Alias contains 31 as of modern metalcore spliced with elements of electronica and ambience. Continue reading “Sleep Waker – Alias (Review)”
The songs on In the Eye of Death We Are All the Same focus on heavy grooves and crushing rhythms, but are not purely restricted to these. Unusually for a band of this sort, Defocus actually know how to play fast when the need arises. Continue reading “Defocus – In the Eye of Death We Are All the Same (Review)”
The follow up to 2018’s Revival, Light the Torch have now returned with 43 minutes of new material, (and a Terence Trent D’Arby cover). Continue reading “Light the Torch – You Will Be the Death of Me (Review)”
Fixation is an interesting blend of symphonic black metal and breakdown-heavy metalcore. Only a few bands are playing around with blackened elements in metalcore, to varying degrees of success, so it’s always good to hear another such act throw their interpretation of this unusual subgenre into the ring. Continue reading “The Ember, the Ash – Fixation (Review)”
This is the much-anticipated follow up to 2016’s The Well-Intentioned Virus, and although it might not be what you’re expecting, it’s exactly what you need. Continue reading “Zao – The Crimson Corridor (Review)”
Termina’s music is best described as modern metal – a mix of genres and styles such as progressive metal, technical metal, djent, deathcore, and metalcore. Continue reading “Termina – Dysphoria (Review)”
After their solid 2018 effort Fantasy, Landmvrks are now back with another 33 minutes of material. Lost in the Waves is heavier than its predecessor, but without losing its melodic edge. Shorter than the album that preceded it, it’s also more diverse. Continue reading “Landmvrks – Lost in the Waves (Review)”
Cascadence contains 49 minutes of modern metal that takes from the technical/progressive metal/metalcore and djent genres to craft an engaging, well-rounded album. The promo blurb recommends this for fans of bands such as Periphery, Monuments, Devin Townsend, Intervals, and Architects, and it’s hard to disagree. Continue reading “Arcaeon – Cascadence (Review)”
Almost every year I think about how challenging it is to compile a definitive best of list, and how subjective it is, etc. Although that’s still true for this collecting of albums, this year, however, has been easier than most. 2020 has been heavy on the black metal for me. It’s been my most reviewed genre, in all its myriad permutations, and this is reflected in the below list.
For the longest of times the bands in positions 5 and 6 vied for top position, but then October and November happened. All of a sudden, unexpectedly, these two months unleashed a wealth of quality, and stole the top four positions in a rampant display of blackened supremacy.
I hope you enjoy the below recommendations of mine and find something new to obsess over. Let me know how you get on.
This is a modern brand of hardcore, with elements of metalcore that can be heard, alongside a healthy rock influence. Continue reading “Among Phantoms – Memories/Catastrophes (Review)”