After their solid 2018 effort Fantasy, Landmvrks are now back with another 33 minutes of material. Lost in the Waves is heavier than its predecessor, but without losing its melodic edge. Shorter than the album that preceded it, it’s also more diverse. Continue reading “Landmvrks – Lost in the Waves (Review)”
Cascadence contains 49 minutes of modern metal that takes from the technical/progressive metal/metalcore and djent genres to craft an engaging, well-rounded album. The promo blurb recommends this for fans of bands such as Periphery, Monuments, Devin Townsend, Intervals, and Architects, and it’s hard to disagree. Continue reading “Arcaeon – Cascadence (Review)”
Almost every year I think about how challenging it is to compile a definitive best of list, and how subjective it is, etc. Although that’s still true for this collecting of albums, this year, however, has been easier than most. 2020 has been heavy on the black metal for me. It’s been my most reviewed genre, in all its myriad permutations, and this is reflected in the below list.
For the longest of times the bands in positions 5 and 6 vied for top position, but then October and November happened. All of a sudden, unexpectedly, these two months unleashed a wealth of quality, and stole the top four positions in a rampant display of blackened supremacy.
I hope you enjoy the below recommendations of mine and find something new to obsess over. Let me know how you get on.
This is a modern brand of hardcore, with elements of metalcore that can be heard, alongside a healthy rock influence. Continue reading “Among Phantoms – Memories/Catastrophes (Review)”
There was an unreasonably unreasonable (?) amount of good music to be had in September. So check out the below and let me know your favourite, (it goes without saying you should also be listening to The Ocean and Oceans of Slumber, so I won’t mention those again). Continue reading “Monthly Overview – the Best of September 2020”
Here we have a 36-minute chunk of modern heaviness. This is the heaviest of metalcore, so much so that it borders on deathcore in places. Mixed in with this are aspects of djent and nu-metal, as well as modern hardcore/metal elements in general. Continue reading “Alpha Wolf – A Quiet Place to Die (Review)”
Mathcore, hardcore, and metalcore collide across 27 minutes of music. Salespeople put me in mind of the past quite strongly, while also keeping a firm eye on the here and now. Continue reading “Lacittàdolente – Salespeople (Review)”
Orbit Culture play a type of modern metal that mixes groove metal, thrash, and metalcore together, adds a touch of deathcore, and then coats everything in a meaty production designed to get the blood pumping. Continue reading “Orbit Culture – Nija (Review)”
Currents play an electronically-enhanced mix of metalcore and modern metal, peppered with deathcore and djent influences. Continue reading “Currents – The Way It Ends (Review)”
Here we have 37 minutes of music; metallic hardcore that also borrows from both modern metal and deathcore. The songs are compact and concise expressions of anger, frustration, and hardship, channelled through satisfyingly brutal tracks that are also full of good hooks and choruses. Continue reading “Kingsmen – Revenge.Forgiveness.Recovery (Review)”