Here we have 48 minutes of atmospheric black metal, a mixture of the beautiful and the harsh. Although you may think that these two things oppose each other, Shaidar Logoth ably show that this does not have to be the case. Parts of Continue reading “Shaidar Logoth – Chapter III: The Void God (Review)”
I’m a latecomer to Mantar’s work, but I can tell you that if you’re looking for filthy, ugly blackened metallic punk that’s still catchy as fuck, then they stand head and shoulders above most of their peers. Continue reading “Mantar – The Modern Art of Setting Ablaze (Review)”
Well, this is not what I was expecting to hear from Skeletonwitch. I confess that I’ve only ever really heard a small amount of the band’s prior material, and what I did hear was kind of a thrash/melodic metal affair, from what I recall. I approached this Continue reading “Skeletonwitch – Devouring Radiant Light (Review)”
So, every month I say something along the lines of “this month has been a strong month for metal, blah, blah, blah…”, but May really has been a ridiculously strong month for metal! I really have struggled to keep this list down to manageable levels this time, and removed a few potential entries simply to keep the numbers down, (I’m not happy about this). So anyway, in no particular order, I give you my top picks for May 2018… Continue reading “Monthly Overview – the Best of May 2018”
This is the much-awaited follow-up to 2014’s Clawing into Black Sun, which was one of my favourite releases of that year. To say I’ve been looking forward to this album is an understatement. Continue reading “Wolvhammer – The Monuments of Ash & Bone (Review)”
This is the follow up to the very enjoyable Spiritual War Tactics, which showcased the band’s keen ability when it came to dark, dissonant black metal that also employed doom and death metal elements very well. Of this album I said Continue reading “Voidthrone – Kur (Review)”
Voidthrone play dissonant, uneasy, black metal with elements of doom and death metal mixed in.
If you smash together Ulcerate, Gorguts, Deathspell Omega and Wolvhammer and then Continue reading “Voidthrone – Spiritual War Tactics (Review)”
After really enjoying their 2012 debut album Tomb of Feathers, this is a release that has been eagerly awaited in these parts.
The first track, Lightless, seems to slowly writhe up out of a dark pit of urban decay, attempting to smother the land with its malignant spread. It’s an insidious start to the album and before you realise what’s going on you’re trapped in a nightmare landscape of pitch-black smoke and evil.
But oh dear Lord is it good. Rarely has cloying, suffocating Sludge felt so visceral and nastily enticing.
Abstracter are heavy and grim in the best ways that Sludge and Doom can achieve. These songs are essays in crawling malevolence and destructive passion. The band emanate a very raw darkness that you can feel like a physical presence.
I like the combination of nuanced riffing, heavy guitars and brutally gorgeous delivery. Abstracter effortlessly combine the beauty of Post-Metal with the dirty horror of Sludge. Their songwriting skills are such that moments of ugliness and transcendence are merged together. When the shades of light and dark clash there’s only ever going to be one true winner, but even though the menacing and murky atmospheres encase everything, the light isn’t totally consumed; you can feel it pulsing, straining against its captivity by this Hellish beast. This tense undercurrent is what gives Wound Empire its hidden beauty.
There’s a Black Metal influence to their sound that fits flawlessly into what they do. It’s not overbearing and doesn’t detract from the Doom, it just adds a further layer of thickly encrusted grime to songs that are already intimately familiar with all things subterranean.
With each of these titanic monuments to apocalyptic dystopian futures, I think that Abstracter have outdone themselves and actually managed to top their début album. No mean feat.
With true depth of composition and a talent for wrapping the listener up in their vision of all things gloomy and heavy, Abstracter have produced an album that has blown me away.
The Secret Cutter sound is one of pure unbridled filth, fury and fucking heaviness. This is aggressive and nasty in only the way that Sludge and really pissed off Hardcore can be, and when combined like this it just sounds gloriously horrible!
Think of bands like Eyehategod, Serpent Eater, Ilsa, Corrupt Moral Altar, Wolvhammer, Enabler and the like; distil what makes these bands so interesting, nasty and individual and you’ll have a good idea of the murky swamp of urban decay that Secret Cutter dwell in.
I love albums like this – no messing around, just undiluted heaviness and aggression, whether that’s done at speed or slowly. It’s rough, raw and genuine.
The Sludge is strong and works well with the added Hardcore/Punk influence that the band have.
The songs have a good degree of variety in them for a short album, (only 26 minutes), and within the style they play. Each song is readily identifiable also, (no mean feat for any band), and show a creative force at the top of their game.
They have some great riffs on this release and the songs are surprisingly catchy for this type of band. Although catchy probably isn’t the right term. Infectious, maybe?
Special mention should go to the singer, who absolutely rages and tears his way through the songs as if it’s the last thing he’s ever going to do. His high pitched screams are the very incarnation of savagery.
This really is a top quality release that has so many plus points it’s silly. In many ways this is the best of heavy, nasty music, and this is one I’ll be listening to over and over again.
Play it loud and get it now.
This is music that’s covered in filth and reeks of the underground; Black Metal that’s so impure it’s slowly mutating into a hideous Sludge Metal behemoth that threatens to corrupt and taint everything around it.
The band are absolutely focused on their misanthropic mission and are honed and coiled to a lethal point.
The great thing about this album is the songs themselves; there is a great sense of Doom’n’roll to these tracks that are propelled forwards with a Punk/Crust swagger that builds on their Black Metal roots and persists through the Sludgy mire they have created for themselves.
Put simply; the songs bleed negative emotion through every sickened pore.
The poisonous, bile streaked vocal shrieks are representative of dire inner struggles. They seem to reach out of the songs and force you to pay attention, all the while though you’re distracted by the grim musical bonanza that is spreading around you.
The guitars ply their Blackened trade with consummate ease and the entire album is just flowing with feelings artfully plucked, brutalised and abused by these purveyors of filth.
Does this sound good to you? Does it? Well it should. Wolvhammer have created a wonderfully dank album that I heartily recommend to all.
This is a stunning album.
Favourite Track: Death Division. It’s just so damn good.