What an unreasonably strong month for metal releases November was! Be assured, this list could have been much, much bigger. Let’s see what made the cut… Continue reading
Tag Archives: Funeral Doom
Mesmur – Terrene (Review)
This is the third album from international doom band Mesmur.
Mesmur’s 2016 album S was a heavily atmospheric slab of funeral death/doom, one which was notable for its depth of mood and delivery. The band have now returned with four new imposing songs, clocking in at 55 minutes. Continue reading
Esoteric – A Pyrrhic Existence (Review)
This is the seventh album from Esoteric, a funeral doom band from the UK.
After a gap of eight years, legendary doom act Esoteric have returned. The band’s strain of crushing, suffocating music has lead the way in funeral doom since their first album was unleashed in 1994. On A Pyrrhic Existence they return with a colossal double album spanning 98 minutes of huge, awe-inspiring monolithic doom songs. Continue reading
Slow – VI – Dantalion (Review)
Slow is a funeral doom band from Belgium and this is their sixth album.
2017’s V – Oceans was a monolithic slab of atmospheric funeral doom that I really, really enjoyed. Brought to us by the artist behind bands such as We All Die (Laughing), COAG, Merda Mundi, Cult of Erinyes, and many others, Slow has now been expanded to a duo, which seems to have inspired them to produce an absolute monster of an album – here they give us 78 minutes of content to become transfixed by. Continue reading
Midnight Odyssey – Biolume Part 1 – In Tartarean Chains (Review)
Midnight Odyssey is an Australian one-man black metal band and this is his third album.
As ridiculous as it sounds, I almost didn’t want to review or even listen to this album. Why? Because the band’s last album – 2015’s immense Shards of Silver Fade – was so hideously good that I couldn’t imagine being anything but disappointed with Biolume Part 1 – In Tartarean Chains. After all, Shards of Silver Fade claimed the coveted top spot in my end of year list for 2015, so this new one had a lot to live up to.
Anyway, enough preamble. Time to judge Biolume Part 1 – In Tartarean Chains on its own merits, of which there are many. Apparently this is the first in a trilogy of albums. I can’t wait to hear the next one already. Continue reading
Ornamentos del Miedo – Este no es tu Hogar (Review)
This is the debut album from Ornamentos del Miedo, a one man funeral doom band from Spain.
Here we have 62 minutes of atmospheric funeral doom. It’s slow, heavy, and played with an obvious love for the style. Continue reading
Heathe – On the Tombstones; the Symbols Engraved (Review)
This is the debut album from Heathe, a blackened doom/drone project from Denmark.
Apparently created by a core of one person who was then aided and abetted by multiple others, this band have crafted here a single 38-minute track named On the Tombstones. It has apparently been recorded live, with a structure enhanced by improvisation in places, which is probably why the music feels so vibrant, albeit in a bleak, nihilistic ways. Continue reading
Chalice of Suffering – Lost Eternally (Review)
This is the second album from US funeral doom band Chalice of Suffering.
2016’s For You I Die was an album I enjoyed, so it’s very agreeable to have a new slab of torment from the band. And what a considerable slab of torment and suffering it is too. Continue reading
Illimitable Dolor – Leaden Light (Review)
Illimitable Dolor are from Australia, and play atmospheric death/doom metal.
Following on from their split with Promethean Misery, I was keen to hear more from Illimitable Dolor. Well, now is that opportunity; Leaden Light contains 52 minutes of material, carved into five exquisite slices. Continue reading
Abyssic – High the Memory (Review)
This is the second album from Norwegian symphonic death/doom band Abyssic.
Ever since listening to and loving the band’s debut album A Winter’s Tale that was released in 2016, I’ve been hungry for more Abyssic. Well, it’s finally here, and it’s a monster. Continue reading
