Narbeleth – A Pale Crown (Review)

Narbeleth - A Pale CrownThis is the sixth album from Cuban black metallers Narbeleth.

I always enjoy a new Narbeleth release. If you haven’t already, make sure you check out 2014’s A Hatred Manifesto, 2015’s Through Blackness and Remote Places, 2017’s Indomitvs, and 2021’s Svmma Cvm Nox Arcana, as all are records worthy of your attention if you enjoy second wave black metal. Continuing the trend of releasing albums with seven originals and one cover song, (Satyricon in this case), A Pale Crown contains 45 minutes of material for black metal devotees to savour. Continue reading “Narbeleth – A Pale Crown (Review)”

Ὁπλίτης (Hoplites) – Παραμαινομένη (Review)

Ὁπλίτης (Hoplites) - ΠαραμαινομένηThis is the fourth album from Ὁπλίτης, (otherwise known as Hoplites), a solo post-black metal band from China.

So, it was January 2023, and out of nowhere Ὁπλίτης appeared into my life with the devastating Ψευδομένη; a uniquely brutal record that introduced me to the atypical blackened world of this enigmatic entity. This, rather unexpectedly, was quickly followed up by the equally destructive Τρωθησομένη and then Ἀντιτιμωρουμένη. This punishing rate of releases Continue reading “Ὁπλίτης (Hoplites) – Παραμαινομένη (Review)”

Thirsting Altar – Reclamation (Review)

Thirsting Altar - ReclamationThis is the second EP from US black metallers Thirsting Altar.

Following up on 2020’s debut release Ascension, and back with a new, expanded lineup, we have Thirsting Altar with their latest 21-minute EP Reclamation. Continue reading “Thirsting Altar – Reclamation (Review)”

Abhoria – Depths (Review)

Abhoria - DepthsAbhoria are a black metal band from the US and this is their second album.

Featuring members of the mighty Ashen Horde, Depths is the 45-minute follow up Abhoria’s 2022’s self-titled record. There’s a new vocalist this time around too, (from In the Company of Serpents), who delivers a visceral performance throughout, with savage screams and world-swallowing growls. Continue reading “Abhoria – Depths (Review)”

Andracca – To Bare the Weight of Death (Review)

Andracca - To Bare the Weight of DeathAndracca are a black metal band from the UK and this is their second album.

To Bare the Weight of Death clocks in at 39 minutes long and showcases a capable band playing a style they clearly love. Andracca weave the their dark magic through a mixture of melodic malevolence, bleak blackened fury, sinister atmosphere, and classic icy might. Continue reading “Andracca – To Bare the Weight of Death (Review)”

Vemod – The Deepening (Review)

Vemod - The DeepeningThis is the second album from Norwegian black metallers Vemod.

The Deepening contains 48 minutes of dark blackened worldscapes. It’s the sort of record that is worth exploring in a thorough and comprehensive manner, as there are many rewards to be had within its beautifully coated exterior. Continue reading “Vemod – The Deepening (Review)”

Yersin – The Scythe Is Remorseless (Review)

Yersin - The Scythe Is RemorselessYersin are from the UK and play crust/metal. This is their second album.

Yersin play a hybrid style that combines grindcore, crust, death metal, black metal, and thrash metal into 25 minutes of sludgy filth and fury. This may be a short album, but it packs a punch. Continue reading “Yersin – The Scythe Is Remorseless (Review)”

Aberration/Diabolic Oath – Divinations – Split (Review)

Aberration Diabolic Oath - Divinations - SplitThis split is between two US bands, Aberration and Diabolic Oath, both of whom play black/death metal.

Each band contributes one song to this split. We start with Aberration, with the six-minute Divinations of Flesh. Aberration contain members of Nothingness, Void Rot, and Suffering Hour, so it’s safe to say expectations are high. Continue reading “Aberration/Diabolic Oath – Divinations – Split (Review)”

Wonderbox Metal End of Year List – Best Metal of 2023

Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.

2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.

There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.

As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.

I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”

Árstíðir Lífsins – Hermalausaz (Review)

Árstíðir Lífsins - HermalausazThis is the latest EP from Árstíðir Lífsins, an international, (Germany/Iceland), black metal band.

Following on from 2020’s epic Saga á tveim tungum II: Eigi fjǫll né firðir comes an equally epic EP. Despite containing only two songs, Hermalausaz is an album-length release at 43 minutes in duration, and packs a lot of content into its extended running time. Continue reading “Árstíðir Lífsins – Hermalausaz (Review)”