Another year gone by, where does all the time go? Listening to metal I suppose, that’s where. Every year brings more metal delights, so I invite you to partake of 30 of my favourites from the rather metallically fertile 2019. Let me know which ones are your favourites to! Continue reading “Wonderbox Metal End of Year List – Best Metal of 2019”
It’s once more time to catch up with some of the best metal releases of the past month. Check out the albums below and let me know which one your favourite is. Continue reading “Monthly Overview – the Best of July 2019”
After 2014’s very strong Believe in No Coming Shore, and then 2017’s Vigilance Perennial, which was even stronger, we now turn to Patterns in Mythology. Have the band managed to continue their upward trajectory? Continue reading “Falls of Rauros – Patterns in Mythology (Review)”
Falls of Rauros are a band that I know can always be relied upon to deliver. Across their various releases they have produced a wealth of atmospheric and engaging folk-influenced black metal that has never failed to impress and satisfy me. The same can be said of Vigilance Perennial in this regard too. Continue reading “Falls of Rauros – Vigilance Perennial (Review)”
I have enjoyed watching Chiral’s development over the course of his releases that he’s put out so far. From the primitive Proto-Death/Black Metal of Winter Eternal, to the frozen Blackened landscape of Abisso, to the more ambitious Atmospheric Black Metal of his splits with Haate and Nebel Über Den Urnenfeldern/Eternal Sleep…the brain behind Chiral as consistently impressed with both the quality of his music and his progression within it.
So what of this latest release then? Showing that he doesn’t sit still, Night Sky continues the previously developed themes of Atmospheric Black Metal, only this time adding a Post-Black Metal element to the music, resulting in an album that favours mood and texture over all else.
The songs are long and ambitious tracks that show a love of both Black Metal and a more naturalistic sound that is quite atavistic in its realisation. Folk melodies and influences would be an appropriate description, although it feels somehow older than this.
Acoustic passages, Folk instrumentation and Progressive Metal tendencies work together with the icy, Blackened core to create Atmospheric Post-Black Metal that takes in many influences over the 58 minutes of material and ably demonstrates the talent and skill of Chiral.
These songs are slow-builders; ramping up the atmosphere and emotional content over the span of the playing time and layering just enough keyboards and extra instrumentation on top to really provide a consistent sense of space, flavour and feeling.
So there you have it. Another quality Chiral release, his best work yet I’d say.
Fans of Atmospheric Black Metal take note.
This band specialise in Black/Folk Metal that takes its time to build a slowly developing picture that the band loving craft from the instruments to give the listener a true feeling of the beauty of nature.
Falls of Rauros have a vibrant sound that recalls elements of Shoegaze and Post-Black Metal mixed with more traditional Black Metal and Folk Metal influences to create a collection of songs that have depth and interest.
Somewhat fragile, gentle riffing accompanies faster drumming and passionately harsh screaming. Their expansive sound shows off the full capabilities of all of the instruments and it’s good to hear the oft-neglected bass being quite audible.
The songs twist and curl their way around the central exploratory Black Metal sound and the tracks boast a longevity about them that’s refreshing to hear.
This is a heavily atmospheric album that evokes its feelings from the core instruments rather than from ostentatious keyboards or orchestras. The band keep it simple yet have everything they need to produce involving and engaging music.
This is a quality album. Have a listen and let the music enter your internal landscape.