This is the latest EP from Demonstealer, a one-man extreme metal act from India.
This 19-minute EP finds the artist behind Demonstealer surrounding himself with many guests, from bands such as Fleshgod Apocalypse, Six Feet Under, Equipoise, Gorgasm, and Marduk. Continue reading “Demonstealer – The Holocene Termination (Review)”
This is the debut album from one-man Norwegian blackened extreme metal project ILLT.
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
Nephren-Ka are a French death metal band and this is their third album.
The return of Nephren-Ka sees them bring us a new lineup, (including a new singer), and a few more blackened influences. Other than that, we’re once again in for a brutal ride of Dune-flavoured death metal. I loved 2013’s The Fall of Omnius and 2017’s La Grande Guerre de L’Epice, and now From Agony to Transcendence looks set to inflate my already high impressions of this superlative band. Continue reading “Nephren-Ka – From Agony to Transcendence (Review)”
Akhenaten are a death metal band from the US and this is their fourth album.
Akhenaten play a hybrid style of black and death metal that’s been spiced up with Middle Eastern folk influences. The music brings to mind a cross between aspects of bands such as Nile, Melechesh, Arallu, Orphaned Land, Rudra, Septic Flesh, and the like. In other words, bands that use their extreme metal for more than simple brutality. Continue reading “Akhenaten – The Emerald Tablets of Thoth (Review)”
Eximperitus, (full name – Eximperituserqethhzebibšiptugakkathšulweliarzaxułum), are a death metal band from Belarus, and this is their second album.
Eximperitus play technical death metal delivered with occult trappings, resulting in a 39-minute journey into an extremely high quality and well-defined world. If you’re a fan of bands like Nile, then this is definitely one to check out. Continue reading “Eximperitus – Šahrartu (Review)”
This is the second album from Spectrum of Delusion, a death metal band from the Netherlands.
Neoconception features 44 minutes of technical/progressive death metal. The promo blurb states that “Neoconception will strongly appeal to fans of groups such as Spawn of Possession, Suffocation, Obscura, Defeated Sanity, The Faceless, Blotted Science, and Nile“. Hard to argue, although I’d also add groups like Gorod, Beyond Creation, and Aronious. Continue reading “Spectrum of Delusion – Neoconception (Review)”
Nile are a US death metal band and this is their ninth album.
On Vile Nilotic Rites Nile return with a new lineup and a new approach to songwriting. There’s a greater cohesion in how the band members work together, and subsequently how their instruments and vocals fit with each other, meaning that the songs on this new album are very high quality. Nile sound focused and hungry. Continue reading “Nile – Vile Nilotic Rites (Review)”
Tonight’s entertainment comes in the form of a first-rate death metal bill. Let’s dive in! Continue reading “A Vile Desolate Sands Tour – Nile/Hate Eternal/Vitriol/Omophagia – Manchester Club Academy, 24/09/19 (Live Review)”
Gravefields are an international death metal band and this is their second album.
Previously known as Dirtyprotest, this band have now benefited from both a change of name and a change of sound. Whereas the band’s debut album – Hellstorm – was essentially a Swedish death metal affair, Embrace the Void is a wider-ranging beast. Continue reading “Gravefields – Embrace the Void (Review)”
Gorgon are a symphonic death metal band from France and this is their second album.
Symphonic death metal shouldn’t work, and mostly doesn’t. Elegy is different, however.
Imagine Orphaned Land if they were powered by death metal; this is my simplistic, overall Continue reading “Gorgon – Elegy (Review)”
Wonderbox Metal 