This is the second album from Live Burial, a death metal band from the UK.
Featuring current and ex-members of Horrified, Live Burial play old-school death metal, and Unending Futility provides 41 minutes of engaging material for fans of the style to lose themselves in. Continue reading
Wombbath are a Swedish death metal band and this is their fourth album.
SWEDISH DEATH METAL!!! Yeah! Wombbath return to give us another 50 minutes of the good stuff. I have a soft spot for this style that’s undeniable, but Wombbath have proven their worth in the past. Featuring members of bands such as Ashcloud, Henry Kane, Just Before Dawn, Gods Forsaken, Heads for the Dead, Ursinne, Repulsive Vision, and many others, you know that the style is in experienced hands before even pressing play. Continue reading
Earth Rot are an Australian blackened death metal band and this is their third album.
Both 2016’s Chthonian Virtues and 2017’s Renascentia were hugely enjoyable, and worthy of a place in any extreme metal fan’s collection. Continue reading
Macabre Demise is a one-man death metal band from Germany. This is the project’s third album.
Now here’s a band that always seems to hit the spot for me. Both 2015’s Homicidal Parasites and 2017’s Apocalypse demonstrated in no uncertain terms how effective Macabre Demise’s music could be, and now we’re treated to a third full-length. Continue reading
Paganizer are a Swedish death metal band and this is their eleventh album.
Paganizer are a very well-respected band with an imposing body of work, (we’ve covered On the Outskirts of Hades and Land of Weeping Souls in the past). Brought to us by the legendary Rogga Johansson, (Echelon, Megascavenger, The Grotesquery, Those Who Bring the Torture, Just Before Dawn, Ursinne, and many more!), The Tower of the Morbid is 38 minutes of Grade A Swedish death metal ready to destroy. Continue reading
This is the second album from Cleric, a death metal band from the US.
It’s been quite a wait since 2013’s very tasty Gratum Inferno, and so, sucker that I am for this sort of thing, I was eagerly looking forward to this one. Continue reading
This is the sixth album from Entrails, a Swedish death metal band.
Entrails are a reliable death metal juggernaut. With both Obliteration and World Inferno the band produced highly enjoyable exemplars of the classic Swedish death metal style, and now with Rise of the Reaper they’re back once again with another 47 minutes of buzzsaw worship. Continue reading
This is the second album from Gatecreeper, a death metal band from the US.
2016’s Sonoran Depravation and the band’s split release with Iron Reagan in 2018 were both extremely enjoyable, revealing a talent for old-school death metal. Deserted cements this and pushes further, providing 40 minutes of punishing and engrossing tunes. Continue reading
This is the second album from German death metallers Endseeker.
Endseeker play old-school death metal, with a notably Swedish flavour. It’s big, bold, brash, and brutal. Continue reading
Come Back from the Dead are a Spanish death metal band and this is their second album.
My introduction to Come Back from the Dead was on 2017’s Caro Data Vermibus. This was a very pleasing little EP, so it’s good to now see the band return with a new album – 32 minutes of rotten material to sink your fangs into. Continue reading
