Across 32 minutes of brutal darkness, Atræ Bilis explore various expressions of heaviness via roaring death metal. Continue reading “Atræ Bilis – Apexapien (Review)”
Now here’s an album that’s been much anticipated by your truly. I really enjoyed 2014’s Svn Eater, so have been eager for a follow up. Now, seven years, (and one EP), later, Lvcifyre are back with the 44-minute The Broken Seal. Continue reading “Lvcifyre – The Broken Seal (Review)”
Thecodontion are an italian blackened death metal band, and Vessel of Iniquity is a solo UK black metal act.
Thecodontion present us with two songs lasting 12 minutes in total. Continue reading “Thecodontion/Vessel of Iniquity – The Permian-Triassic Extinction Event – Split (Review)”
Featuring members of Earth and Pillars and Cryptic Shift, Defacement contains 41 minutes of material, but only four of the eight tracks are actual songs. The remaining four are intro/interludes that I was expecting to dismiss as pointless as most of their ilk are, but I was Continue reading “Defacement – Defacement (Review)”
This is an album that offers the listener twelve portraits of extremity and harsh soundscapes. It contains 39 minutes of horror, so if you can stomach the band’s violent darkness for that long, then this is for you. Continue reading “Sermon of Flames – I Have Seen the Light, and It Was Repulsive (Review)”
Featuring a member of Azath and Torture Rack, Deconsecrate contains 45 minutes of technical and melodic death metal. The promo blurb states that Deconsecrate is for fans of Eucharist, The Chasm, At the Gates, Dark Tranquillity, Necrophobic, Atrocity, and Opeth, and this provides a decent starting image. Continue reading “Ænigmatum – Deconsecrate (Review)”
Billed as a mix of black, death, and grind, and labelled for fans of bands like Knelt Rote, Heresiarch, and Vermin Womb, how could I not check out the inaugural release from Disimperium? At only 12 minutes in duration, it’s like a foul breath of rotting air given twisted aural shape and venomous musical form.
The songs on this EP are feral and grim. Ultra-aggressive, the music pummels and grinds with inhuman intensity and daemonic fury. All three of the tracks are barbaric and savage, revelling in the mayhem they make and the damage they cause.
This collection of darkly brutal tracks is drenched in layers of blackened malignancy and is purely interested in destruction and chaos. It’s as belligerent as it comes, and the songs don’t care who or what gets torn down in their quest for carnage.
The sound is filthy and unfriendly, and therefore perfect for this sort of release. I find the deep, malevolent growls particularly satisfying, but to be honest everything here just reeks of grim nastiness, which is what you want from something like this.
For a first release Malefic Obliteration is well-formed and impressive. If you’re a connoisseur of underground extremity, then this is well worth your time to explore.
Although you can rightly call Poison Palinopsia death metal, Qrixkuor’s music is definitely not your average incarnation of that venerable style. For starters, Poison Palinopsia contains only two tracks, but each is 24 minutes in length. Apart from this, it’s the type of death metal that Qrixkuor play that’s bound to turn some heads. Or turn them inside out, at least. Continue reading “Qrixkuor – Poison Palinopsia (Review)”
Featuring the drummer of Cordyceps, Noctambulist play a blistering form of extreme metal. Formed around a core of brutal death metal, the band then expand on this with elements of black, dissonant, technical, and post-metal, making for songs Continue reading “Noctambulist – The Barren Form (Review)”