Wonderbox Metal End of Year List – Best Metal of 2023

Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.

2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.

There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.

As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.

I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”

Ghozer – Black Lotus (Review)

Ghozer - Black LotusThis is the debut album from UK stoner rock band Ghozer.

It’s been four year’s since Ghozer’s enjoyable debut EP, but now the band have returned with 49 minutes of new material. Continue reading “Ghozer – Black Lotus (Review)”

Blissful Stream/Lightsabres – Devil’s Night to All Souls – Split (Review)

Blissful Stream LightsabresThis is a split between two Swedish one man bands; the doom metal of Blissful Stream and the dark rock of Lightsabres.

Blissful Stream are up first, with the first new material from the project since 2016’s Ascending Demons. Continue reading “Blissful Stream/Lightsabres – Devil’s Night to All Souls – Split (Review)”

Mindkult – Witch’s Oath (Review)

MindkultThis is the debut EP from Mindcult, a one-man doom metal band from the US.

This is fuzzy doom rock with an addictive edge that lures the listener in, seductively, with wily allure.

A large part of this is down to the singer’s voice, which Continue reading “Mindkult – Witch’s Oath (Review)”

The Lion’s Daughter & Indian Blanket – A Black Sea (Review)

The Lion's Daughter & Indian SummerI’ve been following The Lion’s Daughter for a while now and enjoyed their previous outings into the world of Blackened Sludge, so when I found out they were collaborating on an album with Folk group Indian Blanket I was intrigued.

I wasn’t sure what to expect upon pressing play, but it wasn’t this. I though it might be good, but this? This is a jaw-droppingly stunning album. In much the same way that Panopticon successfully incorporated bluegrass into Black Metal on their album Kentucky; The Lion’s Daughter and Indian Blanket, against all odds, have managed to successfully incorporate Folk into Sludge. The results are as astounding as they are fantastic.

If only I had heard and reviewed this at the end of 2013 it would probably have topped my end-of-year list I can tell you that now.

The album combines heaviness and softness in equal measure, using the best tools for the job depending on the needs of the song. Regardless of style it’s always dark, always emotionally charged and always tinged with melancholy.

Sludge Metal and acoustic passages; blast beats and strings; raw-throat shouts and delicate crooning; it’s all here. Taking the very, very best bits of bands like Neurosis, Isis, Year Of No Light, Agalloch and Wolves in the Throne Room then combining them with haunting Folk-inspired orchestration and Dax Riggs-style acoustics and vocals; this is a masterpiece of music awaiting discovery by any Metal fan looking for the best in unconventional heavy music.

To the cynical reader this may all smack of hyperbole, but the simple fact is that I absolutely love this album and it really is just that good. Do yourself a favour and get it immediately. 

Absolutely brilliant.