This is, on the surface of things, a second wave black metal album, full of the sort of misanthropy and hatred that you’d expect for something like this. Scratch the surface, however, (and by this I mean actually listen to it), and you’ll also find a bit more than the norm here. Continue reading
So, what do we have here? This is modern black metal played with a technical sheen that still manages to be relatively catchy, despite its imposing veneer. Continue reading
Singularity are an interesting beast. They play technical black metal, which by itself is a relatively unusual sub-genre. Add in a symphonic side to this and their self-titled debut album was an atypical and enjoyable release. Continue reading
This is progressive, technical and symphonic Black/Death Metal. It’s a bit of a mouthful, but then this is a band who have a lot of different influences. I hear bands like Zyklon, Dissection, Emperor, Dimmu Borgir, Septic Flesh and Fleshgod Apocalypse in their sound.
Technical Black Metal is not the most common of sub-genres, especially Symphonic Technical Black Metal, which is what this essentially is.
The synths are heavy and thick and give the band a colourful sheen under which to ply their trade. Said trade consists of sharp, crazy guitar work, widdly bass and precision-point drums. It’s as if a band like Dimmu Borgir had overdosed on Technical Death Metal and angular riffs in the style of some of Mayhem’s work. It also puts me in mind of the first Ephel Duath album.
The songs are still here though. This is an enjoyable riff-fest with inhuman drumming and layers of atmosphere and jagged darkness.
The technicality and Blackened atmospheres combine in a way that most bands never attempt and the resulting mix of styles works primarily because they never sacrifice the songs for the riffs. The playing is very impressive but the Black Metal framework always reins them in before they become overbearing or surplus to the needs of the song.
That being said, there is certainly a lot of flash playing on this album, but as I say – it works.
The tracks are quite varied as the guitars never stop and are always interesting and entertaining. The singer gives his all to the screams; they’re high pitched and very pointed. The cleans that appear are professionally delivered also; another string to Singularity’s impressive bow.
The production is top quality and everything sounds crisp and clear. You can really hear every note.
Singularity is extremely impressive in many ways. I always like a band that puts a different spin on things and the rampant technicality on this album really gives them a flavour all of their own. The fact that they mix this with a Symphonic base and have managed to produce an enjoyable set of songs without everything sounding messy or forced speaks volumes about their talent.
Take a chance on this and listen to it now.
Their latest EP is 6 tracks and 26 minutes in length; a decent amount to get your teeth into.
From the onset they’re striking with a bold sound and unusual riffing. Encoded Weakness is atypical Black Metal with interesting riffs stopping, starting, squealing and blasting. The vocals are snarled growls of Blackened hatred.
The rest of the songs follow in a similar pattern – it’s Black Metal but played in an unusual way that gives a very fresh interpretation of the genre, whilst still remaining recognisable as Black Metal. Irradiator is a great example – the riffs slide and slither over each other in serpentine ways delivering a refreshing listening experience.
The band have an excellent grasp of dynamics, songwriting and riff-construction. This, combined with flawless delivery and a strong, oily, sinuous production mean this EP is a real treat.
Highly talented. Australia once more proves it is a leader in the Metal scene when it comes to producing innovative and interesting Metal.