Obscene play Floridian USDM, spiced up with aspects of the UK and European styles. There’s a touch of thrash here too. Imagine a mix of Obituary, Death, Cancer, Bolt Thrower, Asphyx, Slayer, and Master, and then get quite excited by how good The Inhabitable Dark is. Continue reading
Cryptic Shift play death metal that fuses elements of the technical, progressive, and thrash metal styles into its sci-fi-themed self. Continue reading
Plague are an old-school death metal band that take influence from the 90s American scene, but do so in such a way that they seem to make it their own. This is ultimately a chunky slab of timeless death metal, shot through with classic influences, as well as some modern ones too. Despite an obvious debt to the mighty Death, the music has its own personality and brutal charm that can’t be denied. Continue reading
We last met Horrified in 2017 with Allure of the Fallen, which was the band’s crowning achievement after the pleasing progression between the old-school nastiness of Descent into Putridity and the shinier, slicker Of Despair. Continue reading
This is the third album from Algebra, a thrash metal band from Switzerland.
Having been impressed with 2014’s Feed the Ego, it’s been far too large of a gap between Algebra releases for my liking. Well, there’s almost an hour of material on Pulse?, including a fiery Sepultura cover, so I feel like the band have made up for their absence. Continue reading
This is sharp, energetic, melodic music that takes influences from a number of death metal avenues, and then sprinkles engaging melodies over everything quite liberally. Continue reading