Foreverglade is the fetid swamp where black metal, funeral doom, and death metal meet and all drown slowly. It hard not to get caught up in the band’s rotting stench. I mean, a blackened form of death/doom? One which knows how to craft atmosphere as well as crush with brutal harsh nastiness, all tied together with very effective songwriting? Sign me up. Right now. Continue reading “Worm – Foreverglade (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
For the very first one of these columns I thought I’d pick the below three from Vendetta Records. I have a high opinion of this label’s output, and these releases reinforce that. I would ideally have covered each one of these individually, but sadly there’s just not enough time to give everything its proper due. In lieu of that, let’s see what you think of these three below… Continue reading “Label Roundup: Vendetta Records – Gespenst, Aristarchos & Lurid (Reviews)”
Ghostheart Nebula play a mixture of funeral doom and melodic doom metal, with added post-metal and post-rock flavour in places. Continue reading “Ghostheart Nebula – Ascension (Review)”
This is the fourth album from Australian death/doom band The Slow Death.
The Slow Death contain current and ex-members of bands such as Illimitable Dolor and Temple Nightside. On Siege, we are given 63 minutes of crushing death/doom metal, which also contains elements of Gothic metal and funeral doom. Featuring four colossal songs, this is a dark and gloomy trip into a world of multifaceted misery and woe. Continue reading “The Slow Death – Siege (Review)”
Brought to us by members of Pantheist, Aphonic Threnody, Dea Marica, Arrant Saudade, and Void of Silence, this is the follow up to 2018’s Dust of Aeons, and contains 61 minutes of new material. Continue reading “Towards Atlantis Lights – When the Ashes Devoured the Sun (Review)”
Atropos boasts 57 minutes of richly textured doom metal. It’s an old-school brand of doom that’s spliced through with elements of black and Gothic metal, along with cinematic scope, epic grandeur, synth-laden atmosphere, and forlorn Continue reading “Vouna – Atropos (Review)”
It’s always a grim pleasure to hear new Aphonic Threnody material. If you’re unfamiliar with the band, also check out 2017’s Of Loss and Grief, and 2020’s The Great Hatred, both of which are well worth your time. Continue reading “Aphonic Threnody – The All Consuming Void (Review)”
The artist describes Sunyata’s music as a mix of funeral doom and modern classical. Although this serves as a decent description, it doesn’t quite do justice to the wealth of rich content that’s to be found on The Great Beyond. Continue reading “Sunyata – The Great Beyond (Review)”
Here we have 57 minutes of funeral doom brought to us by the artist behind bands such as Ancient Moon and Enoid. Considering the quality of those bands, I had high hopes for My Death Belongs to You and I have not been disappointed. Continue reading “My Death Belongs to You – The World Seems to be Fading (Review)”
Having enjoyed 2017’s Of Loss and Grief, and knowing that the band features members of Arrant Saudade, Towards Atlantis Lights, and Dea Marica, as soon as I saw The Great Hatred appear I knew I had to spend some time absorbing its dark doomy delights. Continue reading “Aphonic Threnody – The Great Hatred (Review)”