Abhainn is a 56-minute progressive black metal album that also contains a healthy amount of doom and folk influences. It’s ambitious and bold, but also very striking and well-realised. The band have clearly put a lot into this work, and it shows; Abhainn is Continue reading “Corr Mhóna – Abhainn (Review)”
I really like Dread Sovereign’s work, (see 2014’s All Hell’s Martyrs and 2017 For Doom the Bell Tolls), so listening to Alchemical Warfare was a must. Across 52 minutes the band kick out some of their best jams, so trust me when I say that if you’re at all into this style then you should make Alchemical Warfare a priority. Continue reading “Dread Sovereign – Alchemical Warfare (Review)”
Since 2015’s Svbversvm, and then 2017’s Rod, I have been a huge fan of Ram. Very few heavy metal bands from the last decade or so do it for me quite like Ram. They are, quite simply, just so damn good at what they do. Continue reading “Ram – The Throne Within (Review)”
It doesn’t seem like 2014 that the very enjoyable Where Greater Men Have Fallen album came out, but apparently it was. Blimey. Continue reading “Primordial – Exile Amongst the Ruins (Review)”
Blissful Stream are up first, with the first new material from the project since 2016’s Ascending Demons. Continue reading “Blissful Stream/Lightsabres – Devil’s Night to All Souls – Split (Review)”
This is a mix of the progressive versions of both metal and rock, one that manages to do justice to both.
The album has a professional, well-rounded production that shows off the band’s skills. Theirs is a strong, full-bodied sound that allows them the freedom to make the most of their music.
2014’s All Hell’s Martyrs was an absolute stormer of an album, and definitely one of my favourites from the doom metal genre. After catching them live at last year’s Damnation Festival, I was very excited to eventually hear some new material from the band. Finally, the wait is over. Continue reading “Dread Sovereign – For Doom the Bell Tolls (Review)”
This is a double-album release consisting of two different parts. The first is named The Sap That Feeds Us and the second is named La Montaña.
The Sap That Feeds Us is pagan/folk black metal that should find fans in any that favour the work of Dissection, Primordial, Agalloch and Drudkh.
I like the blackened Continue reading “Crystalmoors – The Mountain Will Forgive Us (Review)”
A new Primordial release is always a bit of an event to be greeted with great anticipation. They’re a band who have carved out their own niche in the world of Metal and can rightfully say they’ve achieved what they have through their own hard work and individuality.
The first thing that always comes to mind when thinking of Primordial is the talented and dramatic vocals of their singer. This is not to belittle the musical content in any way, but this has always been the focal point of the band for me.
On Where Greater Men Have Fallen he’s on top form as always; power and passion are the cornerstones of his delivery. His performance is first-rate and he still has a great turn of expression and a strong theatrical presence.
The music, as always, is bold and striking whilst simultaneously having nuance and depth. The driving riffs will be instantly familiar to Primordial fans and the colourful, emotive world the band exist in is welcoming from the get-go.
The songs cover upbeat charges and more atmospheric, considered parts. Primordial do both very well and both get equal consideration on the album.
Primordial’s Black Metal background has allowed the band to retain a certain edge to their songwriting, even though these days there’s only a few Black Metal traces left in their sound. For the most part this is roaring, passionate Heavy Metal through and through, but without a cliché in sight.
Nobody really sounds like Primordial, and Primoridal don’t really sound like anyone else. A lot of this is down to the singer, but musically this is true as well. When you hear them you just know who the band is.
This album is a jewel in the crown of Primordial’s considerable back catalogue. Their previous album, (Redemption at the Puritan’s Hand), was good but not quite up to the usual Primordial standard for some reason. With Where Greater Men Have Fallen they’ve corrected this slight dip in quality with an album that sits alongside the best of their work.
If you already know Primordial then you’ll need little convincing to get this album. If you’re new to the band then this is a perfect introduction.
Have a listen.
Take a powerful Black Metal core, add some atmospherics and keyboards, infuse a bit of Primordial and old Dimmu Borgir into it and soak in a heady strain of Paganism and you have a good starting point for Panychida.
The songs are stirring and involving. They have aggression and exploration written into the guitars, as well as a good amount of epic Metal riffage.
Panychida offer a good variety of vocals, with almost every type making an appearance – screams, growls, whispers, cleans; they’re all here and all done well. Krastina (Grief for the Idol) is a great example of this as the vocals alternate between all of these and more in a short space of time.
Folk influences and instrumentation appear and these are done well without sounding out of place.
Panychida have produced a quality album. Give them a listen and see what you think.