Boundaries are heavy. Like, crush your skull into a bloody pulp heavy. Add to this the fact that they can also write a good song, and you have a pretty damn satisfying EP. Continue reading
I enjoyed Cold Snap’s 2015 album World War 3, which mixed modern metal and metalcore with a rare-these-days helping of nu-metal. Despite how that description probably sounds to some people, it was a recipe I quite enjoyed, so I’m now pleased to give the band’s latest effort a good listen. Continue reading
I like this, it has character. On the longer side for an EP, (31 minutes), Hivetower have produced the type of metal album that pilfers willingly from a few different scenes and styles, while still managing to have a personality of its own. Continue reading
I like a bit of modern heavy music when it’s suitably aggressive, but also when it has sufficient depth. Concealed Reality play metalcore influenced by the early 00s sound, only updated with a contemporary delivery and with some other musical enhancements. Continue reading
So what do Gürschach sound like? I suppose if you take a base of classic heavy metal, while mixing in elements of modern, alternative, thrash, and progressive metal, you’ll have a good place to start from. Continue reading
This is like an aggressive modern-day updated version of some of the stuff that was being played by some of the bands that sat on the heavier end of the nu-metal spectrum in the late 90s/early 00s. It reminds me Continue reading
Mixing modern metal, metalcore, thrash metal, nu-metal, and groove metal into their sound, this is an enjoyable romp through a landscape that sees many different complementary influences touched upon. Continue reading
Combichrist are one of those bands that I’ve been aware of since they came out, but I’ve always managed to unintentionally avoid listening to. As this is their eighth album I’m quite late to the Combichrist party, but I’m glad I’ve finally experienced their quite personable brand of industrial metal. Continue reading
What happens when deathcore runs out of room to expand within its restrictive genre confines and needs to spread its wings into a wider world? The Violent Sound is what happens.
Mixing the heavy, low-end rumble of deathcore with a slice of nu-metal, The Last Ten Seconds of Life have a sound that is largely one of their own in 2016. Continue reading
Kontagion play industrial-tinged cybermetal, taking influence from the earlier of strains of the Fear Factory virus, and morphing itself into an altogether darker and more feral breed via some early Slipknot/Mushroomhead influences and a touch of Godflesh, (of which there’s a cover version here of Crush My Soul).
This really does have a late 90s/early 00s feel Continue reading