Sermon mixes together gritty modern metal and violent hardcore, along with a touch of powerviolence, (and some other styles), and does so very convincingly. Continue reading
Deathflux play a heavy and aggressive brand of metal. Mixing influences from groove metal and the NWOAHM with some more contemporary deathcore ones, and adding in some Continue reading
Already an impressive and accomplished technical/progressive death metal proposition prior to this album, Where Owls Know My Name sees the band developing their sound even more than previously. Continue reading
Heavy and aggressive, this is modern deathcore with some metalcore and djent influences thrown in for good measure. Continue reading
On Suffer, Lord of War deliver 49 minutes of well-recorded modern death metal with enough strength and power to floor an elephant.
This is the kind of thing that should appeal to any of the death metal new guard, so fans of Whitechapel, Thy Art Is Murder, All Shall Perish, Molotov Solution, (the singer of which has a guest spot on this album), etc., Continue reading
This makes a good impression very early on. Despite play a kind of modern metal that takes from the Swedish melodic death metal scene of yore, as well as more modern and even some progressive/djent elements. Synergi is my first exposure to the band, and to my ears comes across as a mix of Darkane, In Flames, Fear Factory and Whitechapel.
With three guitarists, the music is nicely heavy and treads the line Continue reading
2014’s Our Endless War saw Whitechapel effectively combining their death metal/deathcore roots with their more further-developed modern metal approach from their previous release into an album that made the most out of both of these influences.
Mark of the Blade continues where Our Endless War left off, providing a large chunk of heavy, aggressive music with modern, groove and djent parts welded onto their thoroughly metal core. However, the band have also progressed and expanded Continue reading
Whitechapel have progressed over the years from their more Death Metal/Deathcore roots to something these days that is half Deathcore and half modern Metal, taking influence from the NWOAHM and djent styles and infusing them with a Deathcore aggression and heaviness.
They’ve generally slowed things down a bit too, emphasising catchiness and rhythm rather than speed and brutality, as was once the case, (although even back then they had a certain level of catchiness that was lacking in their peers). Due to their background though they’re more than capable of speeding up when they need to, adding that extra edge to the delivery, and I’m pleased that the blast beats haven’t been totally dropped from their repertoire.
As mentioned above, there’s more of a djent influence on their albums of late, and this is still true on Our Endless War. I’ve stated in the past that djent is a very easy style to be mediocre at, and I’ve said the same about Deathcore too; it’s a testament to Whitechapel’s ability that they take the strengths from one and use it to offset the weaknesses of the other. The result is music that blurs the line between both, taking the best aspects and combining them with the aforementioned NWOAHM parts to create memorable songs that pound and smash their way through the playing time.
Although Whitechapel are mainly about the chunky grooves and heavy riffs, the included melodies and leads should not be discounted or dismissed. These frequently provide a more emotive hook for the listener and add a lot to the songs in comparison to the more obvious rhythm guitars. This side of the band also serves to remind that when they’re not unleashing huge breakdowns and the like, Whitechapel can really play.
The singer’s clipped growls are still deep and roaring, and he shows a nice rhythmic awareness a lot of the time that fits in well with what the music is doing. Occasionally he slips into the even deeper deathgrowls of old, and it’s a joy to hear.
For me, this album is definitely a grower. For all of the immediacy of a band like this, it takes time for the rhythms and melodies to properly infiltrate your brain. When they do you’ll find that the band have produced a surprisingly memorable and enjoyable album.
Their previous release Depths of Despair was an enjoyable, albeit brief, romp through all things heavy and modern, and Regression continues the theme but ups the stakes.
At a slightly longer 30 minutes in length, the band have further refined their blend of modern Metal and Metalcore/Hardcore/Death Metal influences into a potent blend of muscular aggression.
The singer has a harsh snarl that fits well with the music and doesn’t allow for any compromise. He plainly means business and I like what he’s selling.
The songs chug, rumble and bludgeon their way through the playing time and there’s a decent amount of catchy riffs and heavy melodies involved.
Although I liked Depths of Despair this is an all-round more cohesive, focused and superior release; perfect for when you want some heavy, crushing, upbeat, groove-based music. Without too much extremity, but also without going the other way into commercial, sanitised waters, Systemhouse33 have hit the right spot and Regression is actually a positive move forward.
For fans of Lamb of God, Meshuggah, Whitechapel, Skinlab, Machine Head, Testament, Merauder, etc.