Hooded Menace – The Tritonus Bell (Review)

Hooded Menace - The Tritonus BellThis is the sixth album from Finnish death/doom band Hooded Menace.

Following on from 2015’s Darkness Drips Forth and 2018’s Ossuarium Silhouettes Unhallowed, The Tritonus Bell is another gruesome slab of death/doom, only this time it has been infused with a greater amount of classic heavy metal influences. Continue reading “Hooded Menace – The Tritonus Bell (Review)”

Veil of Conspiracy – Echoes of Winter (Review)

Veil of Conspiracy - Echoes of WinterVeil of Conspiracy are a melodic metal band from Italy and this is their second album.

The promo blurb states that the 45 minutes of material on Echoes of Winter is for fans of Katatonia, Opeth, and The Morningside, which is a good starting point for Veil of Conspiracy’s sound. I’d also add that fans of bands such as Amorphis, Paradise Lost, Deathwhite, Moonspell, My Dying Bride, and Anathema will find much to like here. Continue reading “Veil of Conspiracy – Echoes of Winter (Review)”

Fragment Soul – Axiom of Choice (Review)

Fragment Soul - Axiom of ChoiceFragment Soul are a Greek progressive doom band, and this is their debut album.

Axiom of Choice is a richly expressive work, which focuses on building atmosphere and emotion across four highly engaging songs, lasting 42 minutes in total. There’s no real heaviness or metal here, so don’t be misled by any of the genre tags or band references; this is slow, ethereal, gentle, and filled with feeling. It’s an album of depth and expansive ambience that, if you’re a fan of the style, should firmly root itself into your music collection. Continue reading “Fragment Soul – Axiom of Choice (Review)”

White Ward – Debemur Morti (Review)

White Ward - Debemur MortiThis is the latest EP from Ukrainian post-black metallers White Ward.

Released to commemorate record label Debemur Morti‘s 200th release, this new EP contains two tracks, with a total duration of 17 minutes. Continue reading “White Ward – Debemur Morti (Review)”

Invernoir – The Void and the Unbearable Loss (Review)

Invernoir - The Void and the Unbearable LossThis is the debut album from Invernoir, an Italian doom metal band.

Taking influence from old-school doom/Gothic metal via the likes of My Dying Bride, Anathema, Katatonia, and Paradise Lost, The Void and the Unbearable Loss contains 51 minutes of music crafted in this venerable style. Continue reading “Invernoir – The Void and the Unbearable Loss (Review)”

Amiensus – Abreaction (Review)

Amiensus - AbreactionAmiensus are a progressive black metal band from the US, and this is their third album.

We last met Amiensus in 2017 with All Paths Lead to Death, which saw them in a more atavistic mood than debut album Restoration. Abreaction finds the band in a more expensive mood once more, while still retaining a core of blackened darkness and aggression. Continue reading “Amiensus – Abreaction (Review)”

Ilienses Tree – Till Autumn Comes (Review)

Ilienses Tree - Till Autumn ComesIlienses Tree are an Italian death/doom metal band and this is their debut album.

After really enjoying 2017’s Edda, it’s good to now have a full length from Ilienses Tree. Continue reading “Ilienses Tree – Till Autumn Comes (Review)”

Godthrymm – Reflections (Review)

Godthrymm - ReflectionsThis is the debut album from UK doom metallers Godthrymm.

Featuring ex-members of bands such as Anathema, My Dying Bride, Solstice, and Vallenfyre, there’s a wealth of experience underpinning this release, and it’s used well. Continue reading “Godthrymm – Reflections (Review)”

Deathwhite – Grave Image (Review)

Deathwhite - Grave ImageDeathwhite are a melodic metal band from the US and this is their second album.

Ever since 2014’s Ethereal saw the light of day, I’ve enjoyed watching Deathwhite flex their creative, melodically-charged muscles. Solitary Martyr arrived a year later with a quality delivery, and by the time that 2018’s For a Black Tomorrow came around, it was clear that Deathwhite’s early promise was not squandered at all. Well, it’s now 2020, and the band have returned with 49 minutes of new material. Continue reading “Deathwhite – Grave Image (Review)”