This is the second album from UK post-metal act The Ever Living.
The Ever Living combine alternative, electronic/industrial, and post-metal together into 43 minutes of material on Artificial Devices, resulting in a textured, immersive collection of tracks. Continue reading “The Ever Living – Artificial Devices (Review)”
This is the second album from Greek progressive metal band Playgrounded.
Playgrounded’s progressive metal is skilfully combined with electronic elements to produce music that’s affecting and engaging. As a starting point for what you’ll encounter here, the promo blurb’s statement that this is for fans of bands such as Karnivool, Katatonia, Nine Inch Nails, Deftones, Moderat, The Ocean, Vola, Leprous, and Skyharbor is a pretty decent one. Continue reading “Playgrounded – The Death of Death (Review)”
This is the second album from US one-man post-metal band Breaths.
Here we have 35 minutes of music that’s described as a mix of post-metal, black metal, doom metal, shoegaze, post-rock, progressive metal, and post-hardcore, and recommended for bands such as Alcest, Deftones, Deafheaven, and Sleep Token. Believe it or not, this wide mix of genres actually makes sense within the context of the bands mentioned, so a picture can start to form of what the Breaths sound is like before you encounter the artist’s emotive metal. Continue reading “Breaths – Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt (Review)”
The Hyena Kill are a UK rock band and this is their second album.
With a promo blurb that mentions bands such as Deftones, Nirvana, and Chelsea Wolfe, I was intrigued by what The Hyena Kill’s sound would actually be. It turns out Continue reading “The Hyena Kill – A Disconnect (Review)”
This is the debut album from US metallers Ghastly Sound.
Having really enjoyed both Ghastly Sound and The Bottom, I’ve been looking forward to Have a Nice Day. It has not disappointed, quite the opposite in fact. Continue reading “Ghastly Sound – Have a Nice Day (Review)”
Throes are a sludge metal band from the US and this is their debut album.
Throes don’t mess around. The band mix together hardcore, sludge metal, and post-metal to create abrasive, harsh music that sounds like the aural equivalent of sandpapering your skin. Continue reading “Throes – In the Hands of an Angry God (Review)”
This is the debut album from Holding Absence, a UK modern metal band.
I had no intention of writing about this album. Described as a metalcore album themed around love, it did not push my buttons, I confess. However, I made the mistake of actually listening to the band, and ended up being firmly hooked. Continue reading “Holding Absence – Holding Absence (Review)”
Soul Attrition is a one man post-rock band from the US and this is his debut album.
The man behind this band also plays in the wonderfully alternative/sludgy Escape Is Not Freedom, so I knew I had to give this one a listen. Continue reading “Soul Attrition – Vashon Rain (Review)”
Vexes are a US modern/post-metal band and this is their debut album.
Although Deftones are the obvious starting point for comparative purposes, elements of The Unguided, Poison the Well, Glassjaw, and Cave In can also be heard in the band’s sound, as well as some more atypical moments in the style of, perhaps, Norma Jean, Between the Buried and Me, and Isis. Feelings of the late 90s/early 00s are strong with this band, and from my point of view that’s no bad thing at all. Continue reading “Vexes – Ancient Geometry (Review)”
This is the latest EP from A Light Within, a post-metal band from the US.
This is atmospheric post-metal with some progressive and post-rock elements. Take the post-metal triumvirate of Isis, Neurosis, and Cult of Luna, and throw in some Deftones, The Ocean, and Devil Sold His Soul, and you’ll have a basic starting point. Continue reading “A Light Within – Epilogue (Review)”
Wonderbox Metal 