I Am Destruction – Nascency (Review)

I Am Destruction - NascencyI Am Destruction are a death metal band from the US and this is their debut album.

Nascency combines the sounds of brutal death metal, slam, deathcore, and technical death metal, into 36 minutes of aggressive heaviness. Continue reading “I Am Destruction – Nascency (Review)”

Une Misère – Sermon (Review)

Une Misère - SermonUne Misère are an Icelandic metal band and this is their debut album.

Sermon mixes together gritty modern metal and violent hardcore, along with a touch of powerviolence, (and some other styles), and does so very convincingly. Continue reading “Une Misère – Sermon (Review)”

Whitechapel – The Valley (Review)

Whitechapel - The ValleyThis is the seventh album from US deathcore veterans Whitechapel.

Following on from Our Endless War and Mark of the Blade, Whitechapel are back with another thundering album of deathcore, modern metal, and pit-rousing brutal anthems. So how have they got on this time? Continue reading “Whitechapel – The Valley (Review)”

Deathflux – Execrated (Review)

DeathfluxDeathflux are a UK metal band and this is their debut album.

Deathflux play a heavy and aggressive brand of metal. Mixing influences from groove metal and the NWOAHM with some more contemporary deathcore ones, and adding in some Continue reading “Deathflux – Execrated (Review)”

Cranely Gardens – House of Decay (Review)

Cranely GardensThis is the latest EP from Cranely Gardens, a deathcore band from the US.

Heavy and aggressive, this is modern deathcore with some metalcore and djent influences thrown in for good measure. Continue reading “Cranely Gardens – House of Decay (Review)”

Lord of War – Suffer (Review)

Lord of WarThis is the second album from Lord of War, a US death metal band.

On Suffer, Lord of War deliver 49 minutes of well-recorded modern death metal with enough strength and power to floor an elephant.

This is the kind of thing that should appeal to any of the death metal new guard, so fans of Whitechapel, Thy Art Is Murder, All Shall Perish, Molotov Solution, (the singer of which has a guest spot on this album), etc., Continue reading “Lord of War – Suffer (Review)”

Despite – Synergi (Review)

DespiteDespite are from Sweden and play modern metal. This is their third album.

This makes a good impression very early on. Despite play a kind of modern metal that takes from the Swedish melodic death metal scene of yore, as well as more modern and even some progressive/djent elements. Synergi is my first exposure to the band, and to my ears comes across as a mix of Darkane, In Flames, Fear Factory and Whitechapel.

With three guitarists, the music is nicely heavy and treads the line Continue reading “Despite – Synergi (Review)”

Whitechapel – Mark of the Blade (Review)

WhitechapelWhitechapel are from the US and play deathcore/metal. This is their sixth album.

2014’s Our Endless War saw Whitechapel effectively combining their death metal/deathcore roots with their more further-developed modern metal approach from their previous release into an album that made the most out of both of these influences.

Mark of the Blade continues where Our Endless War left off, providing a large chunk of heavy, aggressive music with modern, groove and djent parts welded onto their thoroughly metal core. However, the band have also progressed and expanded Continue reading “Whitechapel – Mark of the Blade (Review)”

Whitechapel – Our Endless War (Review)

WhitechapelThis is the fifth album from US Deathcore/Metal band Whitechapel.

Whitechapel have progressed over the years from their more Death Metal/Deathcore roots to something these days that is half Deathcore and half modern Metal, taking influence from the NWOAHM and djent styles and infusing them with a Deathcore aggression and heaviness.

They’ve generally slowed things down a bit too, emphasising catchiness and rhythm rather than speed and brutality, as was once the case, (although even back then they had a certain level of catchiness that was lacking in their peers). Due to their background though they’re more than capable of speeding up when they need to, adding that extra edge to the delivery, and I’m pleased that the blast beats haven’t been totally dropped from their repertoire.

As mentioned above, there’s more of a djent influence on their albums of late, and this is still true on Our Endless War. I’ve stated in the past that djent is a very easy style to be mediocre at, and I’ve said the same about Deathcore too; it’s a testament to Whitechapel’s ability that they take the strengths from one and use it to offset the weaknesses of the other. The result is music that blurs the line between both, taking the best aspects and combining them with the aforementioned NWOAHM parts to create memorable songs that pound and smash their way through the playing time.

Although Whitechapel are mainly about the chunky grooves and heavy riffs, the included melodies and leads should not be discounted or dismissed. These frequently provide a more emotive hook for the listener and add a lot to the songs in comparison to the more obvious rhythm guitars. This side of the band also serves to remind that when they’re not unleashing huge breakdowns and the like, Whitechapel can really play.

The singer’s clipped growls are still deep and roaring, and he shows a nice rhythmic awareness a lot of the time that fits in well with what the music is doing. Occasionally he slips into the even deeper deathgrowls of old, and it’s a joy to hear.

For me, this album is definitely a grower. For all of the immediacy of a band like this, it takes time for the rhythms and melodies to properly infiltrate your brain. When they do you’ll find that the band have produced a surprisingly memorable and enjoyable album.

Highly recommended.