Sunnata play a form of doom metal that has ritualistic elements, manifesting in a tendency for repetition and hypnotic grooves. Despite this, the band know how to write a good tune, surprisingly so really; some of Continue reading “Sunnata – Burning in Heaven, Melting on Earth (Review)”
Eroded contains 45 minutes of contemporary rock. It’s a style that has its roots in 90s alternative rock and metal, but one that has also been updated with more modern elements from the progressive and technical genres. Continue reading “Lizzard – Eroded (Review)”
Featuring the very capable singer of Herod, (ex-The Ocean), Lam are a relatively new band that nonetheless appear to be fully formed already and ready to challenge listener’s everywhere. There’s only 11 minutes of material here, but it makes a good impression. Continue reading “Lam – Liber K (Review)”
The follow up to 2017’s Shifting.negative, Hostile contains 66 minutes of new material that finds the band incorporating elements of industrial, electronica, and metal/rock into a very solid album. Continue reading “Aborym – Hostile (Review)”
This is a collaboration between post-rock/folk solo artist Emma Ruth Rundle and doom/sludge metallers Thou, both from the US.
This is the second collaboration between these two artists, although sadly I managed to miss out on the full album that the two released together last year. On the strength of The Helm of Sorrow, this is a real shame, as something special appears to have been created here. Continue reading “Emma Ruth Rundle & Thou – The Helm of Sorrow (Review)”
Escape Is Not Freedom are no strangers to this site, (here and here), and it’s great to hear some new material from them. Combining elements of metal, sludge, rock, and noise, Escape Is Not Freedom remind me of a cross between Fudge Tunnel, Helmet, Nirvana, Skyscraper, and others. Continue reading “Escape Is Not Freedom – Surrounded by the Great Nothing (Review)”
This is the second album Greek post-hardcore/sludge band Chronoboros.
Having enjoyed both Dialing up the Cutter and No Dirt or Silver Will Have Us Sated, we now turn to the latest Chronoboros release, which finds the band in good form as they plough through 35 minutes of angular, unorthodox material. Continue reading “Chronoboros – The Mass Saw Acres of Chain (Review)”
This is the follow up to 2015’s Tearing up the Roots, and offers 48 minutes of metallic anthems and energetic riffs. Continue reading “Veil of Deception – Dissident Voices (Review)”
Despite Windhand being one of the higher profile examples of this type of music, their split with Satan’s Satyrs was my first exposure to them. As such, it’s great to hear what they’re capable of with a full album’s worth of material to play with. Continue reading “Windhand – Eternal Return (Review)”
Will Haven specialise in playing music that effortlessly combines huge crushing riffs and punishing intensity with a compellingly emotive foundation to create highly evocative and engaging soundscapes. Continue reading “Will Haven – Muerte (Review)”