Wonderbox Metal End of Year List – Best Metal of 2023

Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.

2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.

There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.

As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.

I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”

Wonderbox Metal End of Year List – Best Metal of 2018

Having considered it long and hard, I’ve decided that any form of introductory paragraph with any real substance would simply detract from the list below. As such, all I’ll say is that 2018, like every year, has given us some top quality metal releases. So have a look at my top picks for 2018, and hopefully you’ll find a new band to obsess over…

Continue reading “Wonderbox Metal End of Year List – Best Metal of 2018”

Monthly Overview – the Best of April 2018

April has been an unusually strong month for metal, and I really have struggled to keep this list down to a manageable level. So much good music, so little time! Let’s have a look at what the metal world has given us this month then… Continue reading “Monthly Overview – the Best of April 2018”

Unfold – Banshee O Beast (Review)

UnfoldUnfold are a post-hardcore band from Switzerland and this is their fourth album.

Unfold play a mixture of hardcore, metal, and sludge, all wrapped up in emotive intensity and sophisticated heaviness. Continue reading “Unfold – Banshee O Beast (Review)”

Death Engine – Mud (Review)

Death EngineDeath Engine are a Hardcore band from France. This is their début album.

Death Engine play their Hardcore angry, atonal, dissonant and with much diversity. One moment they’re shredding out complex noisecore and the next they’ve gone all Post-Hardcore for moments of resplendent beauty.

This variety of assault is one of the things that makes Mud such a compelling listen. The band are very talented and even though this is only their first album, (and second release overall), they have clearly honed these compositions into the finely tuned songs that they are today through hard work and passion.

There’s lots of nifty ideas present on the album, starting on the first track Medusa and right up until the final one, Negative. Death Engine obviously aren’t lacking in the creativity department.

Angular riffing and complex drumming make up the lion’s share of the songs whilst the singer works himself up into an emotive frenzy.

The production suits the band; it’s not polished and clear but gritty and real. This is the sound of a band who are alive with vibrancy and furious conviction.

It’s hard to describe the feelings that Mud raises; this is the kind of album that it’s easy to fall in love with. There’s so much on offer here that it’s literally too much to absorb in one listen. This isn’t because there’s too much thrown in just for the sake of it, rather that the band have stuffed so much quality songsmithing into these tracks that while you’re getting absorbed in a particular guitar part it’s easy to miss everything else that’s going on.

This is a veritable Tour de Force of an album and one that Death Engine should be rightly proud of.

Bloody Hell this is good.