Crawl are a death metal band from Sweden and this is their second album.
I thoroughly enjoyed 2018’s Rituals, so was pleased when Crawl’s split with Feral appeared last year. They’re now back again with Altar of Disgust, which delivers 31 minutes of crust-driven Swedeath heaviness. Continue reading “Crawl – Altar of Disgust (Review)”
Mastiff are a hardcore/sludge metal band from the UK and this is their fourth album.
Both 2019’s Plague and 2021’s Leave Me the Ashes of the Earth were enjoyable slabs of ugly sludgy hardcore heaviness, so it’s great to have a new Mastiff album in our lives. Deprecipice contains 34 minutes of material, and sees Mastiff stepping up their game once more. Continue reading “Mastiff – Deprecipice (Review)”
Ribspreader are a Swedish death metal band and this is their tenth album.
Brought to us by the incredibly prolific Rogga Johansson, (Down Among the Dead Men, Echelon, Megascavenger, Paganizer, Those Who Bring the Torture, and a million others), along with current/ex-members of Deicide, Inhuman Condition, Kill Division, Venom Inc., and Wombbath), Reap Humanity boasts 36 minutes of experienced death metal carnage. Continue reading “Ribspreader – Reap Humanity (Review)”
Yersin are from the UK and play crust/metal. This is their second album.
Yersin play a hybrid style that combines grindcore, crust, death metal, black metal, and thrash metal into 25 minutes of sludgy filth and fury. This may be a short album, but it packs a punch. Continue reading “Yersin – The Scythe Is Remorseless (Review)”
This is the third album from Belgian death metallers Carnation.
Carnation made a mark with 2018’s Chapel of Abhorrence and 2020’s Where Death Lies, so checking out what Cursed Mortality had to offer was mandatory. It seems like each Carnation album gets tighter and more refined, and Cursed Mortality is their most streamlined album yet – eight songs in a lean 35 minutes. Continue reading “Carnation – Cursed Mortality (Review)”
This is the fourth album from German death metal band Endseeker.
Endseeker are a band that are very easy for me to like. Despite cooling on the Swedish death metal style over the years, I fail to be indifferent to Endseeker’s crushing assault. Both 2019’s The Harvest and 2021’s Mount Carcass were thoroughly enjoyable examples of the style, so will Global Worming follow in their thunderous footsteps? Continue reading “Endseeker – Global Worming (Review)”
This is the debut album from international death metal band Asinhell.
Impii Hora is a 39-minute love letter to Swedeath’s golden days. Asinhell clearly know the style intimately, and across these 10 tracks lay waste with their song-focused approach to death metal carnage. Continue reading “Asinhell – Impii Hora (Review)”
This is a split between two Swedish death metal bands – Feral and Crawl.
Feral are up first; two songs, with a total duration of seven minutes. Continue reading “Feral/Crawl – Made as Those Who Are No Longer Alive – Split (Review)”
Grand Cadaver are a death metal band from Sweden and this is their second album.
Featuring current and ex-members of Dark Tranquillity, Katatonia, The Halo Effect, Expulsion, and Tiamat, Deities of Deathlike Sleep is the 35-minute follow up to 2021’s Into the Maw of Death. Continue reading “Grand Cadaver – Deities of Deathlike Sleep (Review)”
Coffin Mulch are a Scottish death metal band and this is their debut album.
Spectral Intercession features 31 minutes of old-school death metal, delivered primarily in the Swedish style, (although not exclusively). Yep, grab your chainsaw, and get ready for carnage. If you’re a fan of bands such as Entombed, Dismember, Bloodbath, and Entrails, but also want something with buckets of Autopsy and Asphyx thrown in, as well as a smudge of hardcore and a whiff of doom, then Coffin Mulch have got you covered.
Continue reading “Coffin Mulch – Spectral Intercession (Review)”
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