Dystopia A.D. play a progressive/melodic form of death metal that’s ripe with creative flourishes and potent melodies. The band combine meaty brutality, sharp aggressive speed, and choice riffs, with piercing melodies, rich atmosphere, and progressive Continue reading “Dystopia A.D. – Doomsday Psalm (Review)”
Featuring members of Tómarúm and Monotheist, Lamentations play progressive death metal, and Passion of Depression provides us with 57 minutes of exotic material to explore. Continue reading “Lamentations – Passion of Depression (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
In this edition of this column we’ll take a look at Swedish label Grind to Death Records. It’s not a label I’m familiar with, so how better to get a good look at what they do than this? Besides, how could I resist a grindcore album about beavers… Continue reading “Label Roundup: Grind to Death Records – Belarus Beaver, Eldprov, & Beyond the Catacombs (Reviews)”
Featuring current and ex-members of bands such as Death, Deicide, Massacre, Obituary, Six Feet Under, Venom Inc., and Wombbath, you know a lot of experience and skill has gone into Fearsick. Across 36 minutes Inhuman Condition subject us to a competent collection of songs that are just plain fun. Continue reading “Inhuman Condition – Fearsick (Review)”
Lasting 25 minutes and featuring five songs, (plus an intro and an outro), Awaiting Extinction demonstrates a band with much promise. Continue reading “Horror Within – Awaiting Extinction (Review)”
This is the follow up to 2020’s well-received The Inhabitable Dark and contains 32 minutes of new material. As a reference point for Obscene’s style, think along the lines of bands such as like Obituary, Death, Cancer, Bolt Thrower, Asphyx, and Master. Continue reading “Obscene – ...From Dead Horizon to Dead Horizon (Review)”
I’ve been an avid follower of Abyssus’ work for many years, (see here, here, here, here, and here), and their output never fails to put a smile on my face. Which is why it’s great to have a new album from the band. Seven tracks, 33 minutes; Abyssus bring their old-school death metal sound to the masses once more, and it’s damn good fun. Continue reading “Abyssus – Death Revival (Review)”
2017’s Urraca was a very notable and enjoyable release for me, even making it into that year’s end of year list. Progressive, technical, dissonant, avant-garde, psychedelic, and many other high-brow-esque appellations, Urraca was a multidimensional gateway to forward-thinking heaviness from a band who clearly knew their art well. Continue reading “Sunless – Ylem (Review)”
This is the latest EP from Æpoch, a Canadian progressive death metal band.
This EP delivers 19 minutes of Æpoch’s modern progressive/technical death metal assault. Laced with black and thrash metal elements, (but less than previously), and powered by melodic might, Hiraeth is a short but satisfying hit of metallic aggression. Continue reading “Æpoch – Hiraeth (Review)”
Featuring current and ex-members of bands such as Death, Decapitated, Ephel Duath, Septic Flesh, and Testament, as well as the superlative singer of Soilwork/The Night Flight Orchestra, I was eagerly awaiting this release to see what kind of punch it packed. Continue reading “Act of Denial – Negative (Review)”