This is the fourth album from Blindfolded and Led to the Woods, a death metal band from New Zealand.
Blindfolded and Led to the Woods play a modern form of death metal that combines progressive, technical, and avant-garde elements together into a savagely impactful package. Rejecting Obliteration is 45 minutes of surprisingly rich extremity. Continue reading “Blindfolded and Led to the Woods – Rejecting Obliteration (Review)”
Nightmarer are an international death metal band and this is their second album.
Featuring current and ex-members of Alluvial, Convulsing, Gigan, The Ocean, and War from a Harlots Mouth, you know that Nightmarer have a lot of diverse experience to offer. In this instance, they collectively offer us 32 minutes of discordant death metal in the warped and disjointed shape of Deformity Adrift. Continue reading “Nightmarer – Deformity Adrift (Review)”
Asystole are a death metal band from the US and this is their debut album.
Siren to Blight contains 29 minutes of death metal that the promo blurb says is influenced by bands such as Gorguts, Virus, Krallice, Cryptopsy, and Anata. Continue reading “Asystole – Siren to Blight (Review)”
Ignominy are from Canada and play death metal. This is their debut album.
Ignominy are not a standard death metal act, and Imminent Collapse is not your run-of-the-mill death metal album. Rooted in the dissonant style, theirs is an avant-garde expression of dissodeath that incorporates blackened textures, technical flourishes, chaotic intensity, and atmospheric proclivities. Continue reading “Ignominy – Imminent Collapse (Review)”
Leprethere are a death metal/mathcore band from Belarus and this is their debut album.
Tarnished Passion delivers a 34-minute smack to the face. Leprethere play a form of hybrid death metal/mathcore that’s dissonant and harsh, yet not without nuance or depth.
Anthronomicon and Helionomicon are the third and fourth albums from US death metallers Ulthar, following on from 202o’s Providence. Released on the same date, this review will cover Anthronomicon – see the review for Helionomicon here. Continue reading “Ulthar – Anthronomicon (Review)”
Anthronomicon and Helionomicon are the third and fourth albums from US death metallers Ulthar, following on from 202o’s Providence. Released on the same date, this review will cover Helionomicon – Â see the review for Anthronomicon here. Continue reading “Ulthar – Helionomicon (Review)”
This is the second album from US death metallers Nothingness.
Featuring the drummer of Ghost Bath, Supraliminal contains 43 minutes of foul, riff-hungry death metal. The promo blurb states that this is for fans of Gorguts, Gojira, Morbid Angel, and Iniquity, and this should give you a good starting point for the band’s tar-thick heaviness. I’m a little late discovering this, but I’m sure glad that I did. Continue reading “Nothingness – Supraliminal (Review)”
This is the debut album from US death metal band Mithridatum.
Harrowing is a 35-minute slab of blackened dissonant death metal that contains ex-members of Abhorrent and The Faceless. Continue reading “Mithridatum – Harrowing (Review)”
Anachronism are a death metal band from Switzerland and this is their third album.
Meanders combines elements of the dissonant, progressive, and technical styles into a 33-minute behemoth of brutal exploratory soundscapes. If you’re a fan of bands such as Gorguts, Ulcerate, Artificial Brain, and Ad Nauseam, then this is for you. Continue reading “Anachronism – Meanders (Review)”
Wonderbox Metal 