Termina’s music is best described as modern metal – a mix of genres and styles such as progressive metal, technical metal, djent, deathcore, and metalcore. Continue reading “Termina – Dysphoria (Review)”
Eternal follows up 2019’s The Hand of Violence with a crushing 23 minutes of new material. Across five tracks the band once more demonstrate that they can Continue reading “Bound in Fear – Eternal (Review)”
Distant never seem to disappoint. From 2019’s Tyrannotophia to 2020’s Dawn of Corruption, they’ve revealed themselves to be a reliable and enjoyable exemplar of modern hyper-heavy deathcore. Continue reading “Distant – Dusk of Anguish (Review)”
After their solid 2018 effort Fantasy, Landmvrks are now back with another 33 minutes of material. Lost in the Waves is heavier than its predecessor, but without losing its melodic edge. Shorter than the album that preceded it, it’s also more diverse. Continue reading “Landmvrks – Lost in the Waves (Review)”
Evil features 39 minutes of modern brutality. The band, (previously known as Cannibal Grandpa), have a style that encapsulates elements of slam and deathcore, but primarily consists of a modern brand of brutal death metal that has simply absorbed these other strains of heaviness into itself, along with a few other elements as we’ll see. Continue reading “Bonecarver – Evil (Review)”
Abiotic play modern death metal that takes influence from the technical and progressive strains of the style, as well as from some elements of deathcore. The promo blurb states that Ikiagi is for fans of bands such as Continue reading “Abiotic – Ikigai (Review)”
This is the fourth album from Swedish death metallers Humanity’s Last Breath.
Following on from the monolithic juggernaut that was 2019’s Abyssal, Humanity’s Last Breath have pulled out all of the stops and produced their best work to date. Välde is 54 minutes of malignant modern death metal darkness. Continue reading “Humanity’s Last Breath – Välde (Review)”
Infected comes roaring out of the underground like a possessed daemon in a bloodthirsty rage. It’s only 25 minutes long, but that’s all you need when you’re selling this sort of thundering slam. Continue reading “Virulence of Misconduct – Infected (Review)”
Almost every year I think about how challenging it is to compile a definitive best of list, and how subjective it is, etc. Although that’s still true for this collecting of albums, this year, however, has been easier than most. 2020 has been heavy on the black metal for me. It’s been my most reviewed genre, in all its myriad permutations, and this is reflected in the below list.
For the longest of times the bands in positions 5 and 6 vied for top position, but then October and November happened. All of a sudden, unexpectedly, these two months unleashed a wealth of quality, and stole the top four positions in a rampant display of blackened supremacy.
I hope you enjoy the below recommendations of mine and find something new to obsess over. Let me know how you get on.
Sometimes you just want a hit of something thunderously heavy. 2019’s Tyrannotophia was one such hit, (more like a smash), so when Dawn of Corruption was unveiled, I knew I was in for a fresh beating. Continue reading “Distant – Dawn of Corruption (Review)”