Boss Keloid are a progressive rock/metal band from the UK and this is their fifth album.
If Herb Your Enthusiasm, Melted on the Inch, and Family the Smiling Thrush weren’t enough to convince you of the merits of Boss Keloid’s individual take on sludgy music, then you’ve simply been missing out. Well, now we have Float & Aperture, a record that you didn’t know you needed, but you clearly do. Continue reading “Boss Keloid – Float & Aperture (Review)”
This is the fourth album from US post-rock band Shy, Low.
Existing somewhere between post-rock and post-metal, Shy, Low’s music is a thoroughly immersive affair. Purity Spiral spends 47 minutes engaged in comprehensive instrumental worldbuilding, to remarkable effect. Continue reading “Shy, Low – Purity Spiral (Review)”
This is the ninth album from Chelsea Wolfe, a solo alternative rock artist from the US.
Chelsea Wolfe’s new record delivers 40 minutes of darkly expressive music for the listener to fall deeply for. The Dark is a record that once encountered, is not soon forgotten. Continue reading “Chelsea Wolfe – The Dark (Review)”
Green Lung are a doom rock band from the UK and this is their fourth album.
Following on from 2021’s The Harvest and 2023’s This Heathen Land, Necropolitan delivers 41 minutes of new material into our hot sweaty hands. Green Lung are on a continued upwards trajectory, and it doesn’t seem like anything can stop them. Continue reading “Green Lung – Necropolitan (Review)”
ArcTanGent is the UK’s premier outdoor alternative music festival, and it’s a great pleasure to have so many great bands here over one weekend, from all over the world.
It’s this writer’s first time at the festival, even if it’s only for the Friday and the Saturday, and it turns out to be an extremely enjoyable and rewarding couple of days. The festival’s organisation, layout, lineup, and everything else have clearly been thought about closely and iterated upon over time. The end result is a festival experience that’s one of the best out there. Continue reading “ArcTanGent Festival 2026 – Fernhill Farm, Compton Martin, 21/08/26-22/08/26 (Live Review)”
This is the third album from Chat Pile, a noise/sludge rock band from the US.
Chat Pile understandably made a stir with their debut album God’s Country, so Who Loves the Sun is a most welcome release. This time the band have gifted us with a 10-track, 44-minute record that’s much anticipated by many who thought very highly of their last two records. Continue reading “Chat Pile – Who Loves the Sun (Review)”
Russian Circles are an instrumental post-rock/metal band from the US. This is their ninth album.
Russian Circles can do no wrong. Sorry, but them’s the rules. More seriously, coming off the back of 2022’s fantastic Gnostic, Nine has big shoes to fill, but fill them it does. Across 39 minutes of new material, Russian Circles showcase their considerable talents in no uncertain terms. Continue reading “Russian Circles – Nine (Review)”
This is the second album from UK post-rock band Din of Celestial Birds.
The three-guitar, (and synths), post-rock approach of Din of Celestial Birds is back, with the 41-minute Takeoffs & Landings. 2023’s The Night Is for Dreamers made a decent splash in post-rock waters, so Takeoffs & Landings comes with a certain amount of expectation. Continue reading “Din of Celestial Birds – Takeoffs & Landings (Review)”
This is the fourth album from US post-rock band If These Trees Could Talk.
The Hidden Hand contains 42 minutes of post-rock soundscapes for the listener to explore. If These Trees Could Talk are able guides, highlighting areas of interest and places to be wary of as these nine expressive tracks unfold. Continue reading “If These Trees Could Talk – The Hidden Hand (Review)”
This is the fifth album from dark/doom rock band Wailin Storms.
The Arsonist provides the listener with 47 minutes of material to become captivated by, and by Jove is it good. Wailin Storms have created a record that blends many styles and influences into one compelling whole. Continue reading “Wailin Storms – The Arsonist (Review)”
