a contemporary blend of progressive, technical, and alternative/melodic rock/metal, one that is textured and vibrant. Continue reading “Black Orchid Empire – Tempus Veritas (Review)”
Kludde are a Belgian sludge/post-black metal band and this is their third album.
After the enjoyable In de Kwelm from back in 2019, Kludde are back with 39 minutes of new material on De Horla. On their latest album Kludde have expanded on their sludge metal influences and have incorporated a more atmospheric approach to their blackened style. Continue reading “Kludde – De Horla (Review)”
This is the second album from UK progressive metal band Sermon.
Of Golden Verse is a 49-minute tour de force of engaging progressive metal. Sermon’s new album immediately grabs your attention with its vibrant, feeling-focused personality, and holds it throughout the running time by the sheer quality and richness of its material. Continue reading “Sermon – Of Golden Verse (Review)”
Wonderbox Metal 