This is the third album from German death metal band Endseeker.
2019’s The Harvest was a solid and enjoyable slice of Swedish-influenced death metal, so when the 36-minute lump of sinew and teeth that is Mount Carcass appeared on the horizon, I knew I wanted to embrace it eagerly. Continue reading “Endseeker – Mount Carcass (Review)”
I’ve decided to do something new for 2020 – a second End of Year list. If you’ve missed it, my standard, definitive best of 2020 list can be seen here, and is made up of albums I was lucky enough to get to review. However, this year I want to also highlight some of the many albums that I’ve enjoyed listening to, but for one reason or another never had the chance to review. So, consider this a complementary list of sorts to the main one. Continue reading “Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020”
Lik are a Swedish death metal band and this is their third album.
Following on from 2018’s hugely enjoyable Carnage, Lik, (Featuring members of Witchery and Katatonia), now return with another 40 minutes of bloodsoaked material. Continue reading “Lik – Misanthropic Breed (Review)”
This is the second album from Belgian death metallers Carnation.
Having really enjoyed 2018’s Chapel of Abhorrence, it’s with high expectations that I turned to Where Death Lies. It turns out they the band have exceeded these expectations with ease. Continue reading “Carnation – Where Death Lies (Review)”
This is the second album from Soulrot, a death metal band from Chile.
I enjoyed 2017’s Nameless Hideous Manifestations, which was a solid slab of underground Swedish-influenced old-school death metal. Boasting 40 minutes of material, what does Victims of Spiritual Warfare hold for us? Continue reading “Soulrot – Victims of Spiritual Warfare (Review)”
Centinex are a Swedish death metal band and this is their eleventh album.
I always enjoy a bit of Centinex. I’m a sucker for the Swedish strain of death metal at the best of times, and Centinex have pretty much mastered the style in the past. Continue reading “Centinex – Death in Pieces (Review)”
This is the second album from Russian death metallers Pyre.
It’s been six years since Human Hecatomb, but now the well-regarded Pyre have returned. This is old-school death metal, unapologetic and unrefined, just as it should be. Taking influence from the Swedish style, (but not exclusively), Chained to Ossuaries gives us 41 minutes of strong material. Fans of Dismember, Asphyx, and Autopsy pay attention. Continue reading “Pyre – Chained to Ossuaries (Review)”
Lots to choose from this month, so narrowing it down to just a handful of releases was not easy… Continue reading “Monthly Overview – the Best of March 2020”
This is the second album from Live Burial, a death metal band from the UK.
Featuring current and ex-members of Horrified, Live Burial play old-school death metal, and Unending Futility provides 41 minutes of engaging material for fans of the style to lose themselves in. Continue reading “Live Burial – Unending Futility (Review)”
Wombbath are a Swedish death metal band and this is their fourth album.
SWEDISH DEATH METAL!!! Yeah! Wombbath return to give us another 50 minutes of the good stuff. I have a soft spot for this style that’s undeniable, but Wombbath have proven their worth in the past. Featuring members of bands such as Ashcloud, Henry Kane, Just Before Dawn, Gods Forsaken, Heads for the Dead, Ursinne, Repulsive Vision, and many others, you know that the style is in experienced hands before even pressing play. Continue reading “Wombbath – Choirs of the Fallen (Review)”
