Ripper are a death/thrash metal band from Chile and this is their third album.
If you’re a fan of death/thrash along the lines of early Kreator and Sepultura, then the appropriately named Ripper have a treat for you. Towards Rebirth contains 42 minutes of vicious thrashing intensity, and is pretty much guaranteed to give fans of the style a damn good time.
Towards Rebirth offers up a Continue reading “Ripper – Towards Rebirth (Review)”
This is the ninth album from Australian death metallers Psycroptic.
Whether it’s 2015’s Psycroptic, 2018’s As the Kingdom Drowns, or 2022’s Divine Council, Psycroptic always put out something special. The Pulse of Annihilation is no exception to this trend, as the band spend 40 minutes showing once again just why they are so highly regarded by extreme metal connoisseurs. Continue reading “Psycroptic – The Pulse of Annihilation (Review)”
This is the fifth album from US doom metallers Khemmis.
If you’re a fan of Khemmis, then a new record from the band is a big deal. If you’re not, you must check out Absolution, Hunted, Desolation, and Deceiver, as well as this new one. We’re in self titled territories here, which usually Means Something. So what does the 44 minutes of new material on Khemmis have to offer? Continue reading “Khemmis – Khemmis (Review)”
This is the second album from US blackened death/doom band Galvanist.
Seemingly arising from the ashes of Arkheron Thodol, Galvanist offer up a 39-minute journey into their well-formed world of idiosyncratic hybrid extreme metal. Taking in elements of atmospheric black metal, progressive death metal, and blackened sludge/doom, The Silence Between Stars is a monstrous record. Continue reading “Galvanist – The Silence Between Stars (Review)”
This is the debut album from US grindcore band Kuzu Knot.
Deceitful Above All Things contains 34 minutes of merciless grinding darkness, but of a rarefied sort. Kuzu Knot’s music is abrasive and harsh, but is also a good deal more than just this. Continue reading “Kuzu Knot – Deceitful Above All Things (Review)”
This is the second album from blackened thrash metallers Tyrannus.
Tyrannus play a mix of black and thrash metal, alongside other influences, and it hits the spot. On Mournhold they combine it all into a 40-minute infernal assault that this simplistic description doesn’t really do justice to. Brought to us by current/ex-members of Ashenspire and Live Burial, Mournhold is a beast. Continue reading “Tyrannus – Mournhold (Review)”
Yoth Iria are a Greek black metal band and this is their third album.
Following on from the well-received As the Flame Withers and Blazing Inferno, Yoth Iria have now returned to once more grace us with their personable take on black metal. Gone with the Devil contains 46 minutes of new material. Continue reading “Yoth Iria – Gone with the Devil (Review)”
Manchester’s hot ticket is tonight is Dragged into Sunlight, and people have turned out in force. As usual, their merch queue is ridiculous, and it stays ridiculous for a ridiculous amount of time. Good for them. They’re not the only tasty treat on this gnarled bill though; first comes death metal most foul. Continue reading “Dragged into Sunlight/Vacuous/Plague Pit – Club Academy, Manchester – 30/05/26 (Live Review)”
This is the fifth album from US progressive black metal act Ashen Horde.
2023’s Antimony was Ashen Horde’s best album up to this point. This means that The Harvest is an eagerly anticipated new record from this notable band. Will it have what it takes to knock Antimony from the top spot? Continue reading “Ashen Horde – The Harvest (Review)”
This is the third album from solo Greek black metal band Night Vigil.
This is an easy band for fans of Auriferous Flame, Mystras, and Spectral Lore to take an interest in, as the same artist behind these bands is also the one behind Night Vigil. The Hamlet contains 35 minutes of material, and it’s not Continue reading “Night Vigil – The Hamlet (Review)”
Wonderbox Metal 