This is the second album from Polish one-man post-black metal band Ennoven.
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Olhava are a Russian black metal band and this is their fourth album.
Frozen Bloom is a 59-minute exploration of loss and mournful intensity. The band’s post-blackened brew is concocted from the bones of atmospheric black metal, blackgaze’s warmth of emotion, dark ambience, and synth-driven drone. Continue reading “Olhava – Frozen Bloom (Review)”
This is a split between two solo bands rooted in black metal – Order of the Wolf from the UK and Pessimista from Brazil.
This actually came out last year originally, but is now getting a tape release. This is my first encounter with both bands, and this split acts as a very good introduction to them. Continue reading “Order of the Wolf/Pessimista – Split (Review)”
Spectral Lore is a one-man Greek atmospheric black metal band, and this is his fifth album.
I was quite excited to see a new Spectral Lore release so soon after the masterful Wanderers: Astrology of the Nine – a colossal split with Mare Cognitum. This new album is pretty colossal too, containing a whopping 79 minutes of music, and it’s every bit as good as you think it is for the most part. Continue reading “Spectral Lore – Ετερόφωτος (Review)”
This is the sixth album from Australian one-man black metal act Midnight Odyssey.
The second part in a trilogy, (the first part being 2019’s exceptional Biolume Part 1 – In Tartarean Chains), Biolume Part 2 – The Golden Orb contains a massive 102 minutes of material.
On his latest Continue reading “Midnight Odyssey – Biolume Part 2 – The Golden Orb (Review)”
This is the second album from Hungarian post-black metal band Hænesy.
Having followed Hænesy from their debut album Katruzsa in 2018 to their 2019 split with Moondweller, I was keen to hear some new material from the band. Enter Garabontzia, which contains 44 minutes of the stuff. Continue reading “Hænesy – Garabontzia (Review)”
Abhasa are a atmospheric black metal/dark ambient band from the US, and this is their debut album. It’s actually a remastered version of the original album that came out last year, (which I haven’t heard).
Abhasa’s mysterious and esoteric blend of post-black metal, sludge, and dark ambient is a ritualistic journey into bleak atmosphere. This is 50 minutes of dark mood music, combining blackened soundscapes with minimal ambience. Continue reading “Abhasa – १ (Review)”
May held some strong releases, so let’s get down to business right away… Continue reading “Monthly Overview – the Best of May 2020”
Baume is a one-man post-black metal band from France, and this is his latest release.
I really liked 2018’s Les Années Décapitées, so Un Calme Entre les Tempêtes is very well-received. Containing just three tracks, we get 28 minutes of material to absorb us. Un Calme Entre les Tempêtes is more experimental in flavour than Les Années Décapitées, but suffers no significant deficit in the quality department because of this. Continue reading “Baume – Un Calme Entre les Tempêtes (Review)”
Arstidir Lifsins are an international, (Germany/Iceland), black metal band, and this is their fifth album.
Here we have 74 minutes of pagan black metal, incorporating elements of the atmospheric, folk, and ambient styles. Continue reading “Arstidir Lifsins – Saga á tvei m tungum II: Eigi fj ǫ ll né firðir (Review)”
