Undeath are a death metal band from the US and this is their second album.
I thoroughly enjoyed 2020’s Lesions of a Different Kind, so now that the band are back with 36 minutes of festering new material, I’m ready. At least, I though I was; It’s Time...to Rise from the Grave is better than I could have hoped for. Continue reading “Undeath – It’s Time...to Rise from the Grave (Review)”
Outre-Tombe are a Canadian death metal band and this is their third album.
Outre-Tombe are here to supply all of your old-school death metal needs. Looking for something grotesque and foul, populated with enough bloody riffs to keep you going for months? They got Continue reading “Outre-Tombe – Abysse Mortifère (Review)”
This is the debut album from US death metal band Wharflurch.
Across six tracks and 35 minutes, Wharflurch deliver a doom-infested slab of malformed, rancid death metal.
Wharflurch’s death metal contains an experimental edge that’s been dulled by humid rot, but is no less striking and potent for it. Continue reading “Wharflurch – Psychedelic Realms ov Hell (Review)”
This is the third album from Finnish death metallers Ghastly.
Ghastly specialise in death metal that has a sort of creeping, otherworldly malevolence to it. It’s atmospheric and sinister in ways that are unusual. You can hear the debt that has been paid to band’s such as Death and Autopsy, etc., but you can equally Continue reading “Ghastly – Mercurial Passages (Review)”
Azath are an international death metal band and this is their debut album.
I’m a fan of both Draghkar and Torture Rack, so as this band features members of both, (and other bands), I knew I wanted to check out Through a Warren of Shadow. Besides, Continue reading “Azath – Through a Warren of Shadow (Review)”
This is the second album from Russian death metallers Pyre.
It’s been six years since Human Hecatomb, but now the well-regarded Pyre have returned. This is old-school death metal, unapologetic and unrefined, just as it should be. Taking influence from the Swedish style, (but not exclusively), Chained to Ossuaries gives us 41 minutes of strong material. Fans of Dismember, Asphyx, and Autopsy pay attention. Continue reading “Pyre – Chained to Ossuaries (Review)”
This is the debut album from Cemetery Filth, a death metal band from the US.
Inspired by old-school USDM of the Floridian kind, augmented with some European influences, this is 39 minutes of highly engaging death metal. Continue reading “Cemetery Filth – Dominion (Review)”
This is the third album from UK death/sludge metal band Warcrab.
Scars of Aeons was a very enjoyable mix of sludge and death metal, so when I found out that this new album was on the horizon, I prepared myself accordingly. Damned in Endless Night is a bigger monster than Scars of Aeons was though, with double the tracks and a total duration of 52 minutes. Continue reading “Warcrab – Damned in Endless Night (Review)”
This is the third album from German death metallers Reckless Manslaughter.
It seems a long time since 2013’s Blast into Oblivion came out, which of course is has been. Although the band have released a couple of splits and a demo in the intervening years, I haven’t heard them, so Caverns of Perdition is my first chance to catch up with them again. Continue reading “Reckless Manslaughter – Caverns of Perdition (Review)”
This is the debut album from Gravewards, a Greek death metal band.
I have fond recollections of 2017’s Subconscious Lobotomy, so was pleased to see this band’s debut album appear. It’s 43 minutes of old-school death metal that’s influenced by the death metal greats from the 90s, while Continue reading “Gravewards – Ruinous Ensoulment (Review)”
Wonderbox Metal 