This is the debut album from Australian death metallers Hormagaunt.
Although In the Flesh quietly oozed into life at the end of 2022 I couldn’t resist its mouldy charms, so here we are. Get ready for a 31-minute trip into the foulest and nastiest death metal swamps. Continue reading “Hormagaunt – In the Flesh (Review)”
This is the second album from Canadian/US death/doom metallers Dream Unending.
Song of Salvation contains 44 minutes of atmospheric death/doom metal. The band features two members, who are in bands such as Outer Heaven, Sumerlands, Tomb Mold, and Vestal Claret, and between them they create an immersive tapestry of slow, mood-focused doom that’s as compelling and well-realised as it is enjoyable. Continue reading “Dream Unending – Song of Salvation (Review)”
This is the debut album from Canadian death metallers Gutvoid.
Featuring six tracks of monstrous death metal spread across 54 minutes, Gutvoid’s ambition is clear. Durance of Lightless Horizons is a grand slab of expressive extreme metal, and is definitely worth spending the time to explore. Let’s dig in. Continue reading “Gutvoid – Durance of Lightless Horizons (Review)”
This is the debut album from US death metallers Phobophilic.
Phobophilic combine the esoteric approach of Demilich, with the malevolent nature of Morbid Angel, and the crushing heaviness of Incantation. Fans of the output of bands such as Tomb Mold, Immolation, Worm, Ossuarium, Outer Heaven, and Blood Incantation need to pay attention to this. Continue reading “Phobophilic – Enveloping Absurdity (Review)”
This is the debut album from US death metal band Maul.
Across 38 minutes Seraphic Punishment torments us with nasty death metal that will not only leave a bad taste in your mouth, but a rusty meat cleaver too. Savage and brutal, the band’s music offers a crushing display of murderous death metal carnage. The style mixes the classic Swedish style with equally classic USDM, to create a hybrid of the two that lacks the strengths of neither. Continue reading “Maul – Seraphic Punishment (Review)”
This is the debut album from US death metal band Wharflurch.
Across six tracks and 35 minutes, Wharflurch deliver a doom-infested slab of malformed, rancid death metal.
Wharflurch’s death metal contains an experimental edge that’s been dulled by humid rot, but is no less striking and potent for it. Continue reading “Wharflurch – Psychedelic Realms ov Hell (Review)”
Headshrinker are a death metal band from the US and this is their debut album.
Headshrinker play old-school death metal that incorporates in varying doses, crushing doom, dark black metal, and intricate technicality. Theirs is an atypical approach to death metal, yet one that still benefits from the raw visceral nature of the style. Imagine a cross between Tomb Mold and Ulthar on one hand, and Pyrrhon and Imperial Triumphant on the other, and you’ll be on the right lines for a decent idea of what this album’s 38 minutes hold. Continue reading “Headshrinker – Callous Indifference (Review)”
Living Gate are an international death metal band and this is their debut EP.
Featuring members of bands such as Yob, Wiegedood, and Amenra, they bombard us with 18 minutes of old-school death metal. Continue reading “Living Gate – Deathlust (Review)”
It’s once more time to catch up with some of the best metal releases of the past month. Check out the albums below and let me know which one your favourite is. Continue reading “Monthly Overview – the Best of July 2019”
This is the third album from Canadian death metallers Tomb Mold.
2018’s Manor of Infinite Forms was a mutated delight, revelling in its exploration of what death metal was capable of when subjected to the right stressors. I wasn’t expected a new record quite so soon after their exemplary second one, but I’m certainly not complaining. Continue reading “Tomb Mold – Planetary Clairvoyance (Review)”
Wonderbox Metal 