Hanging the Nihilist are a blackened deathcore band from Denmark and this is their debut album.
Prophetic Blasphemy contains 42 minutes of brutal modern blackened deathcore. Riven with huge breakdowns and enhanced with blackened malevolence, Prophetic Blasphemy is on the darker, heavier side of the deathcore spectrum, and I like what I hear. Continue reading “Hanging the Nihilist – Prophetic Blasphemy (Review)”
This is the eighth album from US metal band Whitechapel.
I do enjoy a bit of Whitechapel now and again, (Our Endless War, Mark of the Blade, The Valley), so Kin has come along at the right time. After the advances in style and songwriting of The Valley, Kin continues where that album left off, treading similar ground, while also broadening the band’s stylistic reach further. Continue reading “Whitechapel – Kin (Review)”
This is the second album from US metalcore band Light the Torch.
The follow up to 2018’s Revival, Light the Torch have now returned with 43 minutes of new material, (and a Terence Trent D’Arby cover). Continue reading “Light the Torch – You Will Be the Death of Me (Review)”
I Am Destruction are a death metal band from the US and this is their debut album.
Nascency combines the sounds of brutal death metal, slam, deathcore, and technical death metal, into 36 minutes of aggressive heaviness. Continue reading “I Am Destruction – Nascency (Review)”
Une Misère are an Icelandic metal band and this is their debut album.
Sermon mixes together gritty modern metal and violent hardcore, along with a touch of powerviolence, (and some other styles), and does so very convincingly. Continue reading “Une Misère – Sermon (Review)”
This is the seventh album from US deathcore veterans Whitechapel.
Following on from Our Endless War and Mark of the Blade, Whitechapel are back with another thundering album of deathcore, modern metal, and pit-rousing brutal anthems. So how have they got on this time? Continue reading “Whitechapel – The Valley (Review)”
Deathflux are a UK metal band and this is their debut album.
Deathflux play a heavy and aggressive brand of metal. Mixing influences from groove metal and the NWOAHM with some more contemporary deathcore ones, and adding in some Continue reading “Deathflux – Execrated (Review)”
This is the third album from US progressive death metallers Rivers of Nihil.
Already an impressive and accomplished technical/progressive death metal proposition prior to this album, Where Owls Know My Name sees the band developing their sound even more than previously. Continue reading “Rivers of Nihil – Where Owls Know My Name (Review)”
This is the latest EP from Cranely Gardens, a deathcore band from the US.
Heavy and aggressive, this is modern deathcore with some metalcore and djent influences thrown in for good measure. Continue reading “Cranely Gardens – House of Decay (Review)”
This is the second album from Lord of War, a US death metal band.
On Suffer, Lord of War deliver 49 minutes of well-recorded modern death metal with enough strength and power to floor an elephant.
This is the kind of thing that should appeal to any of the death metal new guard, so fans of Whitechapel, Thy Art Is Murder, All Shall Perish, Molotov Solution, (the singer of which has a guest spot on this album), etc., Continue reading “Lord of War – Suffer (Review)”
Wonderbox Metal 