Now this I like. Playing modern, crushing, heavily aggressive metal with plenty of bite and attitude, From Eden to Exile impress as soon as you press play. Continue reading
The Devil’s Own is an album full of choice riffs, Southern metal vibes, and assured attitude.
Recalling years past when bands like Pantera and Lamb of God ruled the roost with their belligerent Continue reading
This is industrial-tinged metal with a good sound and plenty of professional delivery. Continue reading
This is an interesting brand of progressive metal – Of the Sun essentially take the groove metal of bands like Pantera and Lamb of God and mix it with a bit of modern progressive music that has hints of Gojira, Mastodon and Alice in Chains in it. Continue reading
Endogenic play groove/thrash metal with a sprinkling of death metal added in here and there for good measure. Following on from the likes of Pantera, Lamb of God, etc., Hunter is 41 minutes of hard-rocking riffs, tasty grooves and loud beats. Continue reading
Dorylus play groove metal influenced by all of the usual suspects of the style, (Lamb of God, Pantera, etc.).
For a first release this is a well-realised 21 minutes of aural Continue reading
After a rather embarrassing intro track, the rest of the EP is, thankfully, better. This is Pantera/Lamb of God/Chimaira inspired metal that’s all youthful enthusiasm and energy.
The band have the right approach for this kind of music, starting with some decent riffs and Continue reading
Featuring the bassist of Drowning Pool, this EP is 23 minutes of modern, rocking metal that has some thrash and hardcore influences – somewhat of a cross between Annihilator, Pantera and Vision of Disorder. Continue reading
Tenth Amendment play modern Metal with groove and aggression. Back in the 90s when this kind of thing was just called either Metal or Hardcore rather than groove Metal or Metalcore, (usually due to how the band looked more than anything else), bands like Pantera, Fear Factory, Machine Head, Merauder, Skinlab and Pro-Pain we all staples of my CD collection, and Tenth Amendment very much remind me of that time.
Coming across as a combination of the aforementioned bands, we get song-based aggression with an industrial undercurrent that leans towards the heavier end of the spectrum. The album is very riff-based and there’s a purity of intent inherent in this kind of approach.
This is an endearing mixture of old-school Thrash and modern know-how. It’s fun without being stupid and authentic without being retro nonsense. I approve!
The album boasts a strong production that’s crisp and clear, lending the songs a sharp edge and professional veneer.
The singer grunts, groans, shrieks and screams his throat hoarse throughout these 39 minutes. Alongside a plethora of backing and gang vocals, he provides an energetic performance and one can’t help but wonder if he survived the recording process with his sanity intact.
As would be expected from the style, solos and leads are tossed around like they’re going out of fashion, alongside so many punchy riffs you could knock someone out with them. With some minor movie and Hardcore influences too, there’s a lot of catchy material here.
There’s a lot of enjoyment to be had on From Blue to Black, especially if you like early Anthrax and Pantera and always wondered what it might sound like if they collaborated on a Thrash Metal sideband. It probably wouldn’t sound too far off how this does.
Very enjoyable. Check this out.