Obsolete play a technical mix of death metal with thrash elements. This is then peppered progressive, dissonant, and avant-garde influences to produce a 37-minute album that exceeds expectations. Imagine a combination of Death and Atheist, only with more Continue reading “Obsolete – Animate//Isolate (Review)”
It’s been a while since I’ve indulged in some death/thrash, and Malevolent Demise Incarnation is just the sort of release to get stuck into. These songs are high octane blood pumpers, and across 44 minutes Rapture showcase what they’re made of. Continue reading “Rapture – Malevolent Demise Incarnation (Review)”
Shards of the Hourglass is a monstrous death/thrash metal release that falls somewhere between Swedish death metal and the more adventurous side of 90s death and thrash metal. There’s a vicious German influence too – think a mix of Vader and Destruction. Take all of this together and it makes for a surprisingly engaging 58-minute blend of extreme metal. Continue reading “Psychomancer – Shards of the Hourglass (Review & Interview)”
Truth Corroded serve up over 40 minutes worth of extreme metal on Bloodlands. The band’s style mixes skull-cracking brutality with razor-sharp thrash metal. This is music to simultaneously get smashed up and lacerated by. Continue reading “Truth Corroded – Bloodlands (Review)”
On Attraction to Annihilation Maligner offer up 30 minutes of savage death/thrash metal. This is some quality stuff. Continue reading “Maligner – Attraction to Annihilation (Review)”
This is 54 minutes of ripping death/thrash. It’s not without its depth either, as the band incorporate some choice progressive tendencies in their sound too. This justifies the length of the album, as the songs take the time to explore where they need to, offering a substantial and engaging journey to the listener. Continue reading “Reprisal – None Survive the Sun (Review)”
This is the band’s first album in over 20 years, and with many fans eagerly awaiting it, there’s no shortage of expectation about this release in some quarters. Continue reading “Inquisitor – Stigmata Me, I’m in Misery (Review)”
Shockingly hot on the heels of this year’s debut album Bedlam, it’s clear that Suppressive Fire are a hungry, ambitious lot, and rather than rest on their laurels, (Bedlam was quite the corker), they’ve seemingly just rushed back into the studio to produce their second album already. Continue reading “Suppressive Fire – Nature of War (Review)”
I receive a lot of music promos, and I have to decide whether I’m going to give them a listen with a view to reviewing them, or not. There are lot of different ways I do this, lots of informal and flexible rules that sometimes vary quite a lot depending on how I’m feeling, what time of day it is, etc. Sometimes though, as with Suppressive Fire’s début, it’s all about the album cover. Something about the cover of Bedlam is just so unashamedly Thrash Metal, but without any retro-cheese-nonsense, that I just had to listen to it.
So here we are. As it turns out, sometimes you can judge the proverbial book by its cover.
Suppressive Fire play aggressive Old-School Death/Thrash Metal with a Blackened edge to it that makes it a far more aggressive proposition than most.
The songs are ugly, gritty and full of barely-contained spite. It’s pretty much a 50/50 mix of Death and Thrash Metal which gives the band an energetic sound that comes out in the riffs and galloping/blasting drums.
Featuring a suitably Old-School sound, the album rockets along powered by chemical weapons and nuclear fear. The guitars are riff-heavy and there’s plenty of solos to sink your teeth into.
It’s a decent collection of songs that have a subtle catchiness to them that initially seems buried under the barbed assault of the delivery, which essentially increases the longevity of the album as the songs don’t become too-familiar, too quickly.
So slip on the riot gear and descend into Bedlam.