Gwendydd – Censored (Review)

Gwendydd - CensoredThis is the second album from Bulgarian metallers Gwendydd.

Blending aspects of melodic death metal, nu-metal, industrial, and metalcore into 32 minutes of charismatic metal, Gwendydd have produced an enjoyable album in Censored. Continue reading “Gwendydd – Censored (Review)”

Caliban – Dystopia (Review)

Caliban - DystopiaCaliban are a German metalcore band and this is their twelfth album.

Caliban play metalcore that combines the hardcore and modern metal ingredients in ways that taste quite idiosyncratic. There’s a darkness at the heart of Dystopia, and that manifests in a collection of songs that hit the spot very nicely. Continue reading “Caliban – Dystopia (Review)”

Monuments – In Stasis (Review)

Monuments - In StasisMonuments are a progressive metal band from the UK and this is their fourth album.

Monuments play modern progressive metal with melody and hooks. In Stasis boasts 50 minutes of well-written material to soak up. Monuments have been one of those bands that I’ve heard many good things about over the years, but it’s only now that I’m Continue reading “Monuments – In Stasis (Review)”

Once Human – Scar Weaver (Review)

Once Human - Scar WeaverOnce Human are a metal band from the US and this is their third album.

Brought to us my an ex-member of Machine Head, Once Human play a heavy brand of modern metal that is designed to get pits moving everywhere, but also offers a bit more depth than you’d expect. Think of a mix of bands such as Machine Head, Fear Factory, Gojira, Jinjer, Strapping Young Lad, and Lamb of God, and then add some increased progressive and technical metal influences, and a touch of classic heavy metal, and you’ll have a decent starting point for Scar Weaver. Continue reading “Once Human – Scar Weaver (Review)”

Fit for an Autopsy – Oh What the Future Holds (Review)

Fit for an Autopsy - Oh What the Future HoldsFit for an Autopsy are a deathcore band from the US and this is their sixth album.

Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”

Orbit Culture – Shaman (Review)

Orbit Culture - ShamanThis is the latest EP from Orbit Culture, a Swedish metal band.

Following on from 2020’s NijaShaman contains 25 minutes of new material. If you’re a fan of modern metal that mixes groove metal, thrash, metalcore , and deathcore together, then Shaman is a meaty and satisfying hit of heaviness. Continue reading “Orbit Culture – Shaman (Review)”

Employed to Serve – Conquering (Review)

Employed to Serve - ConqueringThis is the fourth album from UK metallers Employed to Serve.

Across 48 minutes Employed to Serve dish out eleven tracks of energetic damage. Combining metal and hardcore together like it’s something fresh and vital, the band manage to avoid the tired metalcore tropes and instead deliver an album of crushing tunes and anthemic heaviness. Continue reading “Employed to Serve – Conquering (Review)”

ILLT – Urhat (Review)

ILLT - UrhatThis is the debut album from one-man Norwegian blackened extreme metal project ILLT.

This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”