Wardomized – Red Death (Flows Through My Veins) (Review)

WardomizedWardomized are a UK death/thrash metal band and this is their second EP.

From the moment the EP starts you’re left with no doubt about the old-school pedigree of Wardomized. They seem to have instantly managed to nail down a sound that’s been torn from the 80s, both from a recording point of view and also a stylistic one. Continue reading

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Vallenfyre – Fear Those Who Fear Him (Review)

VallenfyreThis is the third album from Vallenfyre, a death metal band from the UK.

Featuring current and ex-members of Paradise Lost, My Dying Bride, and Abhorrence, in Fear Those Who Fear Him Vallenfyre deliver 39 minutes of ugly, nasty death metal. Continue reading

Vetrar Draugurinn – I (Review)

Vetrar DraugurinnThis is the debut EP from Gothic metallers Vetrar Draugurinn, who are from the Netherlands.

Featuring current and ex-members of bands such as Stream of Passion, The Saturnine, and Autumn, this new band brings a wealth of experience to the table, showing a maturity and professionalism that you’d expect from such accomplished artists. Continue reading

Unothera – Broken (Review)

UnotheraThis is the début EP from Unothera, who are a melodic doom/death band from the Netherlands.

This EP consists of 5 tracks – two actual songs and three piano movements.

The songs take influence from the likes of My Dying Bride, Katatonia and Paradise Lost, with sorrowful atmosphere aplenty. Keyboards are also used to add depth to the misery that the band exude, and I think these are particularly Continue reading

Abyssic – A Winter’s Tale (Review)

AbyssicThis is the début album from Norwegian Symphonic Doom/Death band Abyssic.

Well this is an absolute monster of an album. At 79 minutes in length and featuring just four tracks, Abyssic certainly know how to provide the listener with a lot to get their teeth into.

A decent stylistic reference point for Abyssic would initially be the old Peaceville roster, with bands like Anathema, My Dying Bride and Paradise Lost all providing an idea of what the base of the band is like. Only longer and more epic, of course. Once you have this in your mind’s eye, mix in some more modern, epic funeral Doom from the likes of Monolithe, as well as a sterling Classical influence, and you’ll have a good idea of what Abyssic are getting up to here.

The symphonic aspects of Abyssic’s sound are big, bold and unashamedly impressive. Abyssic don’t hold back, and nor should they. This is a band that manage to incorporate the symphonic and Classical elements into their sound in a holistic and complete way, rather than having them just added on at the end. The music easily takes on a cinematic legendary feel and each of these long songs feels like a story. Nay, a saga.

A Winter’s Tale benefits from a huge and lavish production that allows all of the different parts of their repertoire to sound clear and crushing. Thick guitars and textured keyboards merge together with the crushing drums to provide the listener with a very engaging and absorbing listen. The songs may be long, but if you have the time to spare for them then there is so much here to enjoy.

For the most part the vocals are deep, dark growls, of the kind that are pretty much standard for Death/Doom. That’s not to say they’re not effective or don’t do their job though.

Long they may be, but these songs justify their own existence by being so damn impressive and well-put together. The band know their stuff, that’s for sure. Amazingly, given the length, these tracks don’t get boring and the lavish, lush orchestration is a constant joy to listen to, especially when combined with the heaviness of the guitars.

This atmospheric album really nails the best parts of the Death/Doom style for me, and the overwrought symphonic elements are just candy to my ears, pulling the whole thing up to another level.

Very highly recommended.

Hooded Menace – Darkness Drips Forth (Review)

Hooded MenaceThis is the fourth album from Finnish Doom-laden Death Metallers Hooded Menace.

Hooded Menace are well-known for playing Death Metal that’s heavy on the Doom influence, and just heavy in general. On this latest release this is taken to its logical conclusion, and the four songs on Darkness Drips Forth really blur the line between Death and Doom Metal, so much so that this is equally for fans of Incantation as it is for Esoteric.

The shortest song here is just under 10 minutes in length, with all tracks being stretched out to their maximum capacity for crawling, sinister, evil Metal.

Dark melodies creep into the thick, crushing music so that the band really foster the ancient Death/Doom influences that sit at the core of music like this. It’s not as overpowering or centralised as some who play similar styles though, allowing the heaviness and pure dirt of a band like this to remain at the fore. Old-school Anathema/Paradise Lost/My Dying Bride fans will be proud.

The singer’s cavernous growls are slow and drawn out, keeping pace with the unhurried music and reminding everyone that ultimately this isn’t pretty music; this wants to drag you down into the murk and consume your soul.

When they’re not playing at a snail’s pace the band have a rhythmic quality to them that’s almost Rocking, albeit one that’s coated in filth and grim intent.

These songs are veritable slabs of monolithic Metal, seemingly passed down through the ages in sealed tomes of forbidden lore, only to be discovered and unleashed by Hooded Menace. Each one is an impressive foray into Doom/Death, only much more malignant and nasty than a lot of the style normally is.

Highly recommended for both Doom and Death Metal fans alike.