Order of Chaos offers a tight 30 minutes of punishing death metal. Smashing together HM-2-influenced death metal with ferocious grindcore and caustic punk, Descent’s second album is a vicious beast. Continue reading “Descent – Order of Chaos (Review)”
Ever since 2013’s Nothing Violates This Nature knocked me off my feet, kicked me in the teeth, and stamped down on my neck, I’ve been looking forward to the next instalment of brutal abuse from this impressive act. Continue reading “All Pigs Must Die – Hostage Animal (Review)”
Now this is the stuff for those days when you just can’t seem to get going and you need a huge kick up the arse to get you moving. Seeker are the steel-toe capped boot. Continue reading “Seeker – Loss (Review)”
Jagged Vision play a hardcore/sludge/metal mix that borrows from aspects of all styles, allowing the band to firmly cement their own personality. Continue reading “Jagged Vision – Death Is This World (Review)”
Trap Them play dark hardcore, full of raw nastiness and rabid bite.
The singer has the perfect voice for this kind of thing; completely feral and utterly aggressive. His high-pitched screaming shouts lash out from the music like dangerous bladed weapons, eager to draw blood. With compelling rhythms and engaging, memorable vocal patterns, his voice is the driving factor and focal point for the dark music. Continue reading “Trap Them – Crown Feral (Review)”
Featuring an album cover that immediately grabs the attention, this is a band that fuses hardcore and metal into an ugly ball of condensed violence.
Hearing this description, and knowing that there is an ex-member of As I Lay Dying Continue reading “Poison Headache – Poison Headache (Review)”
Snake Tongue play modern chaotic hardcore with a violent punk edge to it, recalling a cross between Converge, All Pigs Must Die and Botch.
Heavy, rhythmic hardcore merges together with Continue reading “Snake Tongue – Raptor’s Breath (Review)”
Call of the Void play the kind of nasty, violent Hardcore that it’s very easy to like. Somewhat of a cross between All Pigs Must Die, early Eighteen Visions, Early Entombed and any number of Old-School Hardcore bands, this is music that is earthy and pure.
Blasting mayhem and Crust-fuelled carnage make up the bulk of the tracks here. Each song rages and tears at the world through red-tinted vision.
The vocals are non-stop shouts and screams that are perfectly adapted to their environment. They provide a formidable presence and focal point to already intimidating music.
Moments of rough melody and abrasive atmosphere do appear amongst the high-energy proceedings. These glimpses of mercy amidst the violence ensure that Call of the Void are worthy of repeat spins and are not just a throwaway one-shot band.
This is music that’s brutally honest and aggressively focused.
Very enjoyable indeed.
Obliterations play Punked-up, rage-fuelled Hardcore that spits and claws its way out of the speakers.
This is violent music that has an angry disposition and a bad attitude.
The Punk riffs are infected with energy and the music is a natural combination of the Old-School and New. The riffs themselves have an older flavour but the crushing production and fiery vocals are much more modern. Taken together they give Obliterations a very enjoyable sound.
Vocally the singer shreds his way through these high octane songs with the passion and intensity of a lifer committed to the cause.
This is a quality release that’s just under 30 minutes of heavy, angry Hardcore. It’s also a great way to start your day.
For fans of Poison Idea, Discharge, Black Flag, All Pigs Must Die and Converge.
The band mix the aggression of Converge, the crust of Discharge and the Metal of Entombed into one searing package of extremity and violence.
This is a brutal rampage though a filth-fuelled rage-dump and catharsis through ferocity. The songs strain against the fabric of civilised society, holding the promise of anarchy and release but remaining coherent enough to channel all of the fury into a collection of tracks that are not only heavy musically but also with destructive potential.
There is 33 minutes of music here, spread across 10 tracks; the perfect amount of time so that the aggression truly flows into you but not so much that it can become stale or wasted potential.
I love music like this. It’s so vital and alive and epitomises why heavy music is so enticing. Do yourself a favour and get this album.