Alda have a multifaceted sound born from combining black metal, post-rock, and folk into 51 minutes of atmospheric nature-themed blackened art. Boasting multiple vocalists and a range of different instrumentation, including the use of viola and cello, A Distant Fire is an album of nuance and rich texture. Continue reading “Alda – A Distant Fire (Review)”
This is the follow up to 2020’s striking Conqueror Worm, which I really liked.
This EP provides us with 26 minutes of new material. The style is a mix of old and new, Continue reading “Sepulchre by the Sea – Ratiocinations (Review)”
I very much enjoyed 2016’s Ruinen, and then 2019’s Mondscheinsonaten appeared and saw the band’s atmospheric brand of blackened music take another strong step forward. So, what of Dahoam then? Continue reading “Waldgeflüster – Dahoam (Review)”
This is Swedish melodic black metal that exists within a post-black metal framework, with the latter allowing the former a broader range than it usually benefits from. Wormwood’s music has an epic streak, an atmospheric proclivity, and a good grasp of emotion and depth. Arkivet is a mix of the classic and the contemporary, and the band have balanced these influences very well to produce an evocative and compelling album. Continue reading “Wormwood – Arkivet (Review)”
I enjoyed Windfaerer’s second album from 2105 Tenebrosum, but it’s taken me until now to catch up to the band again, so I missed its follow up. I was determined not to miss Breaths of Elder Dawns when I saw it appear though, and I’m very glad that I didn’t. Continue reading “Windfaerer – Breaths of Elder Dawns (Review)”
Wolf Hex is the 34-minute follow up to 2019’s very well-received Heaven That Dwells Within, but it’s somewhat of a different record to its predecessor. Although obviously the same band, (but with a different lineup), Wolf Hex is rawer and less-polished, and owes more to the underground scenes; it sounds loose, organic, and unforced, and the songs benefit from this approach throughout the album. Continue reading “Wormwitch – Wolf Hex (Review)”
Both 2015’s Pod Niebem Utkanym z Popiołu and 2017’s Sporysz were very enjoyable blackened progressive/folk hybrids, and their newest album continues Jarun’s unbroken run of high quality releases. Continue reading “Jarun – Rok Spokojnego Słońca (Review)”
Akhenaten play a hybrid style of black and death metal that’s been spiced up with Middle Eastern folk influences. The music brings to mind a cross between aspects of bands such as Nile, Melechesh, Arallu, Orphaned Land, Rudra, Septic Flesh, and the like. In other words, bands that use their extreme metal for more than simple brutality. Continue reading “Akhenaten – The Emerald Tablets of Thoth (Review)”
Årabrot are a Norwegian rock band and this is their ninth album.
Norwegian Gothic is a complex, multifaceted listen. Årabrot specialise in a dark, avant-garde form of music that may take a diverse array of influences into itself, (noise rock, experimental, pop, punk, soul, metal, folk, industrial, etc.), but ultimately Continue reading “Årabrot – Norwegian Gothic (Review)”