Unborn Undead saw the music just starting to develop some elements of atmospheric black metal, and I’m pleased to say that Continue reading
Created in the Image of Suffering is an album that takes traditional doom metal and redefines it for the 2017 audience.
Adding female vocals to doom metal is something that’s a lot more common than it once was, so Continue reading
Mixing doom, drone, shoegaze and industrial elements into its near-hour long playing time, After Humanity is a reflective and atmospheric work that’s not afraid to put the boot in when it needs to.
The songs on this release gain traction in the mind of the listener the more they are experienced, and are a combination of emotive, subtle affairs, with harsher industrial-edged themes. Continue reading
Dreariness combine depressive black metal with elements of post-black metal and shoegaze. The result is an impressive album that boasts a lot more depth and atmosphere than the majority of their depressive peers. Continue reading
This is a release that combines a fair few different blackened styles into its 54 minute running time. Across the seven tracks one can hear raw, traditional black metal, atmospheric post-metal, melodic black metal, depressive shoegaze and a touch of the avant-garde.
Phew. Continue reading
This is an interesting and irregular release. It’s kind of a mix of bubblegum-pop with Continue reading
Having previously enjoyed their 2014 album Resurrection Extract, this is a re-released version of their 2015 EP of the same name, with two extra tracks added on for a total running time of 44 minutes spread out over 6 songs.
Chaos Moon’s music is atmospheric and raw, with elements of Shoegaze and Dark Ambient. Theirs is Black Metal with character and a grimy, occult lustre that marks them out as something a bit special.
Obscure melodies and sinister vibes are never too far from the blackened action, and the relatively subtle keyboards are artfully hidden just the right amount behind hateful distortion, which allows them to come to the fore when the guitars are absent.
My favourite track is probably the title, (and opening), song Amissum. It’s one of the bonus tracks and is a seething mass of blackened bile and repressed atmosphere. It’s an impressive piece of music and as the newest song here it bodes well for their upcoming album.
The rest of the music here is no disappointment, mind, with the remaining songs showcasing the band’s mix of aggression, mood and blackened sensibilities. Each track has something a little different to offer the listener and taken as a whole it’s a very well-rounded package.
Overall the band’s songwriting is suitably strong, and Chaos Moon are definitely improving over time. This latest release keeps up their high quality levels and exceeds them in some ways, producing an album-length EP that is extremely enjoyable indeed.
A short EP at only 11 minutes in length, Rats of Reality manage to have an unexpected start to this release which throws me slightly, before proceeding to demonstrate that yes, they may play some gnarly, crusty, fast-paced blackened grimness, but they do it in unusual and unexpected ways.
On paper, bands like this are plentiful and there’s sometimes very little to differentiate them from each other. As mentioned though, Rats of Reality are a bit different as they also use riffs that are a whole lot more emotive than most bands of this ilk write. They don’t always do this, (Leeches, for example, is a much more straightforward proposition), but when they do the melodies sometimes border on something you’re more likely to get from a Post-Metal/Shoegaze band, and at other times definitely are. Deafheaven plays Crust? Kind of.
Regardless, it’s an interesting and unusual slant on a well-worn sub-genre and overall Obsequies is enriched by these more melodic, emotive guitars. The ugliness of the core style is still here, but now it’s a beautiful ugliness. Or something. Just listen to it, you’ll get what I mean.
I’m pleased by this, as Rats of Reality have surprised and impressed me. I always enjoy it when a band does something a little different, especially if you weren’t expecting them to, and this certainly qualifies.
As a firm fan of their stellar début album Vesper, Ufonaut is long-awaited and well-received.
In Entropia, Progressive Metal and Post-Metal meet a fiery Black Metal heart; combined together they take the airwaves by storm and Ufonaut’s blackened blend of atmosphere, shoegaze, Post-Rock and psychedelia is a hit.
Heavier and darker than its predecessor, Ufonaut is a more mature beast to an already forward-thinking début. On the whole the songs are also shorter and more focused, resulting in an album that knows precisely what it wants to do and goes about doing it with shadowy panache.
High-energy blackened delivery meets more depressive, introspective moments. As the songs progress there’s more and more to get lost in as the band build momentum and atmosphere. Tsunamis of pounding drums and otherworldly synths add to the textures of the songs in places, creating the atmosphere in firm, energetic layers.
With involving and engaging tracks, this is an album that makes the most of its time in the abyss and furnishes the listener with all manner of listening pleasures, so much so that Ufonaut is a real embarrassment of riches in some ways.
After waiting three years for their second album I have not been disappointed. All hail Entropia!
This is an interesting album. The band incorporate elements of Doom here and there and even a hint of Punk in some of the more upbeat parts. For the main though, this is firmly in Shoegaze territory, with Post-Rock filling in the gaps.
Apparently the theme of this release is all about endings, and I can believe that as there’s a definite air of finality about these songs. They’re darkly emotive and heavy on the feeling, creating a despondent attitude without going overboard.
The vocals consist of ethereal cleans that seem to just about have the energy to pull themselves out of the musical melange, adding further layers of emotion to songs that are already thick with mood.
True Cross have created an album full of raw emotion, unfettered by constraint and loaded with negativity. Artful and intense, Pure Divorce is cinematic in scope and shares some of its qualities with that of a soundtrack.
A lot of Shoegaze passes me by as not having enough substance to it, but True Cross have really got their formula sorted out on this album. I’ll definitely be listening to this late at night, in the dark, as I’m sure is intended.
Here’s one to live with and absorb for a while.