Witte Wieven are a black metal band from the Netherlands and this is their debut album.
Featuring a member of Freja, Dwaallicht contains 41 minutes of atmospheric black metal with post-rock, shoegaze, and doom elements. The new material lasts 32 minutes, and consists of the first five tracks. The remaining track is a live version of an older song, for some reason. Continue reading “Witte Wieven – Dwaallicht (Review)”
Altari are a black metal band from Iceland and this is their debut album.
Altari play a form of black metal that has an individual vision for the style. The band approach their art from an avant-garde/experimental point of view, and create music that very much has its own identity. Continue reading “Altari – Kröflueldar (Review)”
This is the debut album from UK/international alternative doom band Healthyliving.
Featuring a member of Ashenspire, Healthyliving play a doomy mixture of alternative rock and post-metal. Songs of Abundance, Psalms of Grief has a duration of 38 minutes, and showcases the band’s expressive talents well. Continue reading “Healthyliving – Songs of Abundance, Psalms of Grief (Review)”
Tempel Wolf are a black metal band from Switzerland and this is their debut release.
Tempel Wolf play atmospheric black metal, and on Hirschgeweihmaskeraden they deliver 32 minutes of material across this absorbing release. Continue reading “Tempel Wolf – Hirschgeweihmaskeraden (Review)”
This is the fourth album from US psychedelic doom/stoner band Rezn.
Rezn’s sound combines the base elements of stoner, doom, and heavy psych into music that is far more adventurous and idiosyncratic than that of many ostensibly similar acts. For a start, there’s a shimmering shoegaze influence apparent on Solace that’s unexpected, but that manages to work its way into much of the material here. Continue reading “Rezn – Solace (Review)”
This is the fourth album from Indian one-man post-black metal band Lesath.
There Is a Profound Sense in Which We Are Isolated offers 43 minutes of post-black metal. It’s essentially a mix of atmospheric black metal, post-rock, and shoegaze. At least, as a rough description of the material here that suffices. Continue reading “Lesath – There Is a Profound Sense in Which We Are Isolated (Review)”
Bosco Sacro are an Italian doom band and this is their debut album.
Inspired by the awe of the natural world, Gem is a 32-minute journey into textured darkness and emotive sound. Continue reading “Bosco Sacro – Gem (Review)”
Fvnerals are a German doom band and this is their third album.
Bringing together doom, shoegaze, and dark ambient into a 40-minute cataclysmic declaration, Let the Earth Be Silent is the end times given aural form. Continue reading “Fvnerals – Let the Earth Be Silent (Review)”
This is the fifth album by Polar, a UK Hardcore band.
Having really enjoyed 2016’s No Cure No Saviour and 2019’s Nova, I’m pleased by Polar’s return.
Everywhere, Everything takes Polar’s existing sound – heavy hardcore with melodic and emotive highlights – and broadens it further into post-hardcore waters. Of course, these are waters that Polar already wade in, but on this new collection of songs they venture deeper than ever before. As such, Continue reading “Polar – Everywhere, Everything (Review)”
This is the third album from US doom metal band Chrome Ghost.
Okay, let’s get right down to this – House of Falling Ash represents pure emotion given musical form. Crushed into a mere 51 minutes, these highly expressive doom metal hymns drip with emotion and atmospheric presence, and present the listener with an absorbing experience that they might not emerge from unscathed. Continue reading “Chrome Ghost – House of Falling Ash (Review)”
Wonderbox Metal 