Ancestors’ music has a base of traditional doom metal, which they then build on with progressive, psychedelic, stoner, and post-rock elements. Continue reading
So what dark delights do we have for you this month? Yes, once again it’s time to delve into the best releases that June had to offer, and what a bunch of fine albums we have to share with you this time… Continue reading
Here we have a very compelling 42 minutes of heavy doom metal. Mixing in elements of sludge and post-metal, the songs thunder their way through the playing time with a mixture of brute-force intensity and intricate nuance, although the latter is frequently more prevalent than the former. Continue reading
Featuring a colossal 73 minutes of music, Our Raw Heart is a marathon of emotively compelling doom metal. If you’ve enjoyed Yob’s music in the past, then get ready to experience some of the best they’ve ever offered. Continue reading
This is 45 minutes of progressive doom/sludge brought to us by ex-members of the phenomenal Light Bearer. Continue reading
Sludge heaviness mixes with psychedelic hypnotic grooves to create slow, torturous music that takes the listener on a tour through forgotten swamps, populated by hideous witches, (do you see what I did there?).
Deep growled vocals act as a guide on this foul journey, paving a path through the murk with sheer force of diseased will. Continue reading
Cough. It’s a funny name for a band. Still, I’ve heard worse, a lot worse.
If you’re a fan of bands like Yob, Electric Wizard, Sleep, Candlemass and the like, then you’ll probably already know that Cough create the kind of repetitive, hypnotic doomscapes that you’re gonna love. Continue reading
Organ play a merging of Doom, Sludge and Psychedelic Metal.
A colossal, crushing sound heralds Tetro’s beginning, and this is a theme which is developed throughout. They’re not without their introspective moments, but the overall emphasis is on heavy atmospheres.
Speaking of atmosphere, Organ have it in buckets. Or rather, waves, as the onslaught of heaviness seems to internally generate its own ecosystem which bleeds out of the speakers like controlled tsunamis of density.
Relentless, repetitive rhythms drive the music forward, while dark vocals seem to lurk just beneath the surface. Harsh screams and cleaner vocals both have a place on this record, although the singer’s voice is used like an additional instrument to merely enhance the power and focus of the main musical maelstrom.
A roiling, churning beast of an album. It’s relatively short for this kind of release at ‘just’ over half an hour in length, but it packs a lot of punches into that time and Tetro is a very worthwhile listen for anyone into layered, atmospheric Doom.
Ufomammut create confident, exploratory Doom that builds atmosphere in the best tradition of Neurosis, Yob and the like.
This is music that’s both heavy and nuanced, having the instant appeal to draw you in and the depth of longevity to last.
Ufomammut are undoubtedly heavy, but they also have their considered side. The songs are mature and well-written works of contemporary, otherworldly Doom that take you on a journey through waters uncharted.
I like that the band incorporate psychedelic influences into their sound without diluting the core nature of their Doom Metal aesthetic. Strange sounds and effects enhance the delivery of the tracks, giving the listener even more to bite into.
The vocals are low-key affairs in some ways, almost lost in the barrage of apocalyptic riffs and thundering, winding drumming. They’re used less as vocals in their own right and more as another weapon in their musical arsenal, merging with the music at a cellular level.
I’m always a fan of songs where the bass makes a noticeable difference to the performance and Ecate uses the bass wisely. It sounds good and works well across these tracks.
After this many releases Ufomammut clearly know what they’re doing and Ecate is yet another top album of quality Doom. If anything, this is a step forward for the band as Ecate really is pretty damn good.