Omophagia are a Swiss death metal band and this is their fourth album.
2016’s In the Name of Chaos was very enjoyable, but it was with 2019’s 646965 that Omophagia really made their mark. As such, Rebirth in Black is one I’ve been waiting for, so let’s get to it. Continue reading “Omophagia – Rebirth in Black (Review)”
This is the fifth album from Canadian symphonic death metal band Aeternam.
Aeternam play a form of orchestral death metal that takes in Middle Eastern folk influences. If you’re a fan of the type of individual approach that bands such as Arallu, Melechesh, Orphaned Land, Septicflesh, Rudra, and Nile bring to extreme metal, then Aeternam is definitely an album you should check out. Continue reading “Aeternam – Heir of the Rising Sun (Review)”
Imperium are a technical Death Metal band from the UK. This is their third album.
It’s been six years since 2016’s monstrous Titanomachy, which was a very satisfyingly brutal record. Imperium are now back though, with 48 minutes of new material, and they are taking no prisoners. Continue reading “Imperium – Ex Mortis Gloria (Review)”
Azaab are a death metal band from Pakistan and this is their debut album.
Summoning the Catalysm features 38 minutes of professional death metal. It’s brutal and aggressive, and boasts both technical flourishes and progressive enhancements, all delivered in a lean 38 minutes, (and there’s a decent Decapitated cover too). Continue reading “Azaab – Summoning the Cataclysm (Review)”
Epitaphe are a French progressive death/doom band and this is their second album.
Featuring three near-20-minute songs bookended by a 3-minute intro and outro, II is a mammoth 63-minute offering from this enticing entity. For a simplistic starting point, think of a mix of bands such as Opeth, Nile, and Pink Floyd, and then realise that Epitaphe have even more to offer than this would lead you to believe. Continue reading “Epitaphe – II (Review)”
This is the latest EP from Demonstealer, a one-man extreme metal act from India.
This 19-minute EP finds the artist behind Demonstealer surrounding himself with many guests, from bands such as Fleshgod Apocalypse, Six Feet Under, Equipoise, Gorgasm, and Marduk. Continue reading “Demonstealer – The Holocene Termination (Review)”
This is the debut album from one-man Norwegian blackened extreme metal project ILLT.
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
Nephren-Ka are a French death metal band and this is their third album.
The return of Nephren-Ka sees them bring us a new lineup, (including a new singer), and a few more blackened influences. Other than that, we’re once again in for a brutal ride of Dune-flavoured death metal. I loved 2013’s The Fall of Omnius and 2017’s La Grande Guerre de L’Epice, and now From Agony to Transcendence looks set to inflate my already high impressions of this superlative band. Continue reading “Nephren-Ka – From Agony to Transcendence (Review)”
Akhenaten are a death metal band from the US and this is their fourth album.
Akhenaten play a hybrid style of black and death metal that’s been spiced up with Middle Eastern folk influences. The music brings to mind a cross between aspects of bands such as Nile, Melechesh, Arallu, Orphaned Land, Rudra, Septic Flesh, and the like. In other words, bands that use their extreme metal for more than simple brutality. Continue reading “Akhenaten – The Emerald Tablets of Thoth (Review)”
Eximperitus, (full name – Eximperituserqethhzebibšiptugakkathšulweliarzaxułum), are a death metal band from Belarus, and this is their second album.
Eximperitus play technical death metal delivered with occult trappings, resulting in a 39-minute journey into an extremely high quality and well-defined world. If you’re a fan of bands like Nile, then this is definitely one to check out. Continue reading “Eximperitus – Šahrartu (Review)”
Wonderbox Metal 