This is the fourth album from Swiss black metallers Coldcell.
Featuring the drummer of Schammasch and guest vocals on two songs by the singer of Zatokrev, Coldcell spend 49 minutes delivering atmospheric modern black metal that’s sinister and layered with existential dread. Continue reading “Coldcell – The Greater Evil (Review)”
This is the debut album from Udånde, a solo black metal band based in Slovakia, augmented by as session vocalist and drummer.
Now here’s an album to thoroughly scratch that modern black metal itch. Life of a Purist is atmospheric and melodic, without being entirely beholden to either Continue reading “Udånde – Life of a Purist (Review)”
Wesenwille are a black metal band from the Netherlands and this is their second album.
Wesenwille play modern black metal that’s delivered with passion and skill. You can hear the band’s traditional influences, but these are delivered with a contemporary twist. Continue reading “Wesenwille – II: A Material God (Review)”
This is the debut album from Starer, a one-man black metal band from the US.
Brought to us by a member of Bihargam, Starer is a different proposition from that band, and offers 45 minutes of modern darkness for the listener to become absorbed by. Continue reading “Starer – 18° Below the Horizon (Review)”
This is the debut EP from German black metallers Bestialis.
Ritus provides 17 minutes of black metal, and serves as a good introduction to the nefarious talents of Bestialis. The band’s style is rooted in traditional black metal, but also contains elements of more modern styles too. As a very rough Continue reading “Bestialis – Ritus (Review)”
This is the debut album from Sepulchre by the Sea, a one-man post-black metal band from the UK.
Sepulchre by the Sea’s music is a hybrid form of modern/traditional black metal, expressed in an atmospheric style and enhanced with elements of post-rock and blackgaze. This approach results in a sprawling post-black metal epic that unfolds across 58 minutes of evocative, well-written music. Continue reading “Sepulchre by the Sea – Conqueror Worm (Review)”
This is the third album from German black metallers Beltez.
Following on from 2017’s well-regarded Exiled, Punished…Rejected, A Grey Chill and a Whisper is well-received and quite exceptional. Across 65 minutes Beltez brutalise and mystify with a compelling tale of darkness and despair, but with some glimmers of hope. Continue reading “Beltez – A Grey Chill and a Whisper (Review)”
This is the debut album by Ba’al, a blackened post-metal band from the UK.
I last caught up with Ba’al on their debut release in 2017 – In Gallows by Mass – which showed a lot of potential. This appears to have now been fulfilled, albeit in a different way than I was initially expecting. Elipsism ably demonstrates how the band have Continue reading “Ba’al – Ellipsism (Review)”
This is the second album from Entropy Created Consciousness, a one-man, (with guests), black metal band.
I’m a big fan of 2018’s Impressions of the Morning Star, so this new release has been greatly anticipated by yours truly. I haven’t been disappointed. This is top tier underground esoteric blackened art. Continue reading “Entropy Created Consciousness – Antica Memoria di Dis: Acheron & Lethe (Review)”
This is the second album from French black metallers Griffon.
Griffon give us a very agreeable and enjoyable take on medieval-influenced black metal. Across 40 minutes, ὸ θεός ὸ βασιλεύς, (or o Theos, o Basileus), proves to be aggressively melodic and energetic, but not without atmosphere or depth. Continue reading “Griffon – ὸ θεός ὸ βασιλεύς (Review)”
