This is the fourth album from US death metal band Artificial Brain.
From the band that gave us 2017’s Infrared Horizon and 2022’s Artificial Brain, Antillia comes screaming out of the heavens to bless the unbelievers with 42 minutes of complex devastation. Artificial Brain are back. Continue reading “Artificial Brain – Antillia (Review)”
Carbon Tomb are a death metal band from Denmark and this is their debut album.
Carbon Tomb play dissonant death metal, with a touch of a blackened influence in places. Passage to a Neutron Star delivers a 34-minute exemplar of the style’s dark allure, offering both brutality and feeling. Continue reading “Carbon Tomb – Passage to a Neutron Star (Review)”
Altarage are a Spanish blackened death metal band and this is their seventh album.
If you’re unfamiliar with the monstrous entity that is Altarage, then prepare yourself for something dread-inducing that will haunt your nightmares. Yes, Cogwheel is here. Offering up an imposing 75 minutes of new material, Cogwheel finds Altarage ready to begin the end times all on their own. Continue reading “Altarage – Cogwheel (Review)”
This is the third album from US death metallers Nothingness.
Following on from 2023’s very well-received Supraliminal comes Godslaughter, which provides us with 41 minutes of new material. Nothingness continue to elevate themselves. In the death metal killing arenas, they take skulls and grisly trophies increasingly easily. Continue reading “Nothingness – Godslaughter (Review)”
This is the second album from US death metallers Thætas.
Across 31 minutes of bone-crushing death metal The Irredeemable Age stomps and rages its way into the world. Brought to us by members of Asystole, Buckshot Facelift, and Reeking Aura, Thætas dish out the punishment in no uncertain terms. Continue reading “Thætas – The Irredeemable Age (Review)”
This is the debut album from US grindcore band Kuzu Knot.
Deceitful Above All Things contains 34 minutes of merciless grinding darkness, but of a rarefied sort. Kuzu Knot’s music is abrasive and harsh, but is also a good deal more than just this. Continue reading “Kuzu Knot – Deceitful Above All Things (Review)”
Serpent Ascending, Ôros Kaù, Swords of Dis, and Midnight Odyssey have joined together to produce an epic split album.
Now here’s an interesting and unusual release. This massive split is a collaborative concept album aimed at providing a contemporary retelling of the Epic of Gilgamesh. From the Waters of Death brings together an array of atypical talent from the exceptional I, Voidhanger roster, and is something you should definitely be paying attention to if Continue reading “Serpent Ascending, Ôros Kaù, Swords of Dis, and Midnight Odyssey – From the Waters of Death – Split (Review)”
This is the debut album from Agenbite Misery, a US black/death/sludge metal band.
Okay, it’s to the promo blurb for this one – “…the band began with a deceptively simple idea: to adapt James Joyce’s Ulysses into an experimental metal album. What emerged from that idea is a 55-minute odyssey of layered sonic aggression and literary depth, an album that blends blackened sludge, dissonant death metal, post-punk, ambient drone, and more into a singular, genre-defying statement of purpose.” So there you have it. Continue reading “Agenbite Misery – Remorse of Conscience (Review)”
This is the second album from international death metallers Mors Verum.
Brought to us by current and ex-members of Æpoch, (amongst other bands), Canvas contains 31 minutes of material. Mors Verum play their death metal in a non-standard way that really pays off, offering up something different to the norm that’s very good indeed. Continue reading “Mors Verum – Canvas (Review)”
Nightmarer are an international death metal band and this is their latest EP.
Following on from 2023’s Deformity Adrift, Nightmarer have returned with four new tracks of brutal avant-garde death metal. Hell Interface is a 21-minute granite-hard slab of dissonant blades and venomous technicality. Continue reading “Nightmarer – Hell Interface (Review)”
