Saarkoth’s Bandcamp page says that they are inspired by bands like Winterfylleth, Agalloch, and Emperor, and this serves as a good starting point for approaching Cult of Nature. However, although you can hear the influences and recognise the style, I’m pleased to say that Saarkoth have found their own voice within it. Continue reading “Saarkoth – Cult of Nature (Review)”
We last met Amiensus in 2017 with All Paths Lead to Death, which saw them in a more atavistic mood than debut album Restoration. Abreaction finds the band in a more expensive mood once more, while still retaining a core of blackened darkness and aggression. Continue reading “Amiensus – Abreaction (Review)”
Frigoris’ post-black metal is atmospheric and immersive, and as you journey across this 65-minute album, you’ll also discover aspects of doom, progressive metal, and post-rock that are incorporated into the music’s textured tapestry. Continue reading “Frigoris – …In Stille (Review)”
Ashbringer’s black metal combines aggressive blackness with melodic sensibilities and folk-influenced post-rock reflection. Elements of bands such as Fen, Agalloch, Falls of Rauros, Amiensus, and Alcest can be heard, but moulded and channelled through Ashbringer’s own collective experiences and personality. Continue reading “Ashbringer – Absolution (Review)”
Three enormous songs, with a combined duration of 82 minutes? Okay, I’ll bite.
An album of depth, both musically and thematically, Exile of Shadows is black metal in only one of its aspects, albeit a primary one. The band also occasionally incorporate apocalyptic sludge and stoner doom into their melting pot, as well as strands of classic heavy and speed metal. This curious, (yet effective), mixture means that Continue reading “Murk Rider – Exile of Shadows (Review)”
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading “Khôrada – Salt (Review)”
Not to be confused with the Morrow from the UK that have appeared on this site previously, this US band play atmospheric black metal with ambient and post-rock influences. Continue reading “Morrow – The Weight of These Feathers (Review)”
This is dark, atmospheric doom metal that has several corrupting influences from black metal’s more atmospheric strains. Continue reading “Apotelesma – Timewrought Kings (Review)”
We first met Fragarak on their 2013 album Crypts of Dissimulation. Well, we’ve been waiting a long time for a follow up release, and now it’s here, it’s quite the monster. Continue reading “Fragarak – A Spectral Oblivion (Review)”
Urn is epic, progressive, aggressive, and textured. It’s a release that has a lot to absorb and experience, requiring multiple sittings to really even start to get the most from it. This is a complex and emotive listen, one that’s highly rewarding and enjoyable. Continue reading “Ne Obliviscaris – Urn (Review)”