Recommended by the promo blurb for fans of bands such as Oranssi Pazuzu, Odraza, and Deathspell Omega, I couldn’t resist giving this a listen to see if it hooked me. Well it did, as you can probably tell by the fact I’m reviewing it. To the above list I’d also add parts of bands like Suffering Hour and Mourir as reference points for Purity of Corruption too. Continue reading “Feral Lord – Purity of Corruption (Review)”
As far as Februarys go, I found February 2021 to be quite exceptionally high in quality when it came to metal albums. Let’s dive in to some of the best from last month… Continue reading “Monthly Overview – the Best of February 2021”
Now here’s a release I’ve been looking forward to. I’m a big fan of Suffering Hour’s past work, (2013’s Foreseeing Exemptions to a Dismal Beyond, and then 2017’s immense In Passing Ascension), and their newest album simply takes their musical progression so far to its logical conclusion. Having learned plenty of lessons Continue reading “Suffering Hour – The Cyclic Reckoning (Review)”
Previously named Aetherium Mors, this is the band’s first release under its new moniker. This is modern, dissonant black metal that’s been hybridised with death metal and energised with melodic darkness. Continue reading “Itheist – Itheist (Review)”
Suffering Hour’s 2014 debut EP Foreseeing Exemptions to a Dismal Beyond was a release that really struck a chord with me. The band’s primitive-yet-powerful display Continue reading “Suffering Hour – In Passing Ascension (Review)”
Immediately from the first song Truths of the Unknown it’s clear that the band give their all to the music and they have plenty of ideas they want to include in their songs as well.
The riffs and melodies used are interesting and not simply genre-rehashing; and the variety of musical influences, (Vader, Morbid Angel, to name just two), that can be heard mean the songs hold interest with ease and before you know it the 29 minute running time is over.
The songs are written well with a good grasp of structure and pace. The tracks vary in length from the relatively short to the longer 8:35 of Enthralled in Lunacy Abyss, which shows that Suffering Hour are not afraid to do what they want and play the kind of Death Metal that pleases them without pandering to anyone else. As it should be.
The vocals are top quality and range from screams to deep growls, with plenty of range shown between the two.
They also have an instrumental song named Prog Thrashing Death which does exactly what it says on the tin.
The production is generally competent and has a very organic sound, however I feel it’s slightly uneven in places and could do with being slightly stronger for their next release. This is only a minor quibble though as it does the job well enough.
The quality and breadth of content in these songs should be envied by most Metal bands and this EP is a huge success for me. For such a young band to have found their musical footing so early on and produced a quality EP with such personality and individuality is a wonderful thing.
This really is fantastic. Support this band as they could go far in the world of Extreme Metal.