This is the fourth album from UK atmospheric/post-metal band Latitudes.
Having enjoyed 2016’s Old Sunlight, when Part Island made its presence felt I was compelled to sample its delights. I’m glad I did, as Part Island is a stunningly well-realised development of the band’s sound. Continue reading →
This is the debut album from Khôrada, a progressive/doom/post-metal band from the US.
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading →
This is the fourth album from Russian blackened melodic death metal band Second to Sun.
Apparently this is a rerecording of the band’s 2016 release Blackbound, with added vocals, and other differences. I was totally unfamiliar with Second to Sun’s work prior to listening to The Black, so I can’t comment on how this relates to Blackbound, other than to say that it does. Continue reading →
Louise Lemón is a Swedish death gospel artist and this is her debut album.
Mixing folk, soul, Gothic, electronic, pop, and ambient into slow, meaningful songs, Purge contains 31 minutes of exquisite material. Pretty much every second of it is tinged with darkness and melancholy, which has all contributed towards the creation of a superlative collection of tracks. Continue reading →
Afsky is a one man black metal band from Denmark and this is his debut album.
Although principally a solo act, the artist behind Afsky did bring in many session musicians for the creation of this album, (including Myrkur who brings not only her musical skills to the band, but also her always impressive vocals at the end of the last song). These help to flesh out the album fully, and add additional touches to the songs here and there. For example; Continue reading →