Taking influence from a mix of bands such as Archspire, Origin, Beneath the Massacre, The Faceless, and Infant Annihilator, The Eating Cave spend 39 minutes terrorising, battering, and demoralising the listener with the sort of punishment that is as well-delivered as it is startlingly brutal. Continue reading “The Eating Cave – Ingurgitate (Review)”
Kardashev have an unusual sound that consists of a mixture of shoegaze and deathcore, to which elements of black, progressive, atmospheric, and post-metal have been added. This is then all rolled into an atypical contemporary package that lasts 60 minutes. Post-deathcore, maybe? Either that, or deathgaze, as the band style themselves.
Prophetic Blasphemy contains 42 minutes of brutal modern blackened deathcore. Riven with huge breakdowns and enhanced with blackened malevolence, Prophetic Blasphemy is on the darker, heavier side of the deathcore spectrum, and I like what I hear. Continue reading “Hanging the Nihilist – Prophetic Blasphemy (Review)”
Wow, what an unexpectedly rich source of great music January was. I honestly can’t remember a January that had so many metal releases that were this good. I’ve chosen five of the best below, and none of them are to be missed… Continue reading “Monthly Overview – the Best of January 2022”
I last heard The Last Ten Seconds of Life on their 2016 album The Violent Sound, which was an enjoyable excursion into rowdy metal waters. On their latest album the band have taken a slight step back with their their hybrid sound; it’s still part-deathcore, part nu-metal, part hardcore, and Continue reading “The Last Ten Seconds of Life – The Last Ten Seconds of Life (Review)”
Fit for an Autopsy are a deathcore band from the US and this is their sixth album.
Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”
Enterprise Earth walk a line between modern death metal, deathcore, and metalcore, and on The Chosen the band deliver a whopping 71 minutes of meaty material for listeners to get their teeth into. Continue reading “Enterprise Earth – The Chosen (Review)”
It’s been less than a year since 2021’s In the Wake of Sol, but here we are already with another Worm Shepherd album. Not that I’m complaining, as that album was a solid slab of blackened atmosphere and crushing deathcore heaviness. Continue reading “Worm Shepherd – Ritual Hymns (Review)”
I do enjoy a bit of Whitechapel now and again, (Our Endless War, Mark of the Blade, The Valley), so Kin has come along at the right time. After the advances in style and songwriting of The Valley, Kin continues where that album left off, treading similar ground, while also broadening the band’s stylistic reach further. Continue reading “Whitechapel – Kin (Review)”
Following on from the band’s crushing 2019 debut album The Hand of Violence, as well as this year’s EP Eternal, we now turn to their latest release. Containing 43 minutes of massively heavy music, Bound in Fear’s new album is thunderous and demolishing. Continue reading “Bound in Fear – Penance (Review)”