Crown – The End of All Things (Review)

Crown - The End of All ThingsThis is the third album from French industrial band Crown.

I’m unfamiliar with Crown’s past work, but apparently The End of All Things is a complete departure from their older sound. Fair enough. If you’re new to the band like me, (or even if you’re not), Crown’s new album contains 46 Continue reading “Crown – The End of All Things (Review)”

Oceana – The Pattern (Review)

Oceana - The PatternOceana are a progressive metal band from Italy and this is their debut album.

As an introductory description of The Pattern, I’m just going to be lazy and quite the promo blurb – “The intent was to mix progressive metal elements with European-style death doom. Influences, from a musical point of view, range from Edge of Sanity to Katatonia, from Paradise Lost to Duran Duran, from Metallica to Dream Theater, in a Continue reading “Oceana – The Pattern (Review)”

Mother of Graves – In Somber Dreams (Review)

Mother of Graves - In Somber DreamsThis is the debut EP from US death/doom metal band Mother of Graves.

In Somber Dreams contains 19 minutes of old-school melodic death/doom. The promo blurb mentions bands such as Katatonia, Paradise Lost, My Dying Bride, Cloak, and Khemmis, and these serve as suitable reference points, especially the first two. Continue reading “Mother of Graves – In Somber Dreams (Review)”

Invernoir – The Void and the Unbearable Loss (Review)

Invernoir - The Void and the Unbearable LossThis is the debut album from Invernoir, an Italian doom metal band.

Taking influence from old-school doom/Gothic metal via the likes of My Dying Bride, Anathema, Katatonia, and Paradise Lost, The Void and the Unbearable Loss contains 51 minutes of music crafted in this venerable style. Continue reading “Invernoir – The Void and the Unbearable Loss (Review)”

Marche Funèbre – Einderlicht (Review)

Marche Funèbre - EinderlichtThis is the fourth album from Belgian death/doom metallers Marche Funèbre.

Having been a fan of Eye of Solitude for some time, their split with Marche Funèbre impressed, and made me want to check out the latter band when the opportunity arose. That time is now, and Einderlicht has arrived to carve a space in my collection all of its own. Continue reading “Marche Funèbre – Einderlicht (Review)”

Paradise Lost – Obsidian (Review)

Paradise Lost. - ObsidianThis is the 16th album from UK metal band Paradise Lost.

This is the eagerly awaited follow up to 2017’s Medusa, which was a thoroughly enjoyable album through and through. Back with 45 minutes of new material on Obsidian, this is a great time to be a Paradise Lost fan. Continue reading “Paradise Lost – Obsidian (Review)”

Solothus – Realm of Ash and Blood (Review)

Solothus - Realm of Ash & BloodThis is the third album from Solothus, a death/doom metal band from Finland.

Soaked with deathly vibes and sinister doom promise, this is macabre death/doom that deeply satisfies with its quality delivery. For a rough approximation of the band’s sound, imagine a mix of bands such as Continue reading “Solothus – Realm of Ash and Blood (Review)”

Ilienses Tree – Till Autumn Comes (Review)

Ilienses Tree - Till Autumn ComesIlienses Tree are an Italian death/doom metal band and this is their debut album.

After really enjoying 2017’s Edda, it’s good to now have a full length from Ilienses Tree. Continue reading “Ilienses Tree – Till Autumn Comes (Review)”

Godthrymm – Reflections (Review)

Godthrymm - ReflectionsThis is the debut album from UK doom metallers Godthrymm.

Featuring ex-members of bands such as Anathema, My Dying Bride, Solstice, and Vallenfyre, there’s a wealth of experience underpinning this release, and it’s used well. Continue reading “Godthrymm – Reflections (Review)”

Deathwhite – Grave Image (Review)

Deathwhite - Grave ImageDeathwhite are a melodic metal band from the US and this is their second album.

Ever since 2014’s Ethereal saw the light of day, I’ve enjoyed watching Deathwhite flex their creative, melodically-charged muscles. Solitary Martyr arrived a year later with a quality delivery, and by the time that 2018’s For a Black Tomorrow came around, it was clear that Deathwhite’s early promise was not squandered at all. Well, it’s now 2020, and the band have returned with 49 minutes of new material. Continue reading “Deathwhite – Grave Image (Review)”