Promethean Misery – Ghosts (Review)

Promethean MiseryPromethean Misery is a one-woman project playing atmospheric and doom metal-influenced neo-classical music.

After her extremely impressive and enjoyable Bloodlet EP from earlier in the year, this new album contains more alluring, dark, and wonderfully-realised music. Continue reading

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Dead End Scene – Dead End Scene (Review)

Dead End SceneDead End Scene are a Finnish metal band and this is their latest EP.

Dead End Scene play modern metal. Now, before you start rolling your eyes in boredom, I’d recommend giving Dead End Scene a chance, as they’re more individual and agreeable than you might expect given the genre tag. Continue reading

Vetrar Draugurinn – I (Review)

Vetrar DraugurinnThis is the debut EP from Gothic metallers Vetrar Draugurinn, who are from the Netherlands.

Featuring current and ex-members of bands such as Stream of Passion, The Saturnine, and Autumn, this new band brings a wealth of experience to the table, showing a maturity and professionalism that you’d expect from such accomplished artists. Continue reading

Dimlight – The Lost Chapters (Review)

DimlightDimlight are a symphonic metal band from Greece and this is their third album.

Now this is quite interesting. Here we have a Gothic/symphonic metal band that have some death/black metal elements entwined into the tracks.

This is a modern, updated version of the old, so-called, beauty-and-the-beast vocal approach that twins angelic female cleans with guttural male growls. I always quite liked this approach when it was probably at the height of its popularity Continue reading

Elyria – Reflection and Refraction (Review)

ElyriaElyria are a symphonic metal band from Germany. This is their début album.

With a Classically-trained female vocalist in the ranks, you already know that her singing is going to be first-rate. With her Classical training it’s clear from the off that she really knows what she’s doing. How well this works for you depends on your take on the style and how you feel about these kinds of vocals.

There are some really nice vocal melodies strewn about these tracks, reminding me sometimes of older Kamelot in their delivery, and her voice is very enjoyable.

The music is largely of the Gothic/symphonic variety, but interestingly Elyria spice Continue reading

Tothem – Gemini (Review)

TothemThis is the second album from Tothem, an Italian gothic/heavy metal band.

This is the band’s follow up to their début album Beyond the Sea, which was a polished collection of gothic metal tracks.

As with their first release; no matter how enticing the female vocals are, Tothem still remember that they’re first and foremost a metal band. This means that the music is just as important as the singing, and the guitars are present and correct as they should be.

Continue reading

Beseech – My Darkness, Darkness (Review)

BeseechBeseech are a Gothic Metal band from Sweden and this is their sixth album.

Since reforming in 2012, this is the band’s first release in 11 years, after their last album Sunless Days in 2005. I always really enjoyed Beseech’s older work when I was in the mood for it so was looking forward to hearing their newest music.

Immediately as the first song Beating Pulse starts it’s like they’ve never been away, with sterling melodies and emotive vocals from both male and female singers. It’s a strong opening.

The Beseech of 2016 have refined their sound so that they now pay homage to their earlier work, but have also added something new and, dare I say it, better than what came before. There’s a bit more of a Rock vibe to parts of this album than there was previously, and this has replaced certain overly-Gothic aspects of their sound in some ways. I don’t have a problem with this though, in fact I think it makes for a stronger album overall.

Beseech were always quite an emotive and textured band, but they appear to have developed this even further on My Darkness, Darkness. There also seems to be a bit more subtlety and nuance here than before; although this is not something they were really lacking, it’s just a deeper part of their sound now.

Essentially this is Beseech 2.0; better, leaner, hungrier and more refined than before. Experience and time appears to have aged them like a fine wine, and this collection of songs is very enjoyable indeed.

I’m very pleased with this. Rather cynically I honestly expected some form of half-hearted rehashing of old glories, (not sure why), but instead the band have impressively produced an updated, fresh and wonderfully emotive release that has quite floored my jaded expectations and is currently swamping my brain with quality tunes.

Check this out.