This is the third album from Canadian black metallers Givre.
Givre play atmospheric black metal and on Destin Messianique they provide 35 minutes of raw and underground black metal with an academic and historical theme. Continue reading “Givre – Destin Messianique (Review)”
Olhava are a Russian ambient/post-black metal band and this is their fifth album.
2021’s Frozen Bloom was an enjoyable blend of atmospheric post-blackened intensity and shimmering dark ambience. Have Olhava managed to recreate their dark magic once again? Continue reading “Olhava – Reborn (Review)”
This is the fourth album from Swedish black metallers Bhleg.
I always enjoy it when a new Bhleg release comes along, (Draumr Ást, Solarmegin, Ödhin), so Fäghring is well-received by yours truly.
Bhleg’s atmospheric brand of folk-enriched black metal spreads Continue reading “Bhleg – Fäghring (Review)”
This is the second album from Italian black metallers A Pale December.
A Pale December play bleak atmospheric/melodic black metal, riven with despair and devoid of hope. Mixing old and new influences with ease, Death Panacea is quite the impressive piece of art. Continue reading “A Pale December – Death Panacea (Review)”
This is the second album from Polish one-man post-black metal band Ennoven.
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Olhava are a Russian black metal band and this is their fourth album.
Frozen Bloom is a 59-minute exploration of loss and mournful intensity. The band’s post-blackened brew is concocted from the bones of atmospheric black metal, blackgaze’s warmth of emotion, dark ambience, and synth-driven drone. Continue reading “Olhava – Frozen Bloom (Review)”
This is a split between two solo bands rooted in black metal – Order of the Wolf from the UK and Pessimista from Brazil.
This actually came out last year originally, but is now getting a tape release. This is my first encounter with both bands, and this split acts as a very good introduction to them. Continue reading “Order of the Wolf/Pessimista – Split (Review)”
Spectral Lore is a one-man Greek atmospheric black metal band, and this is his fifth album.
I was quite excited to see a new Spectral Lore release so soon after the masterful Wanderers: Astrology of the Nine – a colossal split with Mare Cognitum. This new album is pretty colossal too, containing a whopping 79 minutes of music, and it’s every bit as good as you think it is for the most part. Continue reading “Spectral Lore – Ετερόφωτος (Review)”
This is the sixth album from Australian one-man black metal act Midnight Odyssey.
The second part in a trilogy, (the first part being 2019’s exceptional Biolume Part 1 – In Tartarean Chains), Biolume Part 2 – The Golden Orb contains a massive 102 minutes of material.
On his latest Continue reading “Midnight Odyssey – Biolume Part 2 – The Golden Orb (Review)”
This is the second album from Hungarian post-black metal band Hænesy.
Having followed Hænesy from their debut album Katruzsa in 2018 to their 2019 split with Moondweller, I was keen to hear some new material from the band. Enter Garabontzia, which contains 44 minutes of the stuff. Continue reading “Hænesy – Garabontzia (Review)”
Wonderbox Metal 