This is the third album from German death metal band Endseeker.
2019’s The Harvest was a solid and enjoyable slice of Swedish-influenced death metal, so when the 36-minute lump of sinew and teeth that is Mount Carcass appeared on the horizon, I knew I wanted to embrace it eagerly. Continue reading “Endseeker – Mount Carcass (Review)”
This is the second album from Irish black metal band Corr Mhóna.
Abhainn is a 56-minute progressive black metal album that also contains a healthy amount of doom and folk influences. It’s ambitious and bold, but also very striking and well-realised. The band have clearly put a lot into this work, and it shows; Abhainn is Continue reading “Corr Mhóna – Abhainn (Review)”
This is the second album from US blackened hardcore band Wolf King.
2018’s Loyal to the Soil was an enjoyable slice of vicious nastiness, so I knew that Continue reading “Wolf King – The Path of Wrath (Review)”
Dark Divinity are a melodic death metal band from New Zealand, and this is their debut EP.
The promo blurn tells us that “Following in the footsteps of genre originators At the Gates, The Haunted & Dissection, the band also take cues from death/black metal acts such as Immortal, Morbid Angel & Death.” Bold words, but backed up by 18 minutes of music that cuts like a serrated knife, you’ll find no complaint from me. Continue reading “Dark Divinity – Messianic (Review)”
This is the fourth album from Solium Fatalis, a US death metal band.
Here we have 43 minutes of tasty and aggressive melodic blackened death metal. That may be a bit of a mouthful to say, but the music of Solium Fatalis rolls freely from the speakers and is quite easy to enjoy. Continue reading “Solium Fatalis – Genetically Engineered to Enslave (Review)”
Depths of Hatred are a Canadian death metal band and this is their latest EP.
Here we have 22 minutes of Depths of Hatred’s brand of punishing intensity. Mixing together multiple strains of death metal with some decent character and a professional recording, the band’s modern attack is easy to recommend. Continue reading “Depths of Hatred – Bloodguilt (Review)”
This is the fourth album from Russian blackened melodic death metal band Second to Sun.
Apparently this is a rerecording of the band’s 2016 release Blackbound, with added vocals, and other differences. I was totally unfamiliar with Second to Sun’s work prior to listening to The Black, so I can’t comment on how this relates to Blackbound, other than to say that it does. Continue reading “Second to Sun – The Black (Review)”
The Agony Scene are a US metal band and this is their fourth album.
Tormentor is the first release from The Agony Scene since 2007’s Get Damned. I always liked this band’s razor-sharp take on modern metal, so it’s great to hear them make a return. Continue reading “The Agony Scene – Tormentor (Review)”
This is the sixth album from legendary Swedish melodic death metallers At the Gates.
On To Drink from the Night Itself At the Gates return with 45 minutes of new material for us to salivate over. It’s not entirely business as usual, however, as this latest album showcases the more savage, unfriendly side of the band more than some of their other work. Continue reading “At the Gates – To Drink from the Night Itself (Review)”
Lik are a Swedish death metal band and this is their second album.
Carnage is aptly named, containing 37 minutes of old-school destruction and dirty brutality. Featuring members of Continue reading “Lik – Carnage (Review)”
