This is the third album from Greek blackened doom band Agnes Vein.
Deathcall actually came out at the end of 2021, but I believe it recently had a vinyl release so it seemed as good a time as any to catch up with what they’re doing these days – the last, (and only), time I have encountered them previously was on 2016’s split with Sadhus “The Smoking Community”. Continue reading “Agnes Vein – Deathcall (Review)”
JIRM, (previously known as Jeremy Irons and the Ratgang Malibus), are a Swedish hard rock band and this is their fifth album.
Following on from 2018’s Surge ex Monumentis, JIRM’s new offering contains 52 minutes of hard rocking atmosphere and progressive wanderings. Continue reading “JIRM – The Tunnel, the Well, Holy Bedlam (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
This time we’ll take a look at some releases from Majestic Mountain Records, which is a record label that I’ve only really just discovered via the wonderful Kal-El. I know nothing about the label, but I like what I’m hearing, so let’s delve into some of what they have to offer below… Continue reading “Label Roundup: Majestic Mountain Records – Bogwife, Redscale, Jointhugger, & Grand Cadaver (Reviews)”
Doubtsower is a one-man Welsh doom metal band and this is his debut album.
The songs on Asphyxiation of a Seasick Soul are a collection of impactful doom songs that wield deft emotion alongside crushing riffs. The music is crafted from a form of doom metal that also uses elements from post-metal and post-rock, making for a textured, richly nuanced listening experience. For an initial comparison, think of a mix of Usnea and Isis, with a bit of Yob thrown in, and you’ll get the general idea. Continue reading “Doubtsower – Asphyxiation of a Seasick Soul (Review)”
This is the second album from Hymn, a Norwegian doom/sludge metal band.
Hymn play a mix of doom and sludge, and Breach Us contains 38 minutes of music divided into 4 tracks. The band is made up of only two members, but you wouldn’t necessarily realise this immediately as Breach Us sounds massive. Continue reading “Hymn – Breach Us (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Living Gate are an international death metal band and this is their debut EP.
Featuring members of bands such as Yob, Wiegedood, and Amenra, they bombard us with 18 minutes of old-school death metal. Continue reading “Living Gate – Deathlust (Review)”
Having considered it long and hard, I’ve decided that any form of introductory paragraph with any real substance would simply detract from the list below. As such, all I’ll say is that 2018, like every year, has given us some top quality metal releases. So have a look at my top picks for 2018, and hopefully you’ll find a new band to obsess over…
Continue reading “Wonderbox Metal End of Year List – Best Metal of 2018”
Skullcave are a progressive doom band from Australia and this is their debut album.
I was drawn to this album by the enigmatic album cover, and then reeled in by the description of the music – “an ambitious, qualitative blend of thick doom, dreamy instrumentals and layered vocals.” Continue reading “Skullcave – Fear (Review)”
Forming the Void are a progressive stoner/sludge doom band from the US. This is their fourth album.
After enjoying Forming the Void’s split with Pyreship, I was eager to hear more from the band. Thankfully, that desire has been catered to in the form of Rift; 46 minutes of new material for me to wrap my ears around. Continue reading “Forming the Void – Rift (Review)”
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