Here we have 38 minutes of contemporary rock music, with a metallic edge and plenty of hooks to draw the listener in. Continue reading
Tyakrah offer up 37 minutes of black metal. Their musical vision is raw and harsh, but not without its atmospheric moments. Melodic and depressive aspects of the blackened style can be heard in this epic music too. Continue reading
Combining modern groove and classic rock with progressive flavour, this is an enjoyable album that manages to stitch together several different rock and metal eras and styles, and is largely quite successful at doing so. Continue reading
Featuring current and ex members of bands such as Candlemass, The Doomsday Kingdom, Jupiter Society, Tiamat, and Evergrey, you know a lot of experience and talent is going to be present on this album before you even listen to it. Continue reading
Featuring members of Soilwork, Arch Enemy, and Witchery, (among many others), this is something of a different beast from these other bands, and presents us with 50 minutes of classic rock with some progressive overtones. Continue reading
This is anthemic rock with big choruses and an electronic influence. It’s modern and addictive, bringing a passion and intensity to the performance that feels easy, natural and unforced. Continue reading
Boasting the kind of album cover that you could lose hours staring at, Greenleaf return with 44 minutes of retro-themed Stoner Rock that’s as easy-going and as compelling as ever.
With a warm, well-rounded sound, Rise Above the Meadow is a very easy album to get along with. The band’s personalities seem to seep from every note and the songs effortlessly send out emotive vibes in a retro-friendly fashion that’s sure to light up many a classic Rock-fan’s eyes.
The singer’s anthemic, charismatic voice resonates with relaxed power and presence, complementing the analogue warmth of the music. Hearty melodies and hummable tunes are in abundance and the band really don’t sound like they’re native to 2016 in many ways.
There are so many good riffs on this album and the band are in no short supply of melodies and evocative catchy sections either.
This is good stuff. For someone who mainly listens to much more extreme music, I sometimes have to be in the mood for this kind of release. However, like a lot of things, when you press play and let the music comfortably roll out of the speakers, it’s all very nice indeed.
Somewhere between The Sword, Clutch, Rival Sons, and even The Beatles in places.
The Meads of Asphodel are from the UK and play a very individual brand of Black Metal. Here they team up with US one-man Black Metal project Tjolgtjar, who you may remember from 2012’s Kjal Tjormejn.
As such, this is an interesting and exciting split release from two atypical Black Metal bands that succeeds in putting two very individual and different spins on this well-worn genre.
The Meads of Asphodel are up first and contribute 16 minutes to this release.
The Meads of Asphodel always manage to imbue their songs with such personality and character, due in no small part to their charismatic singer Metatron. On this release he’s as expressive as ever and has his performance aided by other vocal styles such as croaking screams, ghostly chants and female vocals.
The music manages to be underground, extreme and catchy all at the same time. Classic Blackened blasting and experimental pseudo-Pop share space on this impressive collection of tracks and whether they’re playing fuzzed-up, dirty Black Metal or synth-heavy atmospheric sections, The Meads of Asphodel are at the forefront of Experimental/Progressive Black Metal.
Oh, and track three is a cover/re-imagining of Candi Staton’s You’ve Got the Love, retitled You’ve Got the Hate. It works.
After this it’s on to Tjolgtjar, supplying 18 minutes of music. It’s an odd, atypical expression of Black Metal, with a more garage, underground feeling than the more flamboyant tendencies of The Meads of Asphodel.
In some ways Tjolgtjar remind more of a conventional raw Black Metal band, but this is only superficially true. Upon closer inspection, the riffs and general composition of the music is unusual. Even when the blast beats are flowing swiftly, the guitars are playing Blackened rhythms and melodies that are almost like semi-distorted Country/Folk acoustics. Almost. It’s as if this music came from decades ago and is a Black Metal version of 70s Progressive Rock.
The vocals are screamed croaks but also benefit from cleaner accompaniments. It’s an added extra that, when combined with the music, reinforces the 70s music connection, at least to my mind.
Black Metal, Classic Rock and Progressive Rock, combined. Nice.
But this is what Tjolgtjar do so well; their music is not your average Black Metal and their contribution to this split is superbly delivered and realised.
This is a very impressive release from two impressive bands. If you’re looking for Black Metal that’s challenging and different from the norm then this should be your first stop.
Very highly recommended.
This is Old-School with elements of Classic Rock, Doom Metal and Psychedelic Rock.
The band have a very warm, laid back sound that instantly makes you feel at ease like a welcome old friend.
The singer has an excellent voice; he’s soft and exquisite, or ultra-high and maniacal, or deep and melodramatic…He has character and personality that’s for sure and puts in a stellar performance.
Coming across as a mix of Blue Öyster Cult, (who they also cover), Deep Purple, Black Sabbath and Merciful Fate, this is an enjoyable way to spend 45 minutes when you’re in that retro mood.
There really is some great material here! The singer has a forceful presence and some of these riffs are just epic in scope and feeling.
I thoroughly recommend you listen to this and experience the band first-hand. May you be drawn into their world…
Favourite Track: Aeon of Horus. Everything from the vocal delivery to the tense guitars to the understated bass…a stunner of a song.